Oral history interview with Beryl Warren conducted by Claytee D. White on June 21, 2016 for the African Americans in Las Vegas: a Collaborative Oral History Project. Warren begins her interview by describing her early life in Mobile, Alabama in the 1940s and 1950s. She then discusses her young adult life in California as a telephone operator. Warren then talks about her marriages, her education at St. Dominguez College in California, and working for Motown Records as production assistant. Warren then discusses her husband, Mark Warren, a prominent African American television producer and director. She explains that she came to Las Vegas, Nevada in 1993 when Mark wanted to buy a vacation home in the area. She then talks about how during the 1990s the couple had jobs in Las Vegas, but also commuted to work in Los Angeles on occasion, until her husband's death in 1999. She then describes how family tragedy led to her raising her grandchildren, and also take on some hobbies, such as gardening, in order to live an active lifestyle. Warren then discusses her life with her husband and her fondness for him, and having to teach her grandsons to be cautious around police while raising them in Las Vegas. Lastly, she recalls her community work and her service organization, Southern Nevada Collation of Concerned Women (SNCCW).

Oral history interview with Carye St. Claire conducted by Claytee D. White on July 02, 2008 for the Boyer Early Las Vegas Oral History Project. St. Claire begins the interview by discussing her upbringing in Las Vegas, Nevada, where she was born in 1948. She details riding around the city on a horse before the area became more developed and how she learned to dance. St. Claire discusses her career as a showgirl, the audition process, and performing at the Aladdin Hotel and Casino with comedian Richard Pryor. She describes performing at the Thunderbird Hotel and Casino, being friends with the first African American showgirl, and her parents' reaction to her career choice. St. Claire also details the influence of Howard Hughes on Las Vegas, race relations in the city, and performing shows on ice.

The Dottie Dee Dancers Photograph Collection (approximately 1940-2008) consists of black-and-white photographic reprints of the La Bard Dancers and the Dottie Dee Dancers at the El Rancho in Las Vegas, Nevada.

Oral history interview with Wilford "Witt" C. Olive conducted by Gordon R. Brusso on April 13, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, Olive discusses local live entertainment venues during the 1930s and 1940s in Las Vegas, Nevada.

Oral history interview with Janis Walker conducted by Claytee D. White on July 03, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Walker discusses her career as an African American showgirl in Las Vegas, Nevada during the 1970s and 1980s. Walker describes dancing in the MGM Grand Hotel and Casino productions of Hallelujah Hollywood and Jubilee!, and what the life of a showgirl was like. She also talks about the company manager at the MGM, "Fluff" LeCoque, her own children, her work at the time of the interview, and how entertainment in Las Vegas has changed.

Oral history interview with Esther Wolverton conducted by Karl Kuopus on February 25, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview Wolverton discusses her move to southern Nevada in 1928 and her life in Las Vegas, Nevada with her family. She also talks about life with her husband after he returned from serving in World War I. Wolverton describes the entertainment in Las Vegas and recreational activities she participated in. Later, she discusses the first Helldorado Parade, development of the Las Vegas Strip, and changes in Las Vegas.

Oral history interview with Craig Knight conducted by Adriona Jordan on December 01, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. Knight begins the interview talking about his childhood in New York, including entertainment at the Apollo Theater, religious activities, and education. He then discusses moving to Las Vegas, Nevada in 1980 in order to attend Bishop Gorman High School, emphasizing its racial makeup and his time spent playing in the jazz band. He also details his involvement in minority serving community organizations, including the Urban Chamber of Commerce and the Metro Advisory Council. He concludes the interview

discussing West Las Vegas, the closure of F Street, and modern renovations in the area.