Among the stories of those who came to Las Vegas in the 1960s to work at the Nevada Test Site is that of Leslie Dunn and his wife Joan. Leslie had been hired by the U.S. Public Health Service to monitor radiation from the explosions. He has tales flying into craters that make you wide-eyed. This assignment would last until his “retirement” in 1983 – one can’t really describe this couple as retired. During these early years, while Les pursued his scientist career, Joan’s chief focus was on raising their three children, Bruce Dunn, Loryn Dunn Arkow, and Sharon Dunn Levin. She also completed her education in accounting at University of Nevada, Las Vegas. She was involved with Equal Right Amendment efforts and League of Women Voters. The couple were only in their forties when Les left the PHS. As he looked forward to new opportunities, he felt compelled to pursue his longtime dream to become a builder, something he had dabbled at as a youngster with his father, Jack Dunn. Together, he an
Brad Friedmutter is the architect behind a number of Steve Wynn’s prominent casinos in Las Vegas, Nevada and Atlantic City, New Jersey. He obtained his degree in architecture in 1973 from the Cooper Union School of Architecture in lower Manhattan and worked on a number of smaller projects before connecting with Steve Wynn. After meeting the famous Vegas tycoon, Friedmutter built a number of well-known casinos, like the Golden Nugget and the Mirage. In this interview, he discusses the development of his numerous projects, explains his process for starting and completing architectural projects, and the future of urban planning and casino design.
On April 15, 1976, Judy Hammer interviewed Carmon Meswarb (b. February 9, 1932 in Cedar Falls, Iowa) about his life as a musician in Las Vegas, Nevada. Meswarb discusses how he ended up in Las Vegas, the musicians union and his time playing in a relief band. Meswarb also delves into the different entertainment acts of the 1950s and 1960s, the big-name performers, the city’s showgirls and racial segregation in entertainment. Moreover, Matson talks about the changing landscape of the city, residential areas and the changed attitude of the Strip. The interview ends with Meswarb discussing the short stint of Broadway shows on the Las Vegas Strip.
On March 3, 1980, David Alexander interviewed community volunteer, Ray Keith (born October 1st, 1911 in Montgomery, Alabama) in her home in Las Vegas, Nevada about her life and memories of Southern Nevada. The two discuss how Keith first arrived in Las Vegas and the addresses that she has lived at. The interview concludes with Keith explaining how she helped to charter the “Home of the Good Shepherd” housing facilities with local Las Vegas women in the sixties.
On March 7, 1981, Vicente C. Camacho interviewed accounting clerk, Juanita Kilburg (born September 25th, 1923 in Los Angeles, California) on the second floor of the UNLV Dickinson Library. Kilburg explains how her family first moved to Southern Nevada and her father’s ties to the railroad. She then goes on to explain the growth of the military and Nellis Air Force Base. The interview concludes with a discussion on her work with the American Legion service organization.
On February 24, 1977, Bill Teepe interviewed Hal G. Curtis (born 1926 in Galt City, California) about his life in Southern Nevada. Curtis talks first about his work on the Union Pacific Railroad before discussing changes and development in Las Vegas, including development on the Strip and Downtown areas. He also talks about Block 16, the El Rancho Vegas fire, social clubs, and religion.
On March 13, 1976, Mary Germain interviewed Thalia Dondero (born 1921 in Greeley, Colorado) about her life in Nevada and her experiences as the first female commissioner for the Clark County Commission. Dondero first talks about her upbringing and her eventual move to Southern Nevada. She also discusses her involvement in extracurricular activities, such as being a leader for the Girl Scouts, and how some of those experiences led her to get involved in politics. Dondero also mentions her work with National Geographic and her passion for working with oil paintings and watercolors. The final part of the interview involves some of Dondero’s accounts as a commissioner for Clark County and some of the challenges she has faced in that position.