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State of Arizona vs. State of California Proceedings Concerning the Colorado River Usage Dispute

Identifier

MS-00677

Abstract

The State of Arizona vs. State of California Proceedings Concerning the Colorado River Usage Dispute collection (1957-1961) contains supplemental documents from the Arizona v. California Supreme Court case that began in 1931 and ended in 2000, including briefs, objections, requests for admissions of facts, rebuttal outlines, witness outlines, comments, and requested findings of facts.

Archival Collection

George Kelly Ryan Photograph Collection

Identifier

PH-00044

Abstract

The George Kelly Ryan Photograph Collection (1929) depicts waterways in Southern Nevada and Northern Arizona. The collection consists of eight photographic prints and two photographic negatives depicting Saint Thomas, Black Canyon, Boulder Canyon, and the Colorado River.

Archival Collection

George Kelly Ryan Papers

Identifier

MS-00120

Abstract

The George Kelly Ryan papers (1921-1971) contain correspondence inquiring about Octavius Decatur "O. D." Gass, newspaper clippings from 1929, handwritten recollections of the Gold Ranch by Laura Royce, and a San Pedro, Los Angeles and Salt Lake Railroad Company information, including information on wash-outs in Nevada.

Archival Collection

Photographs of Stardust signs, Las Vegas (Nev.), 2002

Date

2002

Description

Nighttime views of the Stardust Resort and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Stardust Resort and Casino
Site address: 3000 S Las Vegas Blvd
Sign owner: Boyd Gaming
Sign details: This is a large casino property that is clearly a center of attention.
Sign condition: Structure 4 Surface 4 Lighting 4
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Even though the facade of the Stardust has gone through many changes, streamlining itself over the years, yet retains aspects of it's original flavor. The tower faces northwest and southeast and is adorned with horizontal bars of red neon underlining each floor. The top tube only stretches approximately one-quarter of the way across the face, and with each floor, the neon gets increasingly longer. The result is the building being cut across the face at an angle, with one half being illuminated by the red neon and the other by ambiently blue lighting. Large Channel letters spelling "Stardust," are bordered by red neon and filled with incandescent bulbs. The Majority of the external signage is on the low rise structure close to the street, with the tower located to the northwest behind it. The array is comprised of two small pylon message centers, a porte cochere, the main pylon, and assorted entrance signs. On the south side of the building alongside a large parking lot, an entrance sign hangs above a two-sided corner entrance, Wrapping this small corner, polished gold raceways and trim create borders for the accordion surfaced pediment, and shoot up vertically into the sky on the far ends. Blue neon shines from behind the shining trim above the door to illuminate the whit accordion facade. The trim above that is adorned with two tubes of gold neon on the top and the bottom, hidden in recessed channels to cast a gold halo from behind. The two vertical edges are lined with incandescent bulbs. On the south wall of the small corner, channel letters stand on the top edge of the golden molding, reading "Casino." They are black on the exterior, painted white on the interior, and filled with incandescent bulbs, and bordered with red neon. On the Southeast edge of the building another entrance of a bit more design Above a set of doors, and the blue lit accordion facade and golden halo cast metallic trim, a Squared "U" shape made of polished metal raceways, holds a back lit message center housed on a black cabinet. On either side of the vertical legs of the "U" shape, another single raceway rises slightly higher in the air. All the raceways are lined with incandescent bulbs. Above the cabinet, black channel letters, spell "Stardust." They are finished white on the exterior, filled with incandescent bulbs, and outlined in red neon. Moving around to the eastern facade of the building, the facade is a three leveled pediment in the accordion pattern, and separated with the polished trim. The Yellow and blue lighting illuminate this facade also. The pattern is only interrupted by oval shaped back lit cabinets, placed every so often. Eventually you come to the porte. It is no longer finished with mirrors, but still retains the raceways lined with incandescent bulbs. The surface in between is filled with white stucco finish. What is left is a series of 5 hexagonal shapes crafted out of raceways and hung a section ceiling lower than the rest. Geometric patterns radiate from this center piece. North, past the porte cochere a section of building juts out to the east. It contains an entrance on the north and south faces, and two on the east face which are parts wrapping around from the previously mentioned entrances. Over the north and south entrances the "U" shaped polished metallic raceways and external flanking raceways, as seen before on the southeast entrance, play host to a narrow LED message center and channel text spelling stardust. The letters have the same treatment as the previous sign as well, and spell "Stardust" in channel letters. They too are filled with incandescent bulbs and bordered with red neon. Above the text, channel pans are in the shape of four pointed stars as seen on the main pylon, are slightly scattered as if to be showering over the text. They are multi colored, centered with arrays of incandescent bulbs and interior neon contours. The accordion facade and lighting are below the composition. Below the accordion pediment, a polished gold bullnose creates a pediment above the door and wraps around to the east face of the structure. A pointed end polished metallic cabinet is placed in the section of the bullnose over the door, spelling "Casino Entrance" in channel letters and filled with red neon. The surface of the bullnose is laden with incandescent bulbs. The facade wraps around the front with another pointed end cabinet reading entrance in the same fashion as the previously mentioned text. A small section of foliage and shrubbery line the west face of this extension of the casino before the same arrangements of sign are seen repeated on the north face. Passing the entrance the property opens up into a courtyard with an arrangement of low rising concrete cylindrical fountains created a multi-leveled garden of spurting water and plants. Just past the courtyard another entrance is found created out of the northeast corner of the building. Like the other entrances, elements such as the blue lit accordion face, double rows of vertical metallic raceways, properly treated channel letters, are present. The gold raceways wrap the corner with backlit cabinets on the east and north faces. The channel letters read "Stardust" on the east face and "Casino" on the northern face. The ceiling that the overhang creates is finished in polished metallic material and laden with incandescent bulbs. Just outside the last entrance the first of two low rise message pylons. The one located on the north end of the property is larger and more spectacular. The large triangular cabinet's faces are backlit, slightly concave message boards. The tops of each o these cabinets in adorned with a smaller, purple steel cabinet, approximately eighteen inches tall, and running the length of the cabinet. "Stardust is spelled across the length of the cabinet in channel letters, and filed with rose neon. The cabinet is laden with incandescent bulbs, creating a canvass for the letters to reside. The three edges, which is the gap where the three signs meet and the bottom of the cabinet are covered in incandescent bulbs. The surfaces are treated with polished metal. The pole which the cabinet sits is a white, two sided, support with two peaks growing out horizontally about two-thirds up the height. The shape, along with a Stardust style star channel pan in its center, is a representation of the repeated image associated with the logo of the property. The edge of the post is treated with a border of purple paint and lined with purple incandescent bulbs. Just inside the border stripe a channel recesses forming another border for a tube of purple neon. The star pan channel in the center is bordered in teal neon and filled with incandescent bulbs. A top the entire cabinet is an array of stardust stars of various colors, bordered in neon, and or filled incandescent bulbs. The array is assorted again to appear as if they are being showered, tapering to one single star at the top. The entire cabinet rotates slowly from right to left. The cousin to this sign is at the extreme south end of the property, set before an entrance give a larger double backed cabinet sits off center on a square post. The white plastic face is housed in a white steel cabinet with rounded edges. The top or the sign is comprised of the same purple cabinet and channel letters seen in tops of the concave message boards of the rotating relative at the north end. The width of the cabinet is strewn with incandescent bulbs, continuing underneath as well. The post is painted two tones.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: To the south of the Stardust is the Westward Ho, and to the North is Circus Circus. It stands with these two as well as the Frontier as vestiges of an older era of Las Vegas resorts. The Riviera also resides across the street. Vast shoots of concrete, spread out in front of the hotel, creating a continual plaza which runs from north to south. It contains lush flowers and fountains that toss water to each other is shooting arcs. In the daytime, the white of the remodeled facade is almost blinding against the concrete.
Sign manufacturer: Ad-Art (pylon); Sign Systems, Inc (porte cochere)
Sign designer: Paul Miller (pylon) Brian K. Leming ( porte cochere and facade)
Sign - date of installation: 1968
Sign - date of redesign/move: The original Electra-Jag style letters were replaced in 1991 by a sleeker Helvetica type face, as well as the letters for Enter the Night being changed to read "The Wayne Newton Theatre" in 1999. Also in this year, the facade was changed to a reserved white finish. The accordion shape is still present but no longer tri colored. The move was presumably made in an attempt to compete and fit in with its bigger corporate competitors.
Sign - thematic influences: The Stardust's theme revolves around an outer space/science-fiction theme, which was exceptionally popular during the era which it was created. When the original design, no longer present, was created in 1958, the Russian space project of Sputnik was just realized.
Sign - artistic significance: This is one of the most widely-admired and imitated signs on all the Strip.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Paint; Graphics

Mixed Content

Thomas Schiff Panoramic Photographs

Identifier

PH-00419

Abstract

The Thomas R. Schiff Panoramic Photographs (2001-2009) are comprised of physical and digital panoramic photographs of hotel casinos and other locations around Las Vegas, Nevada used in his book, Vegas 360°. The collection includes photographs of local businesses, casinos around downtown Las Vegas, and the Las Vegas Strip including the Aladdin Hotel and Casino, Bally's Las Vegas, Caesars Palace, Fremont Street, and New York-New York Hotel & Casino. Photographs are available as both digital files and physical prints.

Archival Collection

UNLV Alumni Journal, Volume 11, Number 5

Date

1984

Archival Collection

Description

Volume 11, number 5 edition of the University of Nevada, Las Vegas "The Alumni Journal."

Mixed Content

Photographs of Trader Bills sign, Las Vegas (Nev.), April 18, 2017

Date

2017-04-18
2017-08-14

Description

The Trader Bills gift shop-turned-motorcycle shop sits at 328 Fremont Street inside the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site address: 328 Fremont St
Sign owner: Marshall Family, LP
Sign details: The current building was constructed in 1943 (Assessor). Trader Bill's was a Western style leather and gift shop (RoadsideArch.com). The business has been located downtown at least since the 1930's or 1940's (UNLV digital photo collection) but possibly longer (Shemeligian, 1997). The store moved to its present location by the 1950's (RoadsideArch.com). It later became the Jewelry Outpost and Las Vegas Harley-Davidson (Shemeligian).
Sign condition: Condition 3-4. Cabinet and lights are in good condition. The paint on the street side of the sign is extremely faded.
Sign form: Blade
Sign-specific description: The metal cabinet is shaped like an upside down "L" which points toward the building. The cabinet is painted red. On the side of the sign facing Las Vegas Boulevard the paint has faded almost completely to reveal the earlier blue paint. An arrow-shaped metal cabinet runs along the Fremont Street side of the sign. The sides of the arrow are painted yellow. Three rows of yellow incandescent light bulbs cover the shaft of the arrow and nine rows cover the feathers and head. "Trader" is spelled out in yellow san serif channel letters which run horizontally across the top of the sign. The interiors of the letters are outlined in white neon tubing. "BILLS" (no apostrophe) runs vertically down the sign in the same channel lettering. Rungs run along the spine of the sign and what appears to be a ladder is located under "Trader" at the top of the sign. A plaque on the back of the arrowhead near the last "S" in "BILLS" has a YESCO logo and states "THIS SIGN IS THE PROPERTY OF THE YOUNG ELECTRIC SIGN COMPANY-{illegible] 876-8080
Sign - type of display: Neon and incandescent
Sign - media: Steel
Sign - non-neon treatments: Incandescent
Sign environment: This location is in the Fremont Street Experience on the corner of Fremont street and Fourth Street. It is across the street from Neonopolis and surrounded by other gift shops.
Sign manufacturer: It has the YESCO logo and states that it is the property of YESCO though it is not confirmed if they manufactured it.
Sign - date of installation: Circa 1960's
Sign - date of redesign/move: The sign is probably from the 1960's (Roadside Architecture). A photograph circa 1960 shows the sign painted dark blue with yellow letters (Classic Las Vegas, n.d.). A photograph from 1991 shows the color scheme unchanged (Classic Las Vegas). The sign was painted its current red color by 2006 (RoadsideArch.com).
Sign - thematic influences: The building is Western style brick and weeping mortar.
Survey - research locations: Clark County Assessor Classic Las Vegas. (n.d.). A brief history of Fremont Street, North side of the street, Third to Fourth. Retrieved from http://classiclasvegas.squarespace.com/downtown-history/2007/5/3/a-brief-history-of-fremont-street-cont.html RoadsideArcitecture. Las vegas Signs, Trader Bill's. Retrieved from http://www.roadarch.com/signs/nvvegas3.html Shemeligian, B. (1997 June 19). Landmark downtown shop changes focus. Las Vegas Sun. Retrieved from https://lasvegassun.com/news/1997/jun/09/landmark-downtown-shop-changes-focus/ UNLV Digital Collections. (n.d.). Film transparency showing Trader Bill's souvenir shop in Las Vegas, circa 1930s-1940s. Retrieved from http://n2t.net/ark:/62930/d1nk2c
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-14
Sign keywords: Blade; Neon; Incandescent; Steel

Mixed Content

Photograph of The Griffin sign, Las Vegas (Nev.), June 28, 2017

Date

2017-06-28
2017-08-15

Description

The sign for The Griffin sits at 511 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 511 Fremont St
Sign owner: Aaron Chepenik and Jonathan Hensleigh
Sign details: Opened in February of 2007 as a medieval British pub/ tavern style bar. This location brought on a wave of revitalization of the East Fremont District especially since many new bars/restaurants started to open in this area after this bar did.
Sign condition: 5- still looks relatively new
Sign form: Blade and overlay neon on building
Sign-specific description: Placed above the entrance their brick building the letters The Griffin Cocktails is painted with white block letters outlined with black paint is painted on the building itself. These letters have skeletal neon surrounding the letters. The Griffin letters are yellow tubes and do illuminate green at night, the word cocktails lights up white. To the left of the entrance but still on the building is a green painted griffin drinking a painted white martini ( also all outlined with black paint) The neon tubing outlining the griffin is a yellow tubing but glows green at night ( possibly argon inserted to make it glow green). The Blade is placed a little left of the entrance and hangs off of the building by two blue steel beams, but in between the beams is a beautiful swirl design. At the top of the Blade there is a green griffin sipping a martini (same design as the one painted on the building). At the base of the griffin is white THE letters painted with skeletal neon. Then below is the blue portion of the blade spelling out GRIFFIN in a Britannic looking font in white channeled letters which do illuminate white at night. This part of the blade is outlined in neon ,possibly argon, since it does illuminate blue at night. On the side of the blade ( if you're looking from the road) there are about 14 red curved neon tubes lining the sign.
Sign - type of display: Neon
Sign - media: Steel and Brick Wall
Sign - non-neon treatments: Using the brick wall as a portion of the sign is a design not seen often in Vegas.
Sign animation: Oscillation of red neon tubes on the side of the sign.
Sign environment: Located in the Fremont East District in between Las Vegas Blvd. and 6th St. This location has The Vault to the East of it and The Smashed Pig Gastropub to the west. It is across the street from the Park and Evil Pie. In the middle of the street right in front of the Griffin Bar is the Martini Glass sign.
Sign manufacturer: YESCO
Sign designer: Owners Aaron Chepenik and Jonathan Hensleigh-Aaron stated that the blade portion of the sign was inspired by the old Boulder Club Blade sign
Sign - date of installation: Slightly before they opened so late 2006/early 2007
Sign - thematic influences: Griffin shows that it has a medieval and kind of fantasy kind of feel since its interior does have that cool medieval tavern vibe to it, especially with their fireplaces. Using their brick wall as a part of the sign is a cool innovative way to use their space and stay true to their theme.
Sign - artistic significance: Medieval theme. The blade is a prominent theme in the 50s/60s, though their blade sign was inspired by the Boulder Club (opened 1931-1960) blade.
Survey - research locations: Acessors page, outreach to owner Aaron Chepenik
Survey - research notes: Possible use of argon within their yellow painted tubes, similar to the Yucca Motel signs leaves.
Survey - other remarks: The Blade does look very similar to the Boulder Club blade, so its awesome to see modern properties paying homage to the ones that are no longer around.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-15
Sign keywords: Oscillating; Steel; Neon; Blade; Fascia; Building-front design

Mixed Content