Oral history interviews with Barbara Davis conducted by Joanne Goodwin on December 18, 1996 and March 25, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Davis opens her interviews by discussing her audition for the Folies Bergere as a dancer with limited experience. Davis describes working with the Folies Bergere as a touring showgirl in the 1940s. She discusses touring the United States in the Folies Bergere, touring South America for three years, and going to college at night while performing during the day. Davis then talks about the city of Reno, Nevada and working as a showgirl there. Davis addresses common rumors about showgirls, such as being involved in prostitution or being addicted to gambling. She then discusses her interest in education in her later years including earning various post graduate degrees. Davis ends her interview with a discussion on classic entertainment of the 1940s, including vaudeville and entertainment hotspots of the time.

Oral history interview with Claude, Buddy, and Skip Trenier conducted by Betty Rosenthal on March 10, 1978 for the UNLV University Libraries Oral History Collection.

In this interview, Claude, Buddy, and Skip Trenier, members of the musical group "The Treniers", discuss their experiences performing on the Las Vegas Strip as Black men. They share their group's history playing music at the Flamingo Hotel and Casino and other establishments in Las Vegas, Nevada beginning in 1948. Their discussion covers not only their performing careers but also their experiences with desegregation, racism, and discrimination in the city of Las Vegas.

Claude, Buddy, and Skip Trenier share their accounts of both being a popular act in Las Vegas, requested by out-of-towners from New York and Chicago, and also how they were nearly fired for refusing to play music when noticing customers of color being treated unfairly at their shows. The trio talk about how they could not enter casinos from the front entrance, how most casinos did not formally desegregate until after 1960, and how there were very few Black entertainers, musicians, or dancers during the mid-20th century with a few notable exceptions including Sammy Davis Jr.

African Americans in Las Vegas: a Collaborative Oral History Project event roundtable conducted by Claytee D. White on January 18, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this panel event, Jean Childs, Joe Neal, Jackie Brantley, LaVerne Ligon, and Ramon Savoy discuss their early lives and explain how they arrived to Las Vegas, Nevada. Childs talks about her father’s business, the Penguin Club, and the history of African Americans in the gaming industry. She talks about her involvement with the Economic Opportunity Board (EOB) and the Head Sstart federal program. Savoy remembers the foundation of Las Vegas Sentinel-Voice and the challenges of distributing weekly publications during the late 1950s. Neal recalls his first political campaign, being a chairman for the EOB, and becoming a Nevada State Senator. Later, Brantley describes the 1971 consent decree, discrimination against African American workers in the gaming industry, and her career in hotel management. Ligon remembers her career as a dancer, being a part of an all-African American dance line, and integration in the entertainment industry.

Oral history interview with Denise Miller conducted by Deborah Whicker on March 02, 1981 for the Ralph Roske Oral History Project on Early Las Vegas. Miller discusses the dance community in Las Vegas, Nevada. Miller also talks about the significance that the arts had in Las Vegas and how it changed throughout the years.

Oral history interview with Nancy Houssels conducted by Claytee D. White on March 19, 2014 for the West Charleston Neighborhoods--an Oral History Project of Ward 1. Houssels discusses going to school at Berkley University and the University of California Los Angeles, and then migrating to Las Vegas, Nevada. She discusses dancing at the Dunes Hotel and later at the Tropicana Hotel and Casino where she met her husband. She then discusses her part in starting the Nevada Dance Theatre and being a “prime mover” in the Smith Center for the Performing Arts.

Oral history interview with Paulette Morris conducted by Claytee White on January 06, 2009 for the Boyer Early Las Vegas Oral History Project. Morris opens her interview by discussing traveling around the world as a child due to her father's career with the U.S. Army Corps of Engineers. Morris then talks about the school system in Morocco and how it gave her the opportunity to study ballet. She describes her audition process with the Paris, France based revue, the Folies Bergere. Morris discusses the Bluebell Girls, Margaret Kelly ("Madame Bluebell"), costumes, and the show schedule. Morris then recalls dancing in the Lido show at the Stardust Hotel and Casino, and her experiences in Las Vegas, Nevada during the 1960s. She ends the interview discussing her return to school, her job in retail, and her final thoughts on her experiences with the Bluebell Girls.

Oral history interview with Alice Waite conducted by Claytee D. White on July 14, 2015 for the Boyer Early Las Vegas Oral History Project. In this interview, Waite primarily discusses her time in The Rhythmettes, a female student dance group based out of Las Vegas High School in Las Vegas, Nevada during the 1950s. Waite describes the group's choreographer and coach, Evelyn Stuckey, her fellow Rhythmettes, and the performances they gave at Las Vegas High School and around the state. Waite also talks about her family history, what she likes about Las Vegas' downtown, and her career as a teacher.