Oral history interview with Ffolliott "Fluff" LeCoque conducted by Betty Rosental on March 03, 1978 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview Fluff LeCoque discusses the first time she worked with black entertainers which was at the Thunderbird Hotel and Casino, the various black artists she worked with, segregation at the Las Vegas Strip, and her extensive career in the Las Vegas entertainment business.

The Jewish Repertory Theater of Nevada (JRTN) Records are comprised of playbills, advertising, and magazine and newspaper clippings gathered by Norma Marrow Zuckerman, founder and artistic director of the JRTN, dating from 2011 to 2016. The records include information about the types of plays produced by the JRTN. The records also include information about fundraising events held to benefit the JRTN.

The Fercos Family Publicity Collection (approximately 1978-1989) contains newspaper articles, advertisements, and a poster promoting the Flying Fercos, a family of juggling and acrobatic performers who performed in Las Vegas, Nevada at the Dunes Hotel during the 1970s and 1980s. The materials document the Fercos family's act as part of producer Frederic Apcar's shows such as Casino de Paris and Hot Shock.

The Keith Boman Papers on the Smith Center for the Performing Arts consist of materials documenting the construction of the Smith Center for the Performing Arts in Las Vegas, Nevada from approximately 2009 to 2010. The collection includes documents from the construction oversight committee, financial budgets, and board of directors meeting agendas.

Oral history interview with John Cahlan conducted by Gordon R. Brusso on March 30, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Cahlan talks about early Las Vegas, Nevada entertainment.

Oral history interview with Larry and Juanita Barr, with Steven Gibson conducted by Margery Waters on March 27, 1976 for the Ralph Roske Oral History Project on Early Las Vegas. The Barrs and Gibson talk about African Americans in Las Vegas, Nevada, working on the Hoover (Boulder) Dam, living in tents, early entertainers, and early development in Las Vegas.

The Maria Pogee Papers (1942-2019) document the life and career of Argentinian born dancer, choreographer, and actress, Maria Pogee. Pogee worked extensively in Argentina, Chile, Lebanon, around the United States and in Las Vegas, Nevada. Materials include press clippings, show programs, correspondence, and photographs representing Pogee's entertainment career such as her work in the stage production of Peter Pan and choreography for Juliet Prowse and Shirley MacLaine. Other materials includes various unproduced show concepts with designs, storyboards, and scripts that she worked on with costume designer José Luis Viñas. Materials also include scrapbooks documenting her dance career dating from 1952 to 2009 which contain original correspondence, programs, photographs, and newsclippings. Materials also document Pogee's life and career outside of entertainment including her work directing fashion shows, operating a tourism company, and as a yoga instructor.