Randy Garcia is the founder and CEO of the investment management-consulting firm, The Investment Counsel Company. Born in Los Angeles on Feb. 21, 1954, Garcia’s family moved to Las Vegas in 1957. The son of a World War II vet and a homemaker, Garcia’s ancestral roots come from Mexico, Italy, and Spain. He grew up in Las Vegas during segregation and expansion. He remembers a time when much of city included dirt lots and casinos that no longer stand. A champion in serving under privileged youth and communities across southern Nevada, Garcia lives by the philosophy, “give until it hurts.” Garcia uses his success as a wealth manager to promote, foster, and cultivate positive change for the Latinx community in Las Vegas. His story and dedication to his community is a pinnacle of hope and benevolence for current and future generations. Garcia became the first in his family to attend and graduate college. He graduated from UNLV in 1977 with honors, where he majored in business administratio

Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.

On September 28, 1998, K.J. Evans interviewed former United States Senator Howard Cannon (born 1912 in St. George, Utah) about his life and political experiences. Also present were his wife, Dorothy Cannon, his daughter, Nancy Downing, and another participant identified as Caroline Rose. Cannon first talks about his family background and his parents’ occupations before mentioning his involvement in a music band and his pastime of flying aircraft. He then discusses his first political involvement and mentions his work for the Las Vegas City Attorney’s Office. Evans then asks about Cannon’s service with the Air National Guard and his combat experiences during World War II, specifically on D-Day. The interview then moves to a discussion on some of the work Cannon fulfilled as a senator, particularly military-based projects and black projects, and his work in creating Nellis Air Force Base. Evans later asks Cannon questions about his interaction with presidents, his thoughts on the Vietnam War, his support for civil rights, and his politically liberal stance as a lawmaker. Cannon also provides details on his relationships with Senators Walter Baring and Alan Bible, his interaction with Lyndon B. Johnson, and his campaign against Chic Hecht.

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.

Daryl Morris discusses growing up in Las Vegas and his love of acting.

Daryl Morris is a native of Las Vegas. Born in 1961, he is one of three sons born to Paula and Bobby Morris. He recalls his childhood of the 1960s and 1970s with great fondness of the fast friendships formed within the Jewish community. His day job is in insurance, but his great love is for acting. He tells of being smitten at the age of 11 and taking acting lessons as a youngster and then later studying with actor Jeff Goldblum. He has an impressive list of films in which he has appeared, including the opening scene of Mall Cop 2. He enjoys voice-over acting and teaching acting classes. He also tells about his Navy service, attending UNLV, and coming to settle in Las Vegas-the place he calls home. Daryl also participated in the January 31, 2016, Growing Up Jewish in Las Vegas panel discussion for the Southern Nevada Jewish Heritage Project.

Interview with Jerry Countess and Dorothy Eisenberg by Barbara Tabach on October 28, 2014. Countess discusses his childhood and military life. He became involved in the United Jewish Appeal in Las Vegas and started the Jewish Reporter newspaper. Dorothy Eisenberg is also involved in the interview to discuss the Jewish Federation and the Jewish community.

Jerome Countess, known as Jerry to most, was born on December 22, 1920 in Brooklyn, New York. He grew up in the borough's Jewish neighborhood, and he developed a reputation for being a skillful handball player and a great dancer. Though he was not allowed to enlist in the U.S. Coast Guard due to colorblindness, Jerry was eventually drafted into the army during World War II. With very minimal combat training, Jerry was sent to North Africa as an infantryman, and was later stationed in Italy. After three years of service, Jerry returned home and married his childhood sweetheart, Rachel, in 1945. Using the G.I. Bill, he enrolled at New York University to study writing, though he quit just shy of graduation as his wife was expecting. After briefly working in the television broadcasting industry, Jerry landed a job with the United Jewish Appeal. In 1975, following in his desire to move west, Jerry took the job of executive director of the Combined Jewish Appeal in Las Vegas, what would soon be renamed the Jewish Federation of Las Vegas. Under his leadership, the federation started the Jewish Family Service as well as The Jewish Reporter, a monthly publication to promote engagement of the Jewish community. Jerry served as the executive director of the federation for many years, serving at the pleasure of many board members and presidents, including the first female federation president, Dorothy Eisenberg.

Dr. Joseph Rojas, born 1933 in Alexandria, Louisiana, was the son of Joseph Edward Rojas and wife Carroll. He graduated high school at age 16 and entered Loyola University of the South. Two years later he was accepted at Louisiana State University School of Medicine, graduating with a medical degree in 1957. He interned at Charity Hospital and then completed his OB-GYN residency at Tulane University. Several mentors worked with Dr. Rojas during his residency and he recalls learning surgical and bed-side skills from the likes of Dr. Lynn White and Dr. Fred Janson. He also remembers the very high volume of patients - up to 300 - that he and other residents saw daily. Dr. Rojas married Mona Robicheaux, RN, during his residency and afterwards joined the Air Force. He and his family — they eventually had six children — were stationed at Nellis Air Force Base, arriving in Las Vegas in 1961. He was chief of OBGYN and deputy hospital commander while at Nellis and then served as chief of OBGYN at Southern Nevada Memorial Hospital until 1972. He later served as chief of staff at Women's Hospital and Valley Hospital, and was the first chief of staff at Summerlin Hospital. Dr. Rojas also maintained a private practice outside of the hospital. His wife worked alongside him in his office, and they share memories and anecdotes of the patients they saw and the general atmosphere of the medical community. Both Joseph and Mona agree that Las Vegas hospitals were less racially segregated than the hospitals in Louisiana, and felt that the West was more open to integration. In 1966 Dr. Rojas started the first OB-GYN residency in Nevada, which led to the development of the University of Nevada School of Medicine. He was a researcher, lecturer, teacher, and author. He earned many awards, including the Harold Feikes MD Award for Outstanding Physician in Clark County (2001), and the Nevada State Medical Association Distinguished Physician Award (1980). Dr. Rojas passed away in May of 2009, leaving behind an incredible legacy of service to the residents of Clark County.