Search Results
Photographs of Peppermill signs, Las Vegas (Nev.), 2002
Date
2002
2017-09-21
Archival Collection
Description
Photos show Peppermill signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content
Photographs of Pit Stop signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Daytime views of the Pit Stop signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3951 S Las Vegas Blvd
Sign details: In the southern end of the Strip, an interesting lone pole sign stands as a reminder that actual functioning business remaining inside the old, minimal, stucco structures. On the east side of the Strip, somewhat south of the area dominated by the Luxor, a pole sign facing north south stands in close proximity to the strip.
Sign condition: Structure 3 Surface 2 Lighting 2 The sign is still standing, and appears to have a sufficient structural integrity, but the paint on the surface is extremely worn, but the text is still readable and present. The lighting on the sign that was once evident no longer exists.
Sign form: Pylon
Sign-specific description: On the south end of the Strip the small shop resides in an older complex, of dusty buildings. On the east side of the strip, a minimal pylon sign denotes the businesses presence. At the top of a narrow, white, steel pole, a six sided, internally lit, double backed, cabinet advertises the establishment. On the yellow plastic face, "Pit Stop" is spelled in black text, along with white text spelling "Diecast Collectibles" on a black horizontal rectangle. Just below the crowning cabinet, an arrow shaped cabinet is pointed to the bottom right hand side toward the building. The cabinet is double sided with two legs creating the head of the arrow, and the upper end formed by a tail of these two legs. A double pinstripe of blue and red border the edges of the cabinet's face. The word "NASCAR," is spelled in all capital, red, text across the horizontal plane of the cabinet. Placed cantilevering off of the west side of the pole, a square message cabinet faces north /south. It is painted white on the exterior, with a wooden face graphically treated with red white and blue text, and a blue line border. The north side of the cabinet has no face. A small steel cabinet sits on top of the cantilevered one, yet has signage upon it.
Sign - type of display: Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: None
Sign environment: To the south is the Motel 8 while a vacant lot occupies the north. The pole sin sits in an island of grass, designated for the beat-up pylon. The small, dual level building, which houses the establishment, is non-descriptive, containing no signage. Of the southern strip it is one of the more minimal structures.
Sign - thematic influences: There appears no theme associated with the actual structure, even with the name itself. The actual structure of the sign is however reminiscent of the roadside pole signs so commonly associated with the roadside motel. To reference an actual sign still standing, it is reminiscent of the signage available for the Happi Inn.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Backlit; Steel; Plastic; Graphics; Paint
Site address: 3951 S Las Vegas Blvd
Sign details: In the southern end of the Strip, an interesting lone pole sign stands as a reminder that actual functioning business remaining inside the old, minimal, stucco structures. On the east side of the Strip, somewhat south of the area dominated by the Luxor, a pole sign facing north south stands in close proximity to the strip.
Sign condition: Structure 3 Surface 2 Lighting 2 The sign is still standing, and appears to have a sufficient structural integrity, but the paint on the surface is extremely worn, but the text is still readable and present. The lighting on the sign that was once evident no longer exists.
Sign form: Pylon
Sign-specific description: On the south end of the Strip the small shop resides in an older complex, of dusty buildings. On the east side of the strip, a minimal pylon sign denotes the businesses presence. At the top of a narrow, white, steel pole, a six sided, internally lit, double backed, cabinet advertises the establishment. On the yellow plastic face, "Pit Stop" is spelled in black text, along with white text spelling "Diecast Collectibles" on a black horizontal rectangle. Just below the crowning cabinet, an arrow shaped cabinet is pointed to the bottom right hand side toward the building. The cabinet is double sided with two legs creating the head of the arrow, and the upper end formed by a tail of these two legs. A double pinstripe of blue and red border the edges of the cabinet's face. The word "NASCAR," is spelled in all capital, red, text across the horizontal plane of the cabinet. Placed cantilevering off of the west side of the pole, a square message cabinet faces north /south. It is painted white on the exterior, with a wooden face graphically treated with red white and blue text, and a blue line border. The north side of the cabinet has no face. A small steel cabinet sits on top of the cantilevered one, yet has signage upon it.
Sign - type of display: Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: None
Sign environment: To the south is the Motel 8 while a vacant lot occupies the north. The pole sin sits in an island of grass, designated for the beat-up pylon. The small, dual level building, which houses the establishment, is non-descriptive, containing no signage. Of the southern strip it is one of the more minimal structures.
Sign - thematic influences: There appears no theme associated with the actual structure, even with the name itself. The actual structure of the sign is however reminiscent of the roadside pole signs so commonly associated with the roadside motel. To reference an actual sign still standing, it is reminiscent of the signage available for the Happi Inn.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Photograph of Pollyanna Inn sign, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Photo shows a daytime view of the Pollyanna Inn sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 4915 S Las Vegas Blvd
Sign details: North of the Klondike on the east side of Las Vegas Blvd., the Pollyana Inn sits separated on both sides by vacant lots. The establishment is no longer functioning, but is still present and standing. Inside an ornate, and locked, wrought iron gate, the Pollyana Inn sits dark, no cars present, and no patrons around. The closed facility sits separated from the street by a small parking lot. It too follows the true form of the roadside motel with its front office combined with a covered car port, then opening up into a square parking lot surrounded by lowrise stretches of adjacent rooms. The salmon and white alternating stripes of the buildings exterior surface is reminiscent of the color schemes popular in the establishment's heyday. In the cracked and broken pavement in the parking lot, small statuary of animals adorn the dying flowed beds, and shrubbery. Many of the plants still exist and flourish on the property. On the north side of the parking lot a statuette of a lion looks out onto the street and a fountain sits next to the building. In the center of the front of the lot, a triangular shaped, brick planter, home to bushes, a statuette of an elephant along with the pole sign for the property. The right of the lot is bordered off by a large non-functional, broken down internally lit message cabinet.
Sign condition: Structure 3 Surface 3 Lighting 3
Sign form: pylon
Sign-specific description: The pylon sign for the establishment's roadside pole sign is located in the triangular planter, facing north/south on the west edge of the property. A white steel pole supports an internally lit, double backed, white, plastic faced message cabinet. The cabinet is actually two narrow, horizontal, rectangular cabinets stacked on top of each other. The exterior steel casing is painted a dark olive hue. The top cabinet spells "Pollyanna Motel" in red plastic letters, with vinyl lettering on the message board below. Small steel cabinet is attached to the west side of the underbelly of the sign. "Vacancy is spelled in white text with neon spelling "No". The pole continues up through the top of the cabinet and is crowned with a small ,internally lit, brown cabinet. A yellow raceway with incandescent bulbs runs along the entire outer edge. The yellow plastic face has the image of a tilted sombrero on it.
Sign - type of display: Neon, incandescent, backlit
Sign - media: steel, plastic
Sign - non-neon treatments: graphics, paint
Sign animation: chasing, flashing
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Graphics; Paint; Steel; Plastic; Pylon; Neon; Incandescent; Backlit
Site address: 4915 S Las Vegas Blvd
Sign details: North of the Klondike on the east side of Las Vegas Blvd., the Pollyana Inn sits separated on both sides by vacant lots. The establishment is no longer functioning, but is still present and standing. Inside an ornate, and locked, wrought iron gate, the Pollyana Inn sits dark, no cars present, and no patrons around. The closed facility sits separated from the street by a small parking lot. It too follows the true form of the roadside motel with its front office combined with a covered car port, then opening up into a square parking lot surrounded by lowrise stretches of adjacent rooms. The salmon and white alternating stripes of the buildings exterior surface is reminiscent of the color schemes popular in the establishment's heyday. In the cracked and broken pavement in the parking lot, small statuary of animals adorn the dying flowed beds, and shrubbery. Many of the plants still exist and flourish on the property. On the north side of the parking lot a statuette of a lion looks out onto the street and a fountain sits next to the building. In the center of the front of the lot, a triangular shaped, brick planter, home to bushes, a statuette of an elephant along with the pole sign for the property. The right of the lot is bordered off by a large non-functional, broken down internally lit message cabinet.
Sign condition: Structure 3 Surface 3 Lighting 3
Sign form: pylon
Sign-specific description: The pylon sign for the establishment's roadside pole sign is located in the triangular planter, facing north/south on the west edge of the property. A white steel pole supports an internally lit, double backed, white, plastic faced message cabinet. The cabinet is actually two narrow, horizontal, rectangular cabinets stacked on top of each other. The exterior steel casing is painted a dark olive hue. The top cabinet spells "Pollyanna Motel" in red plastic letters, with vinyl lettering on the message board below. Small steel cabinet is attached to the west side of the underbelly of the sign. "Vacancy is spelled in white text with neon spelling "No". The pole continues up through the top of the cabinet and is crowned with a small ,internally lit, brown cabinet. A yellow raceway with incandescent bulbs runs along the entire outer edge. The yellow plastic face has the image of a tilted sombrero on it.
Sign - type of display: Neon, incandescent, backlit
Sign - media: steel, plastic
Sign - non-neon treatments: graphics, paint
Sign animation: chasing, flashing
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Graphics; Paint; Steel; Plastic; Pylon; Neon; Incandescent; Backlit
Mixed Content
Photographs of Polo Towers signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Daytime and nighttime views of the Polo Towers signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3745 S Las Vegas Blvd
Sign details: The Polo Towers actual facility is located behind the shopping center, further to the east. The small pylon resides outside in the very front of the property, in close proximity to Las Vegas Blvd It is surrounded with a planter and bushes, in a pedestrian environment, shadowing a seated courtyard, just to the south. The tower itself is lined on its major edges with tubes of purple neon. The tower also contains internally lit cabinets as well as polished metal treatments.
Sign condition: Structure 4 Surface 3 Lighting 4 The building itself is in great shape, with the structural integrity, lighting, and surface being is good condition. The small pylon adjacent to Las Vegas Blvd is in some disrepair in all of the categories.
Sign form: Pylon; Fascia
Sign-specific description: The Polo Towers lies Just north of the McDonalds plaza, along with a shopping plaza out front near the street. The plaza has a different name, this is designated by the polo towers pylon facing north/south on the east side of the street. The Pylon sign for the polo towers sits in this parking lot for this plaza. The pylon consists of a double backed backlit plastic message cabinet, a color LED matrix screen, two square message boxes on either side, one diamond shaped one then the marquee and logo for the polo towers. On the bottom of the sign, on the side closest to Las Vegas Blvd, a clear plastic front, diamond shaped message center reads "polo tourist center" behind the glass. A bulb laden center pole is noticeable at the bottom along with two larger legs on either side. The text is painted in red and then overlaid with red neon. Just above that, a light blue, backlit message center, boasts a white plastic surface with purple text. Incandescent bulbs border the edges of the cabinet. Directly above this is a color LED screen. The center-pole continues up past the message center, eventually transforming into a diamond shaped cabinet. On either side of the center pole, just above the LED screen are two smaller, square, message cabinets. They too are painted the same light blue as the large cabinet, as well as possessing incandescent bulb raceways as borders. One contains the Polo Towers logo of the silhouetted horse's head, with the text "Polo Towers Tourist Center," in black and purple. The other reads text or free maps and discount show tickets. From the tops of these cabinets, two sections reach upwards following the bottom edges of the diamond created out of the center pole. These two angled sections are both striped with a repeating series of red neon along their width. The previously mentioned center pole is flat, with the face laden with incandescent bulbs. This flat front pole continues up to form a diamond, with the actual pole section running along the bottom edge of the diamond, between the neon laden angled sections, and the marquee cabinet. The continuation of the pole, extends to run along the top of the diamond, but stops short of totally enclosing it. The incandescent bulbs cover the face of the pole along this edge also. Red neon tubing runs up the edges of this centerpiece. The top cabinet, which the centerpiece seems to he holding, is also painted light blue, with a purple face, and the black horse silhouette logo for the Polo towers. Two pieces of red neon are bent to act as glowing pieces of the horse's mane. Just below the top image of the horse, "Polo Towers" is spelled, floating above the surface of the sign in purple, channel letters. Below that in purple channel letters, on the same plane, the text "& Plaza" is crafted in the same fashion. Both rows of text are filled with incandescent bulbs that oscillate. The surface of the body of the sign, excluding the cabinets, is finished in stucco and laced with the smatterings of the lavender and light blue hue found throughout the sign. The building of the Polo Towers itself has pieces of purple vertical neon running up the edges of the building in several places. The radius section on the east west faces of the tower is also lined purple across its vertical edges. Giant purple channel letters spell Polo Towers across the very top of the building's West face. On the North and South faces of the tower, the giant diamond shaped cabinets with the Polo Towers logo hang with steady confidence. At the base of the west side of the building, there is also the internally lit, diamond shaped cabinets with the horse's head, rendered in black/ the white cabinets are bordered with a hot pink colored neo, recessed behind the polished metal, to create a halo on the wall.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: The small pylon sits outside a Starbucks Coffee located in the front row of shops, surrounded with bushes. The environment is pedestrian heavy.
Sign manufacturer: Federal Signal
Sign - date of installation: 1985-1989
Sign - thematic influences: The theme present in the polo towers revolves around its name, and references to the sport of polo. But the only exterior images that reference the theme are the logos themselves. The sign itself is more akin to roadside pylon signs, utilizing a number of different sign techniques functions to create an interesting mix of design. The color scheme does seem to reference the time of its inception, that being the eighties. The eighties is recognized with the usage of teal, pink and gold. The brass cabinet enclosed in plexiglass, references the typical Vegas adornment.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Oscillating
Site address: 3745 S Las Vegas Blvd
Sign details: The Polo Towers actual facility is located behind the shopping center, further to the east. The small pylon resides outside in the very front of the property, in close proximity to Las Vegas Blvd It is surrounded with a planter and bushes, in a pedestrian environment, shadowing a seated courtyard, just to the south. The tower itself is lined on its major edges with tubes of purple neon. The tower also contains internally lit cabinets as well as polished metal treatments.
Sign condition: Structure 4 Surface 3 Lighting 4 The building itself is in great shape, with the structural integrity, lighting, and surface being is good condition. The small pylon adjacent to Las Vegas Blvd is in some disrepair in all of the categories.
Sign form: Pylon; Fascia
Sign-specific description: The Polo Towers lies Just north of the McDonalds plaza, along with a shopping plaza out front near the street. The plaza has a different name, this is designated by the polo towers pylon facing north/south on the east side of the street. The Pylon sign for the polo towers sits in this parking lot for this plaza. The pylon consists of a double backed backlit plastic message cabinet, a color LED matrix screen, two square message boxes on either side, one diamond shaped one then the marquee and logo for the polo towers. On the bottom of the sign, on the side closest to Las Vegas Blvd, a clear plastic front, diamond shaped message center reads "polo tourist center" behind the glass. A bulb laden center pole is noticeable at the bottom along with two larger legs on either side. The text is painted in red and then overlaid with red neon. Just above that, a light blue, backlit message center, boasts a white plastic surface with purple text. Incandescent bulbs border the edges of the cabinet. Directly above this is a color LED screen. The center-pole continues up past the message center, eventually transforming into a diamond shaped cabinet. On either side of the center pole, just above the LED screen are two smaller, square, message cabinets. They too are painted the same light blue as the large cabinet, as well as possessing incandescent bulb raceways as borders. One contains the Polo Towers logo of the silhouetted horse's head, with the text "Polo Towers Tourist Center," in black and purple. The other reads text or free maps and discount show tickets. From the tops of these cabinets, two sections reach upwards following the bottom edges of the diamond created out of the center pole. These two angled sections are both striped with a repeating series of red neon along their width. The previously mentioned center pole is flat, with the face laden with incandescent bulbs. This flat front pole continues up to form a diamond, with the actual pole section running along the bottom edge of the diamond, between the neon laden angled sections, and the marquee cabinet. The continuation of the pole, extends to run along the top of the diamond, but stops short of totally enclosing it. The incandescent bulbs cover the face of the pole along this edge also. Red neon tubing runs up the edges of this centerpiece. The top cabinet, which the centerpiece seems to he holding, is also painted light blue, with a purple face, and the black horse silhouette logo for the Polo towers. Two pieces of red neon are bent to act as glowing pieces of the horse's mane. Just below the top image of the horse, "Polo Towers" is spelled, floating above the surface of the sign in purple, channel letters. Below that in purple channel letters, on the same plane, the text "& Plaza" is crafted in the same fashion. Both rows of text are filled with incandescent bulbs that oscillate. The surface of the body of the sign, excluding the cabinets, is finished in stucco and laced with the smatterings of the lavender and light blue hue found throughout the sign. The building of the Polo Towers itself has pieces of purple vertical neon running up the edges of the building in several places. The radius section on the east west faces of the tower is also lined purple across its vertical edges. Giant purple channel letters spell Polo Towers across the very top of the building's West face. On the North and South faces of the tower, the giant diamond shaped cabinets with the Polo Towers logo hang with steady confidence. At the base of the west side of the building, there is also the internally lit, diamond shaped cabinets with the horse's head, rendered in black/ the white cabinets are bordered with a hot pink colored neo, recessed behind the polished metal, to create a halo on the wall.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: The small pylon sits outside a Starbucks Coffee located in the front row of shops, surrounded with bushes. The environment is pedestrian heavy.
Sign manufacturer: Federal Signal
Sign - date of installation: 1985-1989
Sign - thematic influences: The theme present in the polo towers revolves around its name, and references to the sport of polo. But the only exterior images that reference the theme are the logos themselves. The sign itself is more akin to roadside pylon signs, utilizing a number of different sign techniques functions to create an interesting mix of design. The color scheme does seem to reference the time of its inception, that being the eighties. The eighties is recognized with the usage of teal, pink and gold. The brass cabinet enclosed in plexiglass, references the typical Vegas adornment.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Oscillating
Mixed Content
Photographs of Psychic Sessions signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Evening views of the Psychic Sessions signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3941 S Las Vegas Blvd
Sign condition: Structure 4 Surface 3 Lighting 4
Sign form: Fascia
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: Psychic Sessions has the unique position of being located in the same lot as the Happi Inn. In fact its structure is attached to the Happi Inn, on the south side of the Happi Inn's main office. This facility adds a unique position to the already mysterious air of the southern Strip, especially at night. The red illumination of the neon is a perfect tone for the already mysterious business, which the signs advertise for. The side of the lot, which it occupies, is considerably less lit as a whole, making the mood a rather eerie if not "Twilight Zone-esque" Such establishments are not seen in the modern day Strip environment.
Sign - thematic influences: The signage for the Psychic Sessions facility leans toward your typical store front signage when you want to talk about a raw aesthetic criteria, but there is a theme present, limited as it may be. The theme as you might imagine is directly associated with the services provided inside. Neon tubing is fashioned into a big silhouette of a hand referencing the palmistry business, while the graphics of the mysterious eyes on the internally lit cabinet literally scream out mystery.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Site address: 3941 S Las Vegas Blvd
Sign condition: Structure 4 Surface 3 Lighting 4
Sign form: Fascia
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: Psychic Sessions has the unique position of being located in the same lot as the Happi Inn. In fact its structure is attached to the Happi Inn, on the south side of the Happi Inn's main office. This facility adds a unique position to the already mysterious air of the southern Strip, especially at night. The red illumination of the neon is a perfect tone for the already mysterious business, which the signs advertise for. The side of the lot, which it occupies, is considerably less lit as a whole, making the mood a rather eerie if not "Twilight Zone-esque" Such establishments are not seen in the modern day Strip environment.
Sign - thematic influences: The signage for the Psychic Sessions facility leans toward your typical store front signage when you want to talk about a raw aesthetic criteria, but there is a theme present, limited as it may be. The theme as you might imagine is directly associated with the services provided inside. Neon tubing is fashioned into a big silhouette of a hand referencing the palmistry business, while the graphics of the mysterious eyes on the internally lit cabinet literally scream out mystery.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Photographs of Riviera signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Nighttime views of the Riviera Hotel and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Riviera Hotel and Casino (Las Vegas, Nev.)
Site address: 2901 S Las Vegas Blvd
Sign owner: Riveria Holdings Corporation
Sign details: The Riviera is another of the properties on the Strip which brought its borders to the street. It is one of the properties with an extensive collection of signs on its properties. The glass wall and block long facade, which incorporates infinity lighting and neon displays. A highly animated an reflective ceiling of the westernmost pedestrian element right along Las Vegas Boulevard also plays host to a continuously pulsing entablature of text and neon. The outer portion of the wall facing west is also adorned with raceways, backlit signs, neon stars, and a host of other signs as well. The northwest corner is a unique collection of fascia wall design and sculptural elements on the corner as well for the "Nickeltown" portion of the casino. Along the east end of the property, more Riviera logo/wall signs denote entrances, while the eastern most edge plays host to the massive Riviera Pylon. Various signs also reside on the eastern side of the property. Text signs are located in several positions among various structures. There is also a rather busily illuminated awning, which is lined with incandescent bulbs and text.
Sign condition: Structure 5 Surface 4 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The main attraction to the Riviera is its mirrored round wall which serves as a multiuse billboard built around the neon advertisements for the Riviera's big show: Splash Front façade: The front façade of the Riviera is best described by starting with the giant glass well and heading north. The radius of the giant reflective extravaganza is in the general direction of the southwest so reflectivity is extremely good during the afternoon hours. The surface of the structurally integrated visions is surfaced with giant reflective mirrored panel which give way to the multicolored neon puzzle work of the Splash logo. The logo advertises for the show using iconography from the show itself represented with pan channel figures lined on the interiors with neon of corresponding colors for which they are painted. The text that spells "Splash" is painted red, with the circular raceway that sits in its background is painted yellow. The "Splash" text sits above the organic shapes of water shooting out from underneath the array of signage, painted blue and purple. The image of the female inside the logo text is graphically treated with the proper registration of illustrative quality. She is also lined with neon in the proper colors over the major outlines of her form. The entire array sits on a black background laden with incandescent bulbs. The neon is arranged so that as it progresses toward the ground the organic shapes radiate in a repeating pattern outward. The blue and purple neon radiate toward the ground while the red neon in the "Splash" radiates left toward the other side of the wall. Green channels spurt out of the top lined with green neon as well. On opposite sides of the radius wall, there are a series of signage that mirror each other. "Riviera" is written in channel letters filled with neon, and a series of internally lit, color cabinets, lined on the edges with incandescent bulbs. The middle portion of the wall is occupied with various sized stars, raceways, and incandescent bulbs found on extensions and diamond shaped faces. The stars are lined on the interior profile of the shape with blue and pink neon, as well as incandescent bulbs on the interior as well. The bottom of the radius wall is adorned with adorned with internally lit cabinets as well as various small neon creations. Moving north along the face of the building the façade the external elements are greatly supportive of the mirrored walls, and just as brilliant in their own right. The façade begins just to the south of the giant mirrored wall, with a section lined with vertical bars of neon animating in red, pink, purple, and blue neon. Riviera is written in cahnnel letters and filled with incandescent bulbs. The letters are outlined in red neon. On either side of the rectangular section, two small versions of the giant mirrored wall support green and blue wavy channels, lined on the interior edges with corresponding neon colors. Incandescent bulbs are present as well. The façade on the north side smoothly transitions into a wall of transparent plastic cubes, lit from the inside, with raceways running down the edges. This façade runs the entire length of the building, until the end is reached at the northwest corner and Nickeltown. Along the facade, internally lit cabinets surrounded by raceways occupy the vicinity of the lower portion of the sign. The faces are colored plastic and treated with graphics and text. Toward the end of the facade, a collection of small signs is fused together to create a single collection of busy signs. The entire structure is a chaotic vision of relief sculpture smashing into text and iconography, while bright, vibrant colors and neon, fight for attention. The majority of the sign is located on the body of the building, reaches down to touch the ground. Four fluted columns rise up from the ground to meet the bottom base of the massive wall sign. The columns rise up into a sculpted cabinet that is heavily crafted and adorned with ornate edges of hard-coated foam or fiberglass scrollwork. The swelling and swirling scrolls swell out in three dimensions. The entire border of the bottom section is turned into a detailed, organically shaped, cloud like shape. The scrollwork as well as the columns is finished white, with the recesses being toned a golden color. The effect accentuates the three dimensional nature of the design. The surface of this bottom portion is a diagonally crisscrossing pattern of white lattice- work on top of a golden surface. The center of the open surface is occupied by a giant pan channel, of the top three points at a purple, five-pointed star. Flanking either side of the star are small, steel, closed face cabinets, in the shape of squatty looking five pointed stars. They are varying sizes and are painted the three separate colors of purple, yellow, and green. The top point of the largest purple star rises through the top part of the bottom cloud section touching up into the massive collection of signs. This particular sign centers on a top logo reading "Riviera Slot Adventure" in channel letters in the style of action adventure movies such as "Indiana Jones." The first word is written in the logo style of the Riviera, and painted yellow on the interiors. The letters for the two words, "Slot Adventure" are bent with the force of motion and painted red, grading into an orange. Behind that, a circular cabinet, representing a globe, is painted blue in the center and fading to white. Flanking either side of the globe, associated more with the top portion of the globe, pairs of arching bronze colored cabinets slightly arch outward suggesting shining or an explosion. They are laden with incandescent bulbs. The remainder of the sign between the bottom star structure and the top slot adventure text, is occupied by a varied array of signage that can be designated between two halves of the collection. The left-hand side of the sign consists of three-dimensional sculptural elements, channel letters, relief elements. The far left side of the collection is rounded out by the three dimensional relief of crashing waves, creating a background for the three-dimensional structure of the mermaid. Red channel letters spell "Splash" above the mermaid, in white channel letters painted red on the inside. Neon lines the interior of the letters as well. Below the mermaid, more channel letters spell "Gardens" in red channel letters painted yellow on the interiors and lined on the interiors with neon. Above the crest of the wave a relief of a train shoots toward the north with a yellow and red circular cabinet above that with the text for jackpot junction. The train relief is also the designed with perspective to appear as if it is moving forward. Directly to the left of the train is set of yellow channel letters painted blue on the interior reading "Jackpot Factory," lined on the interior with neon. A purple backing cabinet is graphically painted on the face with images of gears. Just to the left of the text is the three dimensional sculpture representing a stack of coins. The space below the "Jackpot Factory" a purple cabinet with a colored face reads with graphics and text for "Valley of Games." Directly to the left of the "Valley of the Games" cabinet a three dimensional cherub is holding a large nickel, with a banner above that. The cherub is painted with the proper flesh tones, and the nickel is adorned with the proper details. The wings animate, utilizing two tubes of neon shaped as wings and in different positions to appear as flapping. A white arched steel banner, with blue text, reading "Nickel Heaven." Neon floats over the top of the letters. The right hand side of the entire collection is just as detailed and elaborate, if not ore than the left hand side. A white steel cabinet cut into the profile of the text, which is painted yellow with red outlines. The text reads 'Slot Frenzy' in two lanes. The red borders are lined with incandescent bulbs. The remaining negative space in the center of the sign is a painted slot handle with a circle of neon around the top of the handle. To the right of that, the surface of the board is created out of relief of faux rocks above what is a set of railroad tracks. A mine cart is on the tracks with giant diamond shaped gems residing in the interior space. A cabinet made of an arched banner and a square cabinet resides above the mine cart. The banner reads Double diamond in blue text, and "mines is spelled" in blue text on the rectangle. Further right the rocks give way to a portion of the cabinet, that reads "Jackpot City" in yellow channel letters, with yellow neon. Vertical raceways lined with incandescent bulbs shoot upward in the area of the text. All are supported on a multicolored flat cabinet, predominantly painted red. Nickel town: On the Northwest corner of the property three distinct images comprise the signage. The main marquee for Nickeltown over the entrance, a Riviera logo just to the right of that, and a large sculptural fountain, that dominates the corner with it's presence. Over the brass and glass doors for the entrance, a polished metal overhang radiuses above the door, and contains the words Nickel Town in channel letters. The two words are written horizontally in a line, and separated in the middle with a pan cjhannel star also lined with neon on it's interior. The star is centered with a channel number "5" which is filled with white neon. The star's neon colors are pink and blue, and are arranged as interior lining of the star. The underside of the awning, as the rest of the front facade, is adorned with the incandescent bulbs, placed neatly in the designated prismatic shapes. The neon rings also are present, running the pediment across the facade. Elements of the electric wall can be seen as well, with the metal diamonds supporting incandescent bulbs trailing upward from the awning up to the facade of the building behind it. Several different sizes of star rise up as well, they are identical in color and design shape. Since the interiors do not contain a channel letter, they contain a channel shaped star, lined with incandescent bulbs in the center. A different sort of star shape is present as well. This shape is an eight-sided shape, reminiscent of a snowflake. When I say snowflake, it is essentially a cross shaped piece crossed, with an "X" shape. The shape is designed out of a pan channel, filled with incandescent bulbs. White neon backs the channel. Directly to the right of the entrance, the mirrored facade reflects the entrance, as the reflective surface house vertical, neon bars as well. The three different colors are Blue, gold and green. Consuming the majority of the concrete expanse created by the small plaza, is the neon-laden fountain of light and steel, with a base of ceramic pool. The design is a circular pool, covered in 1"x1" ceramic tiles, and filled with water. Thee square poles are bent over, looking as if they are spraying up out of the fountain. They appear almost as if a bouquet. One is painted Blue, one gold, and the other red. These poles are striped with neon tubing of the corresponding colors. Internally lit cubes, of the same color scheme as the primary palette. Wrapping around the circumference of the top half of the plumage, is a silver pediment that radiuses around the fountain. The finish is polished metal, and matches the overhang presented in the Nickel Town signage. Raceways run along the top and bottom edges of the face, wile the internally lit advertisements occupying the open space of the pediment every so often. Riviera Convention Center: Directly to the east of Nickeltown, is the Riviera Convention center. Signage for the building is first evident when traveling west, looking at the east face of the building. Not far on the north side of the east face of the building, large channel letters hang denoting the building. The Riviera logo text is spelled in the signature text, outlined with red neon and filled with incandescent bulbs. Below that, a two lined text reads convention center in red channel letters, lined on the interior with red neon. On the south side of the building, two lines of text reads, "Royale Pavilion" and "Entrance" below that. These channel letters are red, and lined with red neon on the interiors. Tower: Along the north side of the main tower, "Riviera" is spelled with giant red channel letters, filled with incandescent bulbs, and lined with red neon. The rear entrance is shared for the hotel, and the convention center, and is denoted with signage, and an overhang. A large blockish overhang is cantilevered off of the side of the building and projects outward, toward the east. On the front edge, an arcade of arches is evident, which reveal five tube-like vaults that project the half radius all the way back to the building. All of the edges of the raceway, including the spaces on the underside, which separates the vaults, are lined with incandescent bulb lined raceways. The Riviera text spells "Riviera" across the front of the cantilevered structure. The channel letters are painted red, lined with red neon and filled with incandescent bulbs. Left of the cantilevered structure are letters, which spell convention center. They are channel letters with red plastic faces.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Glass; Fiberglass
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign manufacturer: Federal Signal (fascia front glass)
Sign designer: Marge Williams/ Arch: Nikita Zukov (fascia design)
Sign - date of installation: 1988-1989
Sign - date of redesign/move: Pylon was moved to Convention Center Dr. and Paradise Rd. c. 1988
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Glass; Fiberglass; Paint; Graphics
Site name: Riviera Hotel and Casino (Las Vegas, Nev.)
Site address: 2901 S Las Vegas Blvd
Sign owner: Riveria Holdings Corporation
Sign details: The Riviera is another of the properties on the Strip which brought its borders to the street. It is one of the properties with an extensive collection of signs on its properties. The glass wall and block long facade, which incorporates infinity lighting and neon displays. A highly animated an reflective ceiling of the westernmost pedestrian element right along Las Vegas Boulevard also plays host to a continuously pulsing entablature of text and neon. The outer portion of the wall facing west is also adorned with raceways, backlit signs, neon stars, and a host of other signs as well. The northwest corner is a unique collection of fascia wall design and sculptural elements on the corner as well for the "Nickeltown" portion of the casino. Along the east end of the property, more Riviera logo/wall signs denote entrances, while the eastern most edge plays host to the massive Riviera Pylon. Various signs also reside on the eastern side of the property. Text signs are located in several positions among various structures. There is also a rather busily illuminated awning, which is lined with incandescent bulbs and text.
Sign condition: Structure 5 Surface 4 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The main attraction to the Riviera is its mirrored round wall which serves as a multiuse billboard built around the neon advertisements for the Riviera's big show: Splash Front façade: The front façade of the Riviera is best described by starting with the giant glass well and heading north. The radius of the giant reflective extravaganza is in the general direction of the southwest so reflectivity is extremely good during the afternoon hours. The surface of the structurally integrated visions is surfaced with giant reflective mirrored panel which give way to the multicolored neon puzzle work of the Splash logo. The logo advertises for the show using iconography from the show itself represented with pan channel figures lined on the interiors with neon of corresponding colors for which they are painted. The text that spells "Splash" is painted red, with the circular raceway that sits in its background is painted yellow. The "Splash" text sits above the organic shapes of water shooting out from underneath the array of signage, painted blue and purple. The image of the female inside the logo text is graphically treated with the proper registration of illustrative quality. She is also lined with neon in the proper colors over the major outlines of her form. The entire array sits on a black background laden with incandescent bulbs. The neon is arranged so that as it progresses toward the ground the organic shapes radiate in a repeating pattern outward. The blue and purple neon radiate toward the ground while the red neon in the "Splash" radiates left toward the other side of the wall. Green channels spurt out of the top lined with green neon as well. On opposite sides of the radius wall, there are a series of signage that mirror each other. "Riviera" is written in channel letters filled with neon, and a series of internally lit, color cabinets, lined on the edges with incandescent bulbs. The middle portion of the wall is occupied with various sized stars, raceways, and incandescent bulbs found on extensions and diamond shaped faces. The stars are lined on the interior profile of the shape with blue and pink neon, as well as incandescent bulbs on the interior as well. The bottom of the radius wall is adorned with adorned with internally lit cabinets as well as various small neon creations. Moving north along the face of the building the façade the external elements are greatly supportive of the mirrored walls, and just as brilliant in their own right. The façade begins just to the south of the giant mirrored wall, with a section lined with vertical bars of neon animating in red, pink, purple, and blue neon. Riviera is written in cahnnel letters and filled with incandescent bulbs. The letters are outlined in red neon. On either side of the rectangular section, two small versions of the giant mirrored wall support green and blue wavy channels, lined on the interior edges with corresponding neon colors. Incandescent bulbs are present as well. The façade on the north side smoothly transitions into a wall of transparent plastic cubes, lit from the inside, with raceways running down the edges. This façade runs the entire length of the building, until the end is reached at the northwest corner and Nickeltown. Along the facade, internally lit cabinets surrounded by raceways occupy the vicinity of the lower portion of the sign. The faces are colored plastic and treated with graphics and text. Toward the end of the facade, a collection of small signs is fused together to create a single collection of busy signs. The entire structure is a chaotic vision of relief sculpture smashing into text and iconography, while bright, vibrant colors and neon, fight for attention. The majority of the sign is located on the body of the building, reaches down to touch the ground. Four fluted columns rise up from the ground to meet the bottom base of the massive wall sign. The columns rise up into a sculpted cabinet that is heavily crafted and adorned with ornate edges of hard-coated foam or fiberglass scrollwork. The swelling and swirling scrolls swell out in three dimensions. The entire border of the bottom section is turned into a detailed, organically shaped, cloud like shape. The scrollwork as well as the columns is finished white, with the recesses being toned a golden color. The effect accentuates the three dimensional nature of the design. The surface of this bottom portion is a diagonally crisscrossing pattern of white lattice- work on top of a golden surface. The center of the open surface is occupied by a giant pan channel, of the top three points at a purple, five-pointed star. Flanking either side of the star are small, steel, closed face cabinets, in the shape of squatty looking five pointed stars. They are varying sizes and are painted the three separate colors of purple, yellow, and green. The top point of the largest purple star rises through the top part of the bottom cloud section touching up into the massive collection of signs. This particular sign centers on a top logo reading "Riviera Slot Adventure" in channel letters in the style of action adventure movies such as "Indiana Jones." The first word is written in the logo style of the Riviera, and painted yellow on the interiors. The letters for the two words, "Slot Adventure" are bent with the force of motion and painted red, grading into an orange. Behind that, a circular cabinet, representing a globe, is painted blue in the center and fading to white. Flanking either side of the globe, associated more with the top portion of the globe, pairs of arching bronze colored cabinets slightly arch outward suggesting shining or an explosion. They are laden with incandescent bulbs. The remainder of the sign between the bottom star structure and the top slot adventure text, is occupied by a varied array of signage that can be designated between two halves of the collection. The left-hand side of the sign consists of three-dimensional sculptural elements, channel letters, relief elements. The far left side of the collection is rounded out by the three dimensional relief of crashing waves, creating a background for the three-dimensional structure of the mermaid. Red channel letters spell "Splash" above the mermaid, in white channel letters painted red on the inside. Neon lines the interior of the letters as well. Below the mermaid, more channel letters spell "Gardens" in red channel letters painted yellow on the interiors and lined on the interiors with neon. Above the crest of the wave a relief of a train shoots toward the north with a yellow and red circular cabinet above that with the text for jackpot junction. The train relief is also the designed with perspective to appear as if it is moving forward. Directly to the left of the train is set of yellow channel letters painted blue on the interior reading "Jackpot Factory," lined on the interior with neon. A purple backing cabinet is graphically painted on the face with images of gears. Just to the left of the text is the three dimensional sculpture representing a stack of coins. The space below the "Jackpot Factory" a purple cabinet with a colored face reads with graphics and text for "Valley of Games." Directly to the left of the "Valley of the Games" cabinet a three dimensional cherub is holding a large nickel, with a banner above that. The cherub is painted with the proper flesh tones, and the nickel is adorned with the proper details. The wings animate, utilizing two tubes of neon shaped as wings and in different positions to appear as flapping. A white arched steel banner, with blue text, reading "Nickel Heaven." Neon floats over the top of the letters. The right hand side of the entire collection is just as detailed and elaborate, if not ore than the left hand side. A white steel cabinet cut into the profile of the text, which is painted yellow with red outlines. The text reads 'Slot Frenzy' in two lanes. The red borders are lined with incandescent bulbs. The remaining negative space in the center of the sign is a painted slot handle with a circle of neon around the top of the handle. To the right of that, the surface of the board is created out of relief of faux rocks above what is a set of railroad tracks. A mine cart is on the tracks with giant diamond shaped gems residing in the interior space. A cabinet made of an arched banner and a square cabinet resides above the mine cart. The banner reads Double diamond in blue text, and "mines is spelled" in blue text on the rectangle. Further right the rocks give way to a portion of the cabinet, that reads "Jackpot City" in yellow channel letters, with yellow neon. Vertical raceways lined with incandescent bulbs shoot upward in the area of the text. All are supported on a multicolored flat cabinet, predominantly painted red. Nickel town: On the Northwest corner of the property three distinct images comprise the signage. The main marquee for Nickeltown over the entrance, a Riviera logo just to the right of that, and a large sculptural fountain, that dominates the corner with it's presence. Over the brass and glass doors for the entrance, a polished metal overhang radiuses above the door, and contains the words Nickel Town in channel letters. The two words are written horizontally in a line, and separated in the middle with a pan cjhannel star also lined with neon on it's interior. The star is centered with a channel number "5" which is filled with white neon. The star's neon colors are pink and blue, and are arranged as interior lining of the star. The underside of the awning, as the rest of the front facade, is adorned with the incandescent bulbs, placed neatly in the designated prismatic shapes. The neon rings also are present, running the pediment across the facade. Elements of the electric wall can be seen as well, with the metal diamonds supporting incandescent bulbs trailing upward from the awning up to the facade of the building behind it. Several different sizes of star rise up as well, they are identical in color and design shape. Since the interiors do not contain a channel letter, they contain a channel shaped star, lined with incandescent bulbs in the center. A different sort of star shape is present as well. This shape is an eight-sided shape, reminiscent of a snowflake. When I say snowflake, it is essentially a cross shaped piece crossed, with an "X" shape. The shape is designed out of a pan channel, filled with incandescent bulbs. White neon backs the channel. Directly to the right of the entrance, the mirrored facade reflects the entrance, as the reflective surface house vertical, neon bars as well. The three different colors are Blue, gold and green. Consuming the majority of the concrete expanse created by the small plaza, is the neon-laden fountain of light and steel, with a base of ceramic pool. The design is a circular pool, covered in 1"x1" ceramic tiles, and filled with water. Thee square poles are bent over, looking as if they are spraying up out of the fountain. They appear almost as if a bouquet. One is painted Blue, one gold, and the other red. These poles are striped with neon tubing of the corresponding colors. Internally lit cubes, of the same color scheme as the primary palette. Wrapping around the circumference of the top half of the plumage, is a silver pediment that radiuses around the fountain. The finish is polished metal, and matches the overhang presented in the Nickel Town signage. Raceways run along the top and bottom edges of the face, wile the internally lit advertisements occupying the open space of the pediment every so often. Riviera Convention Center: Directly to the east of Nickeltown, is the Riviera Convention center. Signage for the building is first evident when traveling west, looking at the east face of the building. Not far on the north side of the east face of the building, large channel letters hang denoting the building. The Riviera logo text is spelled in the signature text, outlined with red neon and filled with incandescent bulbs. Below that, a two lined text reads convention center in red channel letters, lined on the interior with red neon. On the south side of the building, two lines of text reads, "Royale Pavilion" and "Entrance" below that. These channel letters are red, and lined with red neon on the interiors. Tower: Along the north side of the main tower, "Riviera" is spelled with giant red channel letters, filled with incandescent bulbs, and lined with red neon. The rear entrance is shared for the hotel, and the convention center, and is denoted with signage, and an overhang. A large blockish overhang is cantilevered off of the side of the building and projects outward, toward the east. On the front edge, an arcade of arches is evident, which reveal five tube-like vaults that project the half radius all the way back to the building. All of the edges of the raceway, including the spaces on the underside, which separates the vaults, are lined with incandescent bulb lined raceways. The Riviera text spells "Riviera" across the front of the cantilevered structure. The channel letters are painted red, lined with red neon and filled with incandescent bulbs. Left of the cantilevered structure are letters, which spell convention center. They are channel letters with red plastic faces.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Glass; Fiberglass
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign manufacturer: Federal Signal (fascia front glass)
Sign designer: Marge Williams/ Arch: Nikita Zukov (fascia design)
Sign - date of installation: 1988-1989
Sign - date of redesign/move: Pylon was moved to Convention Center Dr. and Paradise Rd. c. 1988
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Glass; Fiberglass; Paint; Graphics
Mixed Content
Photographs of Rosewood Grille signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Daytime and nighttime views of the Rosewood Grille signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3335 S Las Vegas Blvd
Sign owner: Alan and Kevin LeWinter
Sign details: The Rosewood Grill is between the Venetian Hotel-Casino and the Tam O'Shanter Motel on the east side of Las Vegas Blvd The facade of the building is a plain, if not unassuming white stucco structure, with a driveway running along the north side of the building. Directly in front of the buildings western wall, along the strip, a tall pylon faces north /south
Sign condition: Structure 3 Surface 3 Lighting 3
Sign form: Pylon
Sign-specific description: The pylon sign, which faces north/south, is the only signage notifying the pedestrian traffic of the establishment within. It is a tall vertical advertisement, mostly comprised of a vertical, rectangular shaped, internally lit cabinet, with rounded edges. The face of the sign is a plastic, graphically treated photo image of a man in a tuxedo holding up a giant lobster.
Sign - type of display: Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics
Sign animation: Chasing, flashing
Notes: The raceway, which runs the circumference of the faces of the sign, contains small strobes placed at random places, and flashing at random patterns.
Sign environment: The sign for the establishment is the only marker that anything is operational in the dimly lit building. Not that the building looks non operational, but the majority of the building is very unassuming, mostly being denoted by the large drive and entrance. It is located just south of the Tam O'Shanter motel, among the awkward transition of the strip, that is Spring Mountain Rd. The Vagabond Inn and the Treasure Island square off the end of the block before the desolate expanse of what used to be the Desert Inn, and the transforming Fashion Show Mall, sprawl out across the north side of the road. The Rosewood Grill is part of the side of the street that trails off in size, but not character as the giant Venetian slows its progress.
Sign - date of redesign/move: Was the Anoje Continental Restaurant, next to the Kit Carson Motel, but was changed to the Rosewood Grill.
Sign - thematic influences: Not much of a theme, outside of advertising for a big lobster dinner.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Incandescent; Backlit; Steel; Plastic; Graphics
Site address: 3335 S Las Vegas Blvd
Sign owner: Alan and Kevin LeWinter
Sign details: The Rosewood Grill is between the Venetian Hotel-Casino and the Tam O'Shanter Motel on the east side of Las Vegas Blvd The facade of the building is a plain, if not unassuming white stucco structure, with a driveway running along the north side of the building. Directly in front of the buildings western wall, along the strip, a tall pylon faces north /south
Sign condition: Structure 3 Surface 3 Lighting 3
Sign form: Pylon
Sign-specific description: The pylon sign, which faces north/south, is the only signage notifying the pedestrian traffic of the establishment within. It is a tall vertical advertisement, mostly comprised of a vertical, rectangular shaped, internally lit cabinet, with rounded edges. The face of the sign is a plastic, graphically treated photo image of a man in a tuxedo holding up a giant lobster.
Sign - type of display: Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics
Sign animation: Chasing, flashing
Notes: The raceway, which runs the circumference of the faces of the sign, contains small strobes placed at random places, and flashing at random patterns.
Sign environment: The sign for the establishment is the only marker that anything is operational in the dimly lit building. Not that the building looks non operational, but the majority of the building is very unassuming, mostly being denoted by the large drive and entrance. It is located just south of the Tam O'Shanter motel, among the awkward transition of the strip, that is Spring Mountain Rd. The Vagabond Inn and the Treasure Island square off the end of the block before the desolate expanse of what used to be the Desert Inn, and the transforming Fashion Show Mall, sprawl out across the north side of the road. The Rosewood Grill is part of the side of the street that trails off in size, but not character as the giant Venetian slows its progress.
Sign - date of redesign/move: Was the Anoje Continental Restaurant, next to the Kit Carson Motel, but was changed to the Rosewood Grill.
Sign - thematic influences: Not much of a theme, outside of advertising for a big lobster dinner.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Incandescent; Backlit; Steel; Plastic; Graphics
Mixed Content
Photographs of Royal signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Daytime and nighttime views of the Royal Hotel and Casino on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 55 Convention Center Dr
Sign form: Pylon; Fascia; Porte-cochère
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Porte-cochère; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Site address: 55 Convention Center Dr
Sign form: Pylon; Fascia; Porte-cochère
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Porte-cochère; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Photographs of Sahara Hotel and Casino signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Nighttime views of the Sahara Hotel and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Sahara Hotel and Casino (Las Vegas, Nev.)
Site address: 2535 S Las Vegas Blvd
Sign owner: William Bennett
Sign details: The Sahara lies at the northern most end of the survey, on Sahara, and Las Vegas Blvd The Sahara was remodeled in the late nineties to create an entirely new facade utilizing a large pylon, a porte cochere and various independent illuminated signs. On the eastern side of the property another porte cochere is located just west of Paradise Rd. across the street from the Sahara's original pylon.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Flashing, oscillating
Sign environment: The Sahara utilizes many of the new elements of Las Vegas to create an environment. The western side of the property facing the strip is composed of a giant pylon, a domed porte cochere, and a roller coaster for the themed attraction incorporated into the property. To the north across Sahara Ave. the Holy Cow casino gives way to the distinctly older and smaller venues on the remaining northern stretch of the strip, while the entire heart of the boulevard lies to the South. Palm trees and various foliage surround winding drives which lead up to the open air dome, fore the circular valet. Along the twisting lanes leading to the parking garage, you can see fiberglass figures riding on camels, and various text signage upon the structures. Walking through the lush surroundings toward the north side of the property, you encounter the giant pylon, being able to walk right up next to it. The roar of the rollercoaster is rather deafening as it zooms right over a pedestrians head, as the signage for the NASCAR gives way to human sight.
Sign manufacturer: Mikhon Lighting and sign
Sign designer: New Pylon: Jack M. Larsen Jr. and Mikhon Lighting and sign
Sign - date of installation: 1996-2000
Sign - date of redesign/move: During the reconstruction which took place between 1996 and 2000, the original pylon was moved east across Paradise Rd
Sign - thematic influences: The theme of the Sahara is definitely linked to the desert theme so often seen throughout Las Vegas history. The name itself is the name of what is probably the most famous desert in the world. Elements of the design give way to this theme with rather heavy-handed iconography. Examples of this include the image of a camel on the pylon and rear porte cochere, as well as the statuary of men riding on camels. The text is the same classic Sahara text seen throughout the properties history, and definite reference the cure and angle of some Arabic writing, but also are linked to shapes seen in the architecture from that region of the world. Other properties which can be linked to this theme in Las Vegas History include, the Dunes, and the Aladdin. The Aladdin and the Sahara also share the trait of being a Vegas icon, revamped to meet the current trends of Las Vegas. The Sahara falls into that trend of being geared more toward the family theme these days, with the addition of the NASCAR Cafe as well as the roller coaster. The other property which incorporates a roller coaster is the New York New York.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics
Site name: Sahara Hotel and Casino (Las Vegas, Nev.)
Site address: 2535 S Las Vegas Blvd
Sign owner: William Bennett
Sign details: The Sahara lies at the northern most end of the survey, on Sahara, and Las Vegas Blvd The Sahara was remodeled in the late nineties to create an entirely new facade utilizing a large pylon, a porte cochere and various independent illuminated signs. On the eastern side of the property another porte cochere is located just west of Paradise Rd. across the street from the Sahara's original pylon.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Flashing, oscillating
Sign environment: The Sahara utilizes many of the new elements of Las Vegas to create an environment. The western side of the property facing the strip is composed of a giant pylon, a domed porte cochere, and a roller coaster for the themed attraction incorporated into the property. To the north across Sahara Ave. the Holy Cow casino gives way to the distinctly older and smaller venues on the remaining northern stretch of the strip, while the entire heart of the boulevard lies to the South. Palm trees and various foliage surround winding drives which lead up to the open air dome, fore the circular valet. Along the twisting lanes leading to the parking garage, you can see fiberglass figures riding on camels, and various text signage upon the structures. Walking through the lush surroundings toward the north side of the property, you encounter the giant pylon, being able to walk right up next to it. The roar of the rollercoaster is rather deafening as it zooms right over a pedestrians head, as the signage for the NASCAR gives way to human sight.
Sign manufacturer: Mikhon Lighting and sign
Sign designer: New Pylon: Jack M. Larsen Jr. and Mikhon Lighting and sign
Sign - date of installation: 1996-2000
Sign - date of redesign/move: During the reconstruction which took place between 1996 and 2000, the original pylon was moved east across Paradise Rd
Sign - thematic influences: The theme of the Sahara is definitely linked to the desert theme so often seen throughout Las Vegas history. The name itself is the name of what is probably the most famous desert in the world. Elements of the design give way to this theme with rather heavy-handed iconography. Examples of this include the image of a camel on the pylon and rear porte cochere, as well as the statuary of men riding on camels. The text is the same classic Sahara text seen throughout the properties history, and definite reference the cure and angle of some Arabic writing, but also are linked to shapes seen in the architecture from that region of the world. Other properties which can be linked to this theme in Las Vegas History include, the Dunes, and the Aladdin. The Aladdin and the Sahara also share the trait of being a Vegas icon, revamped to meet the current trends of Las Vegas. The Sahara falls into that trend of being geared more toward the family theme these days, with the addition of the NASCAR Cafe as well as the roller coaster. The other property which incorporates a roller coaster is the New York New York.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics
Mixed Content
Photograph of Seven sign, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Photo shows a nighttime view of the Seven sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3724 S Las Vegas Blvd
Sign form: plyon, fascia, porte cochere
Sign - type of display: Neon, incandescent, backlit
Sign - media: steel, plastic
Sign - non-neon treatments: graphics, paint
Sign animation: Chasing, flashing, oscillating
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Graphics; Paint; Steel; Plastic; Neon; Incandescent; Backlit; Pylon; Fascia; Porte-cochère
Site address: 3724 S Las Vegas Blvd
Sign form: plyon, fascia, porte cochere
Sign - type of display: Neon, incandescent, backlit
Sign - media: steel, plastic
Sign - non-neon treatments: graphics, paint
Sign animation: Chasing, flashing, oscillating
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Graphics; Paint; Steel; Plastic; Neon; Incandescent; Backlit; Pylon; Fascia; Porte-cochère
Mixed Content