Oral history joint interview with the "Holiday in Japan" dancers conducted by Claytee D. White on May 26, 2011 for the Boyer Early Las Vegas Oral History Project. The dancers present for the interview were Sachiko O. Thompson, Minoru Saito, Kazu Hamada, Kyoko Nakamura, Nobuko Suda, and Katsuko Tomoko Billman. The dancers begin by discussing their lives in Japan before coming to the United States in 1960 to perform their "Holiday in Japan" stage show. They describe their reactions to coming to the United States and compare it to life in Japan, as well as their reactions to coming to Las Vegas, Nevada specifically. They discuss performing their show at the New Frontier Hotel and Casino, Desert Inn Hotel and Casino, and Dunes Hotel and Casino. They describe their show, which presented Japanese culture to Western audiences, and the work that went into it. They end the interview by detailing their lives and careers after performances of the show concluded in 1961.
Archival Collection
Oral history interview with Kim Krantz conducted by Joyce (Marshall) Moore on February 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Krantz begins her interview discussing her transition from an east coast dancer to a Las Vegas, Nevada dancer. Krantz discusses the performing scene at the time and the general distaste dancers had for showgirls. Krantz goes on to discusses the details of nudity in performances and the relationships show directors like Harold Minsky and Donn Arden had with their performers. Krantz also discusses her experiences as a dancer and her opinions about the treatment of African American dancers.
Archival Collection
Oral history interview with professional dancer Diana Saunders conducted by Barabra Tabach on April 17, 2017 for the Southern Nevada Jewish Heritage Oral History Project. Diana shares stories of long career as a dancer, from substituting in the black dancer line to continued study of dancing with Anglo Moio. She also talks about the AIDS fundraising event, Golden Rainbow, having dinner at Rabbi Shea Harlig’s home, observations of local theater, being a part of the former Star Trek Experience at the Las Vegas Hilton, Hallelujah Hollywood, and a dancer for Siegfried and Roy.
Archival Collection
Oral history interviews with Nancy Houssels conducted by Caryll Batt Dziedziak on November 18, 1998, December 07, 1998, and December 14, 1998 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Houssels begins her interviews discussing her childhood in California and the influence World War II had on her upbringing. Houssels then talks about her dance training and career including topics on her auditions, her dance partners, and touring Europe in the 1960s. Houssels describes coming to Las Vegas, Nevada in 1968 where she was booked as a dancer in Folies Bergere at the Tropicana Hotel. Houssels then discusses the influences Mormonism and adiago ballet had on her life. Houssels then describes how she co-founded the Nevada Ballet Theatre with Vassili Sulich, performances of the company, their dancers, and community outreach.
Archival Collection
Oral history interview with Gillian Kabat conducted by Joyce Marshall on June 29, 1996 for the UNLV University Libraries Oral History Collection. In this interview, Kabat discusses her career as a dancer and being a member of the Bluebell Girls dance troupe. She talks about obtaining working visas to perform in the United States, being a dancer during the 1960s, and transitioning into a teaching career.
Archival Collection
Oral history interviews with Diana Saunders conducted by Joyce (Marshall) Moore on May 23, 1996, conducted by Brigid Kelly on July 22, 2002, and conducted by Joanna Goodwin on August 12, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. In her interviews Saunders discusses her dance career in New York City, New York. Saunders discusses working on Broadway and touring internationally in Europe and Australia as a dancer. Saunders discusses working at the Dunes in Las Vegas, Nevada and her experiences as a dancer in Las Vegas. Saunders also talks about the lengths dancers had to go through to be successful.
Archival Collection
Oral history interview with Dolly Kelepecz conducted by Claytee D. White on April 29, 2010 for the Boyer Early Las Vegas Oral History Project. Kelepecz discusses her career as a ballet dancer, a performer in a circus, and a showgirl and dancer in Las Vegas, Nevada, especially in the Lido at the Stardust Hotel and Casino. She also discusses her time as a model, a pilates instructor, and running the Opus Dance ensemble. Kelepecz then discusses teaching a class at the University of Nevada, Las Vegas.
Archival Collection
Oral history interview with Lindell Blake conducted by Claytee D. White on January 12, 2006 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Blake discusses his personal history and moving to New York, New York at the age of three. Blake talks about his life in New York, moving to Las Vegas, Nevada in 1990, and his starting his career as a tap dancer. He talks about performing in various productions across the United States, and teaching tap dancing. Lastly, Blake recalls the history of tap dancing in the United States and describes the audition process for dancers in Las Vegas.
Archival Collection
Oral history interview with Prince Spencer conducted by Claytee White on January 09, 2005 for the African Americans in Las Vegas: a Collaborative Oral History Project. Spencer discusses his career as a dancer in Las Vegas, Nevada at the Sands Hotel and Flamingo Hotel. He also talks about his activity in the Civil Rights Movement, work as a casino host, and participation in the Second Baptist Church in Las Vegas.
Archival Collection
Oral history interview with Anna Bailey conducted by Claytee White on March 03, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Bailey opens her interview by describing her early life, family, and dance training. She discusses moving to Los Angeles, California at age fifteen, her first dancing gigs, and touring in London, England. She also talks about her experiences as an African American dancer including issues with segregation while touring in the southern United States. Bailey then discusses her life in Las Vegas, Nevada in the 1950s, and working as a dancer at the Moulin Rouge. She describes the club, the other dancers that performed there, and how the African American community felt when the club closed. Bailey then discusses how her husband and the entertainers Josephine Baker and Frank Sinatra helped integrate Las Vegas. She ends her interview by describing the last hotel she danced at, the Flamingo, where she performed in an integrated dance line.
Archival Collection