In 1901, Jan Stewart's grandfather William T. Stewart brought his family to Alamo, Nevada in Lincoln County and about 90 miles north of Las Vegas to ranch. Soon he and his wife were operating a livery stable. One of his customers was an executive with the Union Pacific Railroad for whom he provided transportation to Las Vegas, where the railroad owned a ranch referred to as the Old Ranch. In this narrative Jan recounts how his grandfather and later his father became managers of the Old Ranch and lived a just a few dozen yards from the Old Mormon Fort, a historic Las Vegas landmark. In addition to sharing stories of his family's history, he describes how the ranch was a unique place to group up, brought the family in contact with many community people and an occasional celebrity.
Oral history interview with Jill Roberts conducted by Barbara Tabach and Claytee D. White on March 20, 2018 for the Remembering 1 October Oral History Project. In this interview, Jill Roberts discusses her position as the CEO of the Trauma Intervention Program (TIP) of Southern Nevada. She also delves into her part-time work at the coroner's office as a death investigator and discusses her personal background in Las Vegas, Nevada after she moved to the city in 1977. She describes the role TIP had during the aftermath of the October 1, 2017 mass shooting, where well-trained volunteers were dispatched to hotels, hospitals, and anywhere else the survivors reached in order to provide emotional and practical support. Throughout the interview, Roberts emphasizes that the assistance provided to those in a traumatic event depends on each individual's needs. She shares a few examples of what the TIP volunteers had helped with after the shooting, including listening to the survivors' stories as well as providing information on the situation, helping separated loved ones find each other, arranging travel for some survivors to go back to their homes, and procuring clothes and shoes for those who needed them. Roberts also discusses the gratitude TIP had received after the shooting, including the thank you cards sent by Sandy Hook High School.
In this interview, Behar reflects upon his childhood in France, and later adjusting to life in New York. He talks of his admiration for those that have cared for him in his youth, including Marie Cazous and his parents, Marco and Flora Behar. He details his career path, and how he ended up in Las Vegas. In addition, Behar describes a recent family trip to France, visiting his place of birth for the first time since leaving as a child.
Gwendolyn K. Walker arrived in North Las Vegas in 1962 from Houston, Texas, as a five-year-old with her parents, two brothers, and her cousins. The Walker family at first moved to a rented house on D Street, and Gwen attended Kit Carson Elementary School for first grade. Her mother enrolled in nursing school, so she sent Gwen back to Delhi, Louisiana, to be raised by her grandmother. In Delhi Gwen picked cotton with her aunt while she was in the second grade. Gwen returned to North Las Vegas to live with her mother and complete elementary school at Jo Mackey before matriculating to J. D. Smith Elementary School for junior high school and then to Clark High School. Later she attended UNLV. Gwen and her mother joined Saint James Catholic Church at H Street and Washington Avenue, but after she returned from Delhi she joined Second Baptist Church, where she became close with a cohort of friends that remained strong even as she experienced racism and bullying and love for the first time.
The Jerry Jackson Papers, 1953 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on Folies-Bergère at the Tropicana Hotel and Casino in Las Vegas, Nevada is the most extensive show represented. Materials also include documentation of Jackson's other stage, film, and television productions. The papers include general production information, correspondence, costume design drawings, wardrobe notes, choreography notes, sheet music, music scores, lyrics, budgetary information, production photographs, show outlines and rundowns, set designs, scripts and publicity materials.
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file. (Transcripts less than 75 years old are restricted.)