Oral history interviews with Carolyn MacMullen conducted by Su Kim Chung on April 21, 2014 and July 07, 2014 for the West Charleston Neighborhoods: an Oral History Project of Ward 1. In these interviews, MacMullen discusses being a dancer in Las Vegas, Nevada at the Sands, Desert Inn, and Sahara throughout the 1950s. She recalls working as a dresser and describes what it is like to be backstage during a show production. MacMullen then talks about changes in showgirl costumes, the Texas Copa Girls, and her decision to stop dancing. Lastly, MacMullen discusses living in the West Charleston area and changes in Las Vegas.

Oral history interview with Keena Smith conducted by Winita Frederick on November 25, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Smith discusses her personal history and growing up in Las Vegas, Nevada. She describes what Las Vegas was like as a child, her upbringing in dance, and the significance that participating in the arts has on her life. Smith describes the auditioning process for shows in Las Vegas, her experience as an African American dancer, and being a cast member for The Lion King. Lastly, Smith talks about teaching dance courses at the University of Nevada, Las Vegas.

Oral history interview with Charlotte Mugleston Kelly conducted by Claytee D. White on August 07, 2014 for the Boyer Early Las Vegas Oral History Project. In this interview, Mugleston Kelly discusses attending Las Vegas High School and being a dancer in the Rhythmettes, Las Vegas High School's female dance group. She describes Evelyn Stuckey, the coach for the group, the performances the Rhythmettes had at different venues, and life in Las Vegas during the 1950s. Mugleston Kelly also talks about owning and operating liquor stores and bars with her husband, how Las Vegas has changed, and her family history.

Oral history interview with Alice Key conducted by Claytee D. White on February 17 and March 24, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview Alice Key discusses being a chorus line dancer at the Cotton Club in Culver City, California and then moving to Las Vegas, Nevada after her dancing career ended. She then talks about working as a reporter, her involvement with the civil rights movement in Las Vegas, and creating the first all-black television show in the country: Talk of the Town.

Oral history interview with Jerry Jackson conducted by Su Kim Chung on February 12, 2015 for the Boyer Early Las Vegas Oral History Project. In this interview, Jackson discusses his career as a dancer, choreographer, costume designer, and producer of shows in Las Vegas, Nevada and around the world. Jackson describes dancing at the Desert Inn, Moulin Rouge, Tropicana, and touring with production shows. He then recalls living in Las Vegas from the 1950s through the 1970s and compares the quality of show production throughout the years. He talks about his career with the production Folies-Bergere

Oral history interview with Betty Bunch conducted by Joyce (Marshall) Moore on January 09, 1996 and February 07, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In this interview, Bunch discusses the origins of her dance career and the places her pursuit of this career took her. Bunch discusses the various shows she performed in both in the United States and Europe, and describes the differences between a dancer and a showgirl. Bunch describes the responsibilities and rights of dancers, their contracts, and their leisure activities. Finally, Bunch also discusses her personal life including two of her marriages.

Oral history interview with Shirley Allen conducted by Nancy Hardy on June 21, 2003 for the Las Vegas Oral History Project. In this interview, Allen discusses moving to Las Vegas, Nevada with her family and starting dancing professionally while attending university. Her first job was at the Riviera in 1964, working as a showgirl. She explains that the work was not difficult and they were not asked to do anything inappropriate, but they did have to pay for their own cocktail dresses and accessories. She also explains that she was a "covered dancer" in the beginning but by the late 1960s she had to "uncover" (work topless) to be employed. She then talks about working in Pzazz! '68 at the Stardust Resort Hotel and Casino, after auditioning for Fluff LeCoque, Donn Arden's company captain. She also talks about her impression of Miss Bluebell and Donn Arden. She spends some time talking about what life was like backstage, relations between the girls, and meeting celebrities, her first experience with topless dancing in Lido de Paris, and how the backstage dressing areas were assigned and the difficulty of fast changes between sets. Later, she talks about things that can go wrong, from forgeting choreography to the more serious issue of the HIV/AIDS epidemic that swept through the shows in the 1980s.