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Barbara Davis oral history interviews

Identifier

OH-03610

Abstract

Oral history interviews with Barbara Davis conducted by Joanne Goodwin on December 18, 1996 and March 25, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Davis opens her interviews by discussing her audition for the Folies Bergere as a dancer with limited experience. Davis describes working with the Folies Bergere as a touring showgirl in the 1940s. She discusses touring the United States in the Folies Bergere, touring South America for three years, and going to college at night while performing during the day. Davis then talks about the city of Reno, Nevada and working as a showgirl there. Davis addresses common rumors about showgirls, such as being involved in prostitution or being addicted to gambling. She then discusses her interest in education in her later years including earning various post graduate degrees. Davis ends her interview with a discussion on classic entertainment of the 1940s, including vaudeville and entertainment hotspots of the time.

Archival Collection

Transcript of interview with Corinne Entratter Sidney by Claytee White, June 5, 2007

Date

2007-06-05

Description

Interview with Corinne Entratter Sidney by Claytee White on June 5, 2007. In this interview, Sidney talks about growing up with privilege in California, where her father served as the attorney general. She attended school at UCLA and took acting classes and signed with United Artists. She met Jack Entratter in Los Angeles and moved to Las Vegas and worked as a Copa Girl. She discusses Jack Entratter's generosity and influence in town, and his style, and their lifestyle together. She mentions the likes of Frank Sinatra, Lena Horne and Sammy Davis, Jr. and her extravagant life living at the Sands. After Jack's death in 1971, she moved back to Los Angeles, returned to acting, and wrote a newspaper column. On a visit to Las Vegas with George Sidney after Sidney's wife Jane died, Corinne and George began dating and were married shortly after. They moved back to Las Vegas together for a slower pace. She describes her love of Las Vegas and its continued growth.

Corinne Sidney's life story makes for fascinating reading. She was born in 1937, the daughter of Alice Polk, former Ziegfeld showgirl, and Carl Kegley, an attorney. She attended U. of C. Berkeley, transferred to UCLA, and was spotted by a talent scout who convinced her to enter a Miss USA contest. Corinne's runner-up status in the Miss USA contest led to job offers in acting, so she decided to study acting. This, along with her childhood lessons in ballet, piano, singing, tap dance and horseback riding, led to a contract with United Artists, freelance work, television parts, and plays. Around the age of 18, Corinne met Jack Entratter. Their relationship brought her to Las Vegas, where she worked as a showgirl at the Sands for a few months, and where she married Jack a few years later. They lived a fabulous lifestyle which included travel, beautiful homes, and friendships with noted celebrities. Corinne went back to acting in Los Angeles after Jack passed away, but then segued into writing a gossip column and hosting a television show. She reconnected with an old friend (George Sidney) by writing the obituary for his wife, and within a few months they were married. The Sidney's moved back to Las Vegas, where Corinne still makes her home today.

Text

Showgirls

No description.

Subject

Transcript of interview with Julie Menard by Joyce Marshall, March 17, 1996

Date

1996-03-17

Description

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

Text

Photographs of a Donn Arden production, 1950s-1960s

Date

1950 to 1969

Archival Collection

Description

Six photos of showgirls from Donn Arden shows participating in extracurricular activities. Some of the showgirls are in a dressing room, others on a parade float, and some at a pool.

Image

Photographs of Minsky's cast members in "Happy New Year" poses, 1970-1979

Date

1970 to 1979

Description

A 12-photograph proof sheet of several Minsky's female cast members displaying costumes in various poses. Eight of the photos feature a showgirl posing with a table and blocks that spell out "Happy New Year" in various poses. Two of the photos feature three showgirls wearing oversized t-shirts that read "Minsky's Burlesque 69." Two of the photos feature a showgirl posing with a table and streamers, and is wearing a white mesh mini dress with long sleeves holding a bottle of champagne and two champagne glasses.

Image