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Cassius Smith oral history interview

Identifier

OH-03819

Abstract

Oral history interview with Cassius Smith conducted by Claytee D. White on November 16, 2021 for African Americans in Las Vegas: a Collaborative Oral History Project.

Cassius talks about his childhood and early interest in fashion design. He describes his chance encounter with a FUBU employee on a train in New York that opened the door to a ten year career with the hip hop clothing line and other clothing designers. Cassius talks about his decision to move to Las Vegas after attending the MAGIC Fashion Trade Show, and how he settled in the city just before the start of the COVID-19 pandemic. He shares what life has been like since the move and his current entrepreneurial pursuits, including designing a new clothing line with his nephew.

Archival Collection

Donna Robinson oral history interview

Identifier

OH-03655

Abstract

Oral history interview with Donna Robinson conducted by Barbara Tabach on December 20, 2019 for the Remembering 1 October Oral History Project. Robinson begins by talking about her family and childhood in Pittsburgh, Pennsylvania. She talks about her family life and how she started working at the American Red Cross as a Disaster Program Specialist. Robinson describes her first disaster situation she worked through, later disaster situations, and the different training that is required in order to handle certain situations. Robinson then begins to talk about October 1, 2017, and how she tried to help as many people as possible that night. Then she talks about the long-term effects of the shooting and how it impacted the survivors and the community. She discusses the mental health aspect of the services Red Cross had and how it still continues to serve the community today.

Archival Collection

Vadeem Volansky, Anastasia Popovich, and Amdrei Skoro oral history interview

Identifier

OH-02755

Abstract

Oral history interview with Vadeem Volansky, Anastasia Popovich, and Amdrei Skoro conducted by Jan Biggerstaff in approximately 2008 for the Let;s Runaway and Join the Circus Oral History Project. In this interview, Volansky reflects upon his upbringing in Ukraine, his entrance into circus college, and his competitions before moving to Las Vegas, Nevada to perform in shows such as Mystere. Popovich discusses her upbringing in Las Vegas, Nevada, while her father worked in a show at the Circus Circus. She reflects upon having the show animals at home, how she trained for the circus, and eventually worked in the theater at the Aladdin, later Planet Hollywood. Skoro discusses his upbringing in Chelyabinsk, Russia, military operations before the city name was changed to Ozersk, and his entrance into circus school. Digital transcript available; no audio recording.

Archival Collection

Dr. James LaBuda oral history interview

Identifier

OH-01050

Abstract

Oral history interview with Dr. James LaBuda conducted by Rhonda Calvo on November 08, 2004 for the Public School Principalship Oral History Project. In this interview, LaBuda reflects upon his more than 20-year career as an elementary and junior high school teacher and administrator with the Clark County School District (CCSD) from the 1980s to the 2000s. He describes the process by which he became a teacher, and eventually a principal, as well as some of the challenges that he faced at different schools. He discusses challenges surrounding cultural diversity, standardized testing, and the 1988 PEPCON explosion. He reflects upon his training that he believes was the most beneficial for his principalship, discusses his approach to educational leadership, and describes expectations that successful principals would commonly face.

Archival Collection

Eva Futch oral history interview

Identifier

OH-00642

Abstract

Oral history interviews with Eva Futch conducted by Claytee D. White on November 02, 2010 and November 10, 2010 for the Boyer Early Las Vegas Oral History Project. Futch begins by discussing her personal history in Sweden, describing her early life, education, and what life was like in Sweden. She continues by describing her involvement in the boxing industry through her husband, Eddie Futch, who was a prominent boxing trainer. Futch provides insight into various aspects of boxing, how her husband trained fighters, and provides details on how the industry operates and the athletes she met. Futch describes moving to Las Vegas, Nevada in 1995 and the boxing events she was involved with in the city. She also goes through a series of photographs and memorabilia of her husband and explains their history and significance.

Archival Collection

Donna Rodriguez oral history interview

Identifier

OH-02196

Abstract

Oral history interview with Donna Rodriguez conducted by Justin Burrows on November 24, 2014 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Rodriguez discusses her personal history and moving to Las Vegas, Nevada in 1993. She describes her first impressions of the city, her employment at McCarran International Airport, and working as a security dispatcher for casinos. Rodriguez then talks about the development of security surveillance at casinos, discrimination towards African American gamblers, and recalls the training she received. Later, Rodriguez discusses her church involvement, teaching at her church's Sunday school, and shares how she managed to raise her children on her own. Lastly, she talks about the role that politics had on minority communities, the importance of education, and changes in Las Vegas.

Archival Collection

Jack Wesley Day oral history interview

Identifier

OH-02443

Abstract

Oral history interview with Jack Wesley Day conducted by Claytee D. White on August 19, 2015 for the Boyer Early Las Vegas Oral History Project. Day begins by discussing his upbringing and his service in the United States Army. He describes moving to Las Vegas, Nevada in 1961 to work as a teacher at Rancho High School before joining the Clark County School District administration in 1963. Day talks about race relations at Rancho High School, life in Las Vegas during the 1960s, and being the coordinator for manpower development training classes between the Nevada Department of Education, the federal government, and the Clark County School District. Day also describes the early years of Vo-Tech High School and other aspects of the history of Clark County School District, as well as his experiences working for the district.

Archival Collection

Transcript of interview with Nancy Houssels by Caryll Batt Dziedziak, November 18 & December 14, 1998

Date

1998-11-18
1998-12-14

Description

What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.

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