Oral history interview with Carolyn Freeman conducted on January 30, 2006 for the Boyer Early Las Vegas Oral History Project. Freeman begins by discussing her upbringing, her father, who was the president of the Japanese American Citizens League, and her early interest in dancing. She also details her experiences as a Japanese American during World War II and being relocated by the federal government. Freeman then describes how she began her career as a dancer after getting a role in a Broadway play in New York City, New York, and her later experiences dancing in productions in Reno, Nevada and San Francisco, California during the 1950s and 1960s. Lastly, Freeman discusses the differences between living in Las Vegas, Nevada compared to California and being offered the chance to dance in a Frank Sinatra show by himself and Sammy Davis Jr.

Oral history interview with Dorothy and Don Tomlin conducted by Joyce Marshall on April 3, 2002 for the UNLV University Libraries Oral History Collection. Don Tomlin relates his early life in Los Angeles, California, military service during World War II, returning to California and working as a bartender. He then talks about moving to Alaska and meeting Dorothy, who was there as choreographer and manager for her professional dance troupe. The couple then talk at length about moving to Las Vegas, Nevada. Dorothy describes the long hours involved in running her dancers for the El Rancho Vegas Hotel showroom. Both talk about the hotel's owner Beldon Katleman and Don describes opening a men's clothing store near the Moulin Rouge Hotel, catering to both the Westside community and the professional bands that played at the hotels. Finally, the couple describe retiring to travel, buying a resort hotel in California and selling it after repeated flooding, returning to Las Vegas and settling down to help their son run his photography business.

Oral history interviews with Vassili Sulich conducted by Gerald A. Villa on March 23 and May 4, 2002 for the UNLV University Libraries Oral History Collection. In these interviews, Sulich recalls his upbringing and his experiences as a child during World War II, his study of ballet, and the beginning of his professional life with several ballet companies in France. He then recounts his move to Las Vegas, Nevada in 1964 to produce the Folies Bergere (Las Vegas) at the Tropicana Hotel and Casino, a position he held for nine years. In 1972 he began teaching ballet at the University of Nevada, Las Vegas (UNLV) and formed the Nevada Ballet Theatre. He continues talking about his philosophy of dance, the changing perspective of male ballet dancers, and the process of working as the artictic director of a ballet company, and the extreme toll constant practice and performance have on the physical and emotional state of dancers. Finally, he discusses his resignation from the Nevada Dance Theatre and a ballet he choreographed in his mother's memory.

Oral history interview with D. D. (Ethel Dolores) Cotton conducted by Claytee White on February 14, 1997 and March 21, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Cotton discusses the beginnings of her dance career in New York City, New York. Later in the interview, Cotton discusses working in Las Vegas, Nevada at the Cotton Club and her interactions with other African American entertainers. Cotton also discusses race relations and her experiences as an African American dancer in Las Vegas. Cotton later goes on to discuss her career change in the service industry.

Oral history interview with Rosemary Tall Dehart conducted by Brigid Kelly on November 14, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Dehart opens her interview by discussing her upbringing in Wellingborough, England. She goes on to describe her dance career and receiving an offer to become a member of the Bluebell Girls dance troupe. Dehart talks about performing in Paris, France for shows and movie dance segments. She then discusses traveling from Paris to Las Vegas, Nevada to perform at the Stardust Hotel. Dehart describes the treatment of different types of entertainers and the choreography style of Donn Arden. She then discusses returning to the Stardust later in life to work as a roulette dealer. Dehart ends her interview with a discussion of advice for young dancers and why she chose to settle in Las Vegas.

Oral history interview with Mary Louise Williams conducted by Claytee D. White on June 19, 1998 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview Mary Louise Williams discusses her dance career, working at the Moulin Rouge Hotel and Casino, visiting Las Vegas, Nevada numerous times throughout her life, and why she retired in Las Vegas.

Oral history interview with Frederic Apcar conducted by Nancy Hardy on July 19, 2003 for the Las Vegas Oral History Project. In this interview, Apcar describes his birth and early life in Paris, France, his parents' divorce, working from a young age, and, at the age of sixteen learning to dance ballet and tap. He talks about his first dancing job at the Folies Bergere in Paris, going on tour for several years with Josephine Baker, and on his return to Paris, dancing with the Lido before signing a contract for a three-month job at the Copacabana in New York City, New York. He then discusses his move to Las Vegas, Nevada in 1959, where he produced the Las Vegas Les Folies Bergere, Vive les Girls with Ron Lewis, and Casino de Paris. He also talks about Donn Arden as the other major show producer on the Strip during this period.