The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.
The Hal Belfer Papers chronicle the professional career of producer, choreographer, and writer Harold (Hal) Belfer (1935-2004) and consist of general materials regarding his work in Hollywood, California and Las Vegas, Nevada. One of the scrapbooks contains photographs of famous personalities from his early work in movies and theater. Also included are newspaper clippings, scripts, sheet music, arrangements, and photocopies of "Fabulous Las Vegas" and "Ken's Spotlight on Las Vegas," where Belfer had made notations.
The Bill Campbell Costume Designs (1954-1978) are comprised of original costume design sketches created by designer Bill Campbell for a number of Donn Arden's stage productions, including Pzazz!, Hello America, and Hello Hollywood Hello that were staged in the Crystal Room at the Desert Inn in Las Vegas, Nevada during the 1960s and 1970s. The collection also contains some sketches for other revues held in Los Angeles, California and Reno, Nevada. The majority of items in the collection are original drawings with attached fabric swatches; a number of items are xeroxed reproductions.
The Paris, France Show Programs Collection (1950-2000) is comprised of publicity print materials of the following cabaret music halls and burlesque clubs in Paris, France: Alcazar de Paris, Casino de Paris, Folies-Bergère, Le Lido de Paris, and Moulin Rouge Paris. The collection includes programs, advertising posters, fliers, long playing record albums, photograph slides, and restaurant menus. This material was formerly known as the International Show Programs Collection.
The Grace Hayes Papers (1900-1989) include personal papers and financial papers pertaining to the Grace Hayes Lodge (formerly the Red Rooster), a nightclub on the Strip in Las Vegas, Nevada. The collection includes financial documents, newspaper clippings about Hayes and her family, personal correspondence, career mementos, legal documents, and photograph albums.
The Wayne Newton Fan Club Records contain photographs, newspaper clippings, and magazine articles from 1969 to 1988. In addition to the documents that follow Wayne Newton's career, there are also video cassettes, vinyl records, picture books, and programs that provide insight to this time in the entertainment industry.
The Fercos Family Publicity Collection (approximately 1978-1989) contains newspaper articles, advertisements, and a poster promoting the Flying Fercos, a family of juggling and acrobatic performers who performed in Las Vegas, Nevada at the Dunes Hotel during the 1970s and 1980s. The materials document the Fercos family's act as part of producer Frederic Apcar's shows such as Casino de Paris and Hot Shock.
The Keith Boman Papers on the Smith Center for the Performing Arts consist of materials documenting the construction of the Smith Center for the Performing Arts in Las Vegas, Nevada from approximately 2009 to 2010. The collection includes documents from the construction oversight committee, financial budgets, and board of directors meeting agendas.
The Edmund P. Warren Papers (1940-2005) consist of Warren’s personal collection of travel documentation, newspaper clippings, promotional materials from casinos and shows, and dining ephemera primarily from Las Vegas, Nevada.
Oral history interview with Jack Cathcart conducted by Debbie Pfefferkorn on March 01, 1980 for the Ralph Roske Oral History Project on Early Las Vegas. Cathcart’s interview focuses on the transformations in the entertainment industry in Las Vegas, Nevada during World War II. He discusses the varying entertainment in hotel lounges, different dance styles, and the changes in customer service within these hotels.