The Norman Kaye Papers span the years of 1952 to 1969 and are comprised of material from the career of Norman Kaye, a Las Vegas lounge entertainer and longtime poet laureate of Nevada. The materials contain correspondence, newspaper clippings, music manuscripts and poetry, and audio recordings from the Mary Kaye Trio.

Collection is comprised of scrapbooks, photographs, awards and certificates, and ephemera mainly dating from approximately the 1950s to 1970s gathered by the Levy family of Las Vegas, Nevada. This collection documents the personal and professional lives of three generations in the Levy family: Harry C. Levy, Al Levy, and Andrew “Drew” Levy. Materials in this collection also include photographs and clippings about the Levy Realty Company and about the various public positions held by Harry C. Levy, such as Las Vegas city commissioner.

Oral history interview with Kent Carmichael conducted by Stefani Evans on November 25 and December 2, 2019 for the Boyer Early Las Vegas Oral History Project.

In the first session of this oral history, Carmichael discusses his early career in lighting design and maintenance from his start at Interstate Neon to his work in the 1950s and 60s in Las Vegas. He discusses some of the iconic signs he built including the Casino Center, Carnival Room, Thunderbird, The Frontier, Bonanza, and the Stardust. He also details the technology and inner workings of these innovative signs including the transition from mechanical to electrically controlled signage. Carmichael continues to discuss Native American laborers and various individuals that he interacted with throughout his early career including Max and Mo Oggenblick, Doby Doc, Benny Binion, Arby Alper, Steve Wynn, Peter Arp, and Wayne and Jerry Newton. Carmichael ends the first interview by recalling a high wind event that damaged the Frontier sign and his efforts to bring the sign under control and repair it as well as his vision and behind the Stardust sign.

The second oral history interview contains Carmichael’s discussion of his career from 1968 onward. He immediately picks up discussion of the Stardust sign and his transition to desk work. Carmichael details the challenge and limitations of designing the International sign (the Westgate as of 2021). He describes the development of his first messenger sign for the International and the time consuming task of using tape to program the sign. He fondly remembers working on the Holiday Inn Riverboat signs, and International transition to Las Vegas Hilton and the Hilton’s transition from blue to red letters. Carmichael shares the story of being caught between organized crime and a young Steve Wynn. He recounts his last project for Ad Art, developing and construction the sign for the Louisiana Superdome in New Orleans, Louisiana. He details working through legislative and construction issues as well as the fallout from the Nat Kiefer Commission.

After leaving Ad Art Carmichael began working with Heath and Co. and began collaborating with Raul Rodriguez. Carmichael and Rodriguez went on to design some of the most enduring and visually unique signs in Las Vegas including, the Flamingo, Four Queens, Golden Nugget, Dunes Hotel, and the Desert Inn. They also worked in Reno on Circus Circus and El Dorado. Carmichael also details his interior work including the main pylon and interior signs for MGM Grand; 1974 renovation Golden Nugget, suspended stained glass ceiling at Tropicana, and the MGM Lion display. Lastly Carmichael outlined his work with Young Electric Sign 1983-85 and the Dewey Sign Company including the Las Vegas Convention Center sign. He ends by sharing his views on the role and importance of lighting in Las Vegas.

The Greenpeace Pacific Southwest Records are comprised of files and documents pertaining to environmental activism in Southern Nevada from 1962 to 1994, primarily addressing the organization of protests at the Nevada Test Site. The collection contains newspaper articles, newsletters, publications, financial records, protest information, correspondence, meeting minutes, articles of incorporation, Freedom of Information Act requests, and Nevada Test Site information. Also contained in the collection are maps and documents related to various environmental issues such as nuclear waste, land use, wildlife protection, and international environmental activism.

The Jess Mack Papers document the professional life of burlesque agent and comedy writer Jess Mack from 1916 to 1988 in Las Vegas, Nevada. In addition to contracts, correspondence, engagements, and newspaper articles, the collection contains five boxes of jokes, scripts and scenes used in various burlesque productions. Other material includes photographs of entertainers and burlesque stars, joke booklets, and issues of Mack's magazine, Cavalcade of Burlesque, dating from 1951 to 1954.

The Hazel Baker Denton Photograph Collection (1910-1961) is comprised of photographic prints and one negative of the Denton family and friends, primarily taken in Nevada and Utah. Many photographs depict life in small Nevada towns, particularly Caliente. Photographs also depict Utah, Oregon, Washington D.C., and California, and unidentified desert and forest landscapes throughout the American West.

The UNLV University Libraries Collection of Boulder City, Hoover Dam, and Lake Mead National Recreation Area Maps and Brochures (1927-1998) primarily contains regional maps, brochures for local points of interest, and subdivision plat maps of Boulder City, Lake Mead, and Hoover (Boulder) Dam.