Brothers Steve and Bart Jones live and breathe Las Vegas history. Their grandparents, Burley and Arlie Jones, arrived in Las Vegas in the nineteen-teens; their father, Herb Jones; his sister, Florence Lee Jones Cahlan, and their uncle, Cliff Jones, helped form the legal, journalistic, and water policy framework that sustains Southern Nevada today. The Jones brothers build on that foundation through their custom home-building company, Merlin Construction. In this interview, they talk about living and growing up in Las Vegas, of attending John S. Park Elementary School, of hunting in the desert, of their family's commitment to cultural and racial diversity, and of accompanying their grandfather to his business at the Ranch Market in the Westside. They share their early work experiences lifeguarding and later, dealing, at local casinos as well as second-hand memories of the Kefauver trials through the tales told by their father and uncle. Steve describes mentor Audie Coker; he explains
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Interviewed by Nathalie Martinez. Jocelyn Cortez is a Salvadoran-American immigration lawyer. She grew up on the Eastside of Las Vegas and grew up going to school in the Clark County School District and at UNLV before going to Law School at the University of Arizona. She is an engaged community member as an immigration lawyer working alongside the Culinary Union and the Latino Bar Association.
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Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.
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The Rita Deanin Abbey Exhibition Catalogs (1975-1991) are comprised primarily of exhibition catalogs featuring Abbey's art at various museums and international exhibitions including the Palm Springs Desert Museum, the University of New Mexico Art Museum, Biennale Internationale d’Email Laval, and the International Exhibition of Enamelling Art in Japan. The collection also contains invitations to Abbey's art shows at the University of Nevada, Las Vegas as well as a copy of Abbey's curriculum vitae. Also included are select issues of
Archival Collection
At the time of this interview, Shecky Greene (1926 - ) is energetically snuggled into his modest Henderson home. His wit and signature sense of humor are at in full swing. Shecky sees a joke in every nook and cranny of a conversation and seamlessly spins the moment with a tune or voice characterization. A native of Chicago, his given name is Fred Sheldon Greenfield. His Jewish parents, Bessie and Carl Greenfield raised Shecky and his older two brothers in a secular but kosher setting. He recalls honing his humor as a child and creating his path to a decades-long career in comedy lounges and in film. His narrative glitters with names of Las Vegas entertainment history. He also talks about his passion for the St. Judes Ranch in Boulder City.
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On March 14, 1981, Alisa Fife interviewed her friend’s grandmother, telephone operator and housewife, Rita Golub (born May 1st, 1920 in New York City, New York) in her home in Las Vegas, Nevada. The interview covers Rita Golub’s life in Las Vegas and includes discussion in regards to Queen Mother. Rita also discusses the Strip, night entertainment and social and religious activities in Las Vegas.
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One day in 2012, UNLV student Lyn Robinson spied a posting on the bulletin board for a photographer for the Sperling Kronberg Mack Holocaust Resource Center. She was an art major with a concentration on photography. She was also had a deep appreciation of the horror of the Holocaust and what the survivors she would take photos of had endured. Thus began a two year project, during which she took photos of over sixty survivors. Her images are preserved at UNLV Special Collections & Archives. Prints are displayed at the Sperling Kronberg Mack Holocaust Resource Center. On September 18, 2014, Lyn shared her work for this oral history recording. She is a native of Florida, daughter of a horticulturist father and pianist mother.
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