On March 11, 1978, Sosuke Miyazawa interviewed Nanyu Tomiyasu (b. May 28, 1918 in Las Vegas, Nevada) about his family’s farm and their legacy as one of the pioneering families of the city. Tomiyasu begins by talking about what brought his family to Las Vegas, the city’s abundant water reservoir and his father’s farm. In particular, Tomiyasu discusses his father’s experiments with farming as one of the city’s early farmers, the transition into nursery farming and Japanese gardens. Moreover, he discusses his siblings, the local schools, their great quality, the successful students the city produced and the growth of school populations. Tomiyasu describes the large Japanese population and the Union Pacific Railroad that many of them worked on. He ends by discussing the change in architecture within the city, such as where old buildings stood and what they are used for now, the first Episcopal Church and the old Mormon Fort.
Anna Peltier, owner and founder of ARIA Landscape Architecture in Las Vegas, Nevada, is a transplanted farm girl and a musician. She was born in 1978 on Michigan’s Upper Peninsula in Escanaba, Michigan, where she and two brothers were the second generation to grow up on their parents’ (and formerly their grandparents’) farm. She studied music performance at Michigan State University but after discovering her love of landscape architecture early in her college career, she changed majors and earned her degree in landscape architecture. Moving to Las Vegas in 2007, she first worked for JW Zunino Landscape Architects. While with Zunino she did design work for Lorenzi Park and designed the award-winning Cactus Avenue Interchange. As ARIA’s principal designer, Anna designed Discovery Park in Pahrump, Nevada, and the USA Parkway between Lake Tahoe, California, and Reno, Nevada. In 2013, when Anna opened ARIA, she carefully chose the name of her business. First, for practical reasons she want
The collection is comprised of drawings (1965-1996) completed by American architect Gary Guy Wilson and/or his architectural firm, Gary Guy Wilson, AIA, Architect Studios and contains 613 sets of drawings from over 250 different projects. Primarily focused on the Las Vegas, Nevada area, the materials feature hand-drawn architectural drawings, ranging from preliminary sketches to construction documents, and a number of printed computer aided drawings. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The drawings include: commercial and professional buildings of varying scales, such as convenience stores, hotels, casinos, shopping centers, and office developments; schools; military buildings at both Nellis and Indian Springs Air Force Bases; multi-family residential developments; and custom single-family homes located throughout the Southwest (United States).
Per patron comments, this home was one of two twin houses that stood next to each other on Knob Hill in Rhyolite before it was moved to Beatty. Patron also commented that Jesse Christensen was the Beatty postmaster, and that an outline of the Exchange Club is visible on the right. Caption: Home of Jesse Christensen. Beatty, Nevada, where he first saw her.
Oral history interviews with Martin Myron and Don Snyder conducted by Stefani Evans on November 30, 2017, December 06, 2017, and March 08, 2018 for the Building Las Vegas Oral History Project. Myron G. Martin, President and CEO, and Donald D. Snyder, Chairman of the Board of Directors, share their memories of the founding of The Smith Center for the Performing Arts. Martin recalls his upbringing in Texas and his education in music and business at Golden Gate University. He came to Las Vegas after a fifteen-year career with the Baldwin Piano Company to be the Executive Director of the Liberace Foundation. Martin describes how he became President of University of Nevada, Las Vegas (UNLV) Performing Arts Center and later President of the Las Vegas Performing Arts Center Foundation in 1999. Martin and Snyder talk about how the Smith Center came to be, fund raising, the design process for the performing arts complex, and notable people and organizations that were involved. They also discuss the overall programming at the Smith Center, and who performed on opening night.