Oral history interview with Betty Francisco conducted by Joanne Goodwin on August 12, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Francisco opens her interview by discussing her early life in Arizona and California. Francisco then talks about her dance career in Las Vegas, Nevada, starting with her work at the Dunes Hotel. Francisco also discusses working for choreographer Harold Minsky. Finally, Francisco describes common dancer experiences, such as getting injured or sick.
Oral history interview with Estelle and Julia Elliott conducted by Vanessa Concepcion and Stefani Evans on December 2, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.
Twins Estrellita "Estelle" and Julieta "Julia" Elliott share their personal histories growing up in Cebu City, Philippines with their grandparents. They discuss moving to the United States to live with their parents after the death of their grandfather, and how they preserved their "tricultural" Castilian Spanish, Filipino, and American identities. After graduating from Stevens College, an art and academic school in Missouri, Estelle recounts marrying her husband and moving to Las Vegas where she gave birth to her daughter. Julia shares how she followed Estelle a few years later to Las Vegas, and the two women share their experiences as entertainers on the Las Vegas Strip. Both Estelle and Julia joined Minsky's Burlesque before becoming a permanent act in Siegfried and Roy's show at the Frontier Hotel. They also discuss their performances with Kirby VanBurch at the Aladdin's Abracadabra Show, dancing at the Playboy Mansion, and how Siegfried and Roy helped to diversify Las Vegas entertainment by incorporating dancers and performers of color, like the King Charles Troupe, into their shows.
Oral history interview with Kim Krantz conducted by Joyce (Marshall) Moore on February 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Krantz begins her interview discussing her transition from an east coast dancer to a Las Vegas, Nevada dancer. Krantz discusses the performing scene at the time and the general distaste dancers had for showgirls. Krantz goes on to discusses the details of nudity in performances and the relationships show directors like Harold Minsky and Donn Arden had with their performers. Krantz also discusses her experiences as a dancer and her opinions about the treatment of African American dancers.