Oral history interview with Matt Gregory conducted by Joyce Marshall on May 07, 1996 for the UNLV University Libraries Oral History Collection. In this interview, Gregory discusses his early life and arriving to Las Vegas, Nevada in 1953. He remembers working in public relations for the Showboat Hotel and Casino and becoming a personal manager, agent and producer. Gregory talks about representing lounge acts, recruiting young artists, and producing large shows in smaller venues. Lastly, Gregory discusses producing a fashion show for the Lion's Club Convention held in Las Vegas and producing the network television game show, Las Vegas Gambit.

The Sands Hotel Public Relations Records document the history of the Las Vegas casino and hotel from 1952 to 1977. It is comprised primarily of photographs, mostly 8x10 black-and-white prints, color prints, and transparencies. Most were produced by the Las Vegas News Bureau. Also included are newspaper clippings, brochures, press releases, and inter-office memos relating to the advertising and promotion department. Materials also include reels of 16mm film of the Sands opening, various shows and events including Frank Sinatra and Dean Martin's "Summit Meeting" performances with the Rat Pack, and footage from various television productions filmed at the Sands.

The Carmella Rickman Papers (1955-1999) document Rickman’s career as a burlesque dancer as well as her later life in Las Vegas, Nevada. She performed primarily in Washington, D.C. and along the east coast of the United States in the 1950s and 1960s. Materials include promotional photographs of Rickman and newspaper and magazine clippings about her performances, as well as photographs and promotional material for other burlesque dancers. The collection includes one beaded costume worn by Rickman. It also includes photographs of Rickman’s life in the 1990s in Las Vegas, Nevada.

The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.

The Bill Campbell Costume Designs (1954-1978) are comprised of original costume design sketches created by designer Bill Campbell for a number of Donn Arden's stage productions, including Pzazz!, Hello America, and Hello Hollywood Hello that were staged in the Crystal Room at the Desert Inn in Las Vegas, Nevada during the 1960s and 1970s. The collection also contains some sketches for other revues held in Los Angeles, California and Reno, Nevada. The majority of items in the collection are original drawings with attached fabric swatches; a number of items are xeroxed reproductions.

The Paris, France Show Programs Collection (1950-2000) is comprised of publicity print materials of the following cabaret music halls and burlesque clubs in Paris, France: Alcazar de Paris, Casino de Paris, Folies-Bergère, Le Lido de Paris, and Moulin Rouge Paris. The collection includes programs, advertising posters, fliers, long playing record albums, photograph slides, and restaurant menus. This material was formerly known as the International Show Programs Collection.

Oral history interview with Norma de la Cerna Tolbert conducted by Claytee D. White on June 25, 2013 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Tolbert discusess her career as a professional dancer from the age of fifteen. She begins by describing her early childhood in Houston, Texas, moving to Chicago, Illinois where she began to study dance, and leaving home at fifteen years old to go to Atlantic City, New Jersey to dance in professional productions. Tolbert then discusses moving to Las Vegas, Nevada in 1955, performing at the Moulin Rouge, and living in the Berkley Square community where they built new housing for the dancers. She also discusses performing at the Dunes Hotel and Casino, the African American community of Las Vegas, and the closing of the Moulin Rouge.