Daytime and nighttime views of the Klondike Hotel and Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 5191 S Las Vegas Blvd
Sign details: The Klondike Motel Casino is located on the east side of the strip, just north of the Las Vegas Tourist Bureau, actually sharing the same lot. The two are only separated by a small driveway. The mining town theme is exemplified throughout the exterior of the property with a western style text, seen on other similar themed properties such as the Frontier. Murals depicting scenes of prospecting miners and saloons adorn the surface as well as red steel sides which appears as wood, because of its horizontal panels. The property stretches north/south with a small parking lot separating the street from the establishment. Behind the front building a series of structures house the rooms. The buildings signage is situated along the face of the building, on the elevated surface of the walls themselves.
Sign condition: Structure 4 Surface 4 Lighting 3
Sign form: Fascia
Sign-specific description: The top edge of the wall entire face of the building arches, and steps up in various places, and is lined with gold raceways lined with incandescent bulbs. On the north side of the main building upon a vast paneled steel surface the word "Casino" is spelled in giant gold channel letters painted white on the interior. They are bordered in red neon and filled with incandescent bulbs. The text for the establishment is the western type face seen in properties such as the Frontier, or the Westward Ho. To the right of the text, an internally lit, white faced, plastic message board message board, is housed in a gold painted steel cabinet. Moving around the corner to the west face of the property, we see "Casino" spelled in the same manner of Cannel letters, flanked on either side by gold painted housings for cabinets, both crowning with an arched top. Incandescent bulbs forma border around the housing. Set inside each one of the square recessed areas is an internally lit, white, plastic faced message center, with vinyl lettering. Both cabinets are painted red. Below the main text an internally lit, white plastic faced, message center, with rounded ended runs the length of the space underneath the letters. The main entrance is underneath an awning, facing southwest. In the center of the top edge of the vertical wall above the awning, a circular internally lit cabinet is bordered with a gold raceway lined with incandescent bulbs. The surface of the sign is yellow plastic with the cartoon image of a dancing miner, complete with pick-axe. Below that Klondike is spelled with metallic channel letters with yellow plastic faces. The text descends in size toward the center of the text, then swells back to the original size on the sides. Below this, "Casino" is spelled in all capital, channel letters, filled with incandescent bulbs and bordered in neon. They are treated gold on the exterior and white in the interior. The awning cover the entrance, and is treated with neon as well. The face of the square awning is designed with three square recessed panels, with open bottoms. Three tubes of neon line each one of the three closed edges. Each tube takes a turn illuminating, red yellow, and blue. Cantilevered off of the left-hand side of the entrance roof line, a horizontal black cabinet reads "Vacancy" painted in white, and overlaid with red neon. The all caps text faces north/south. Continuing south along the face of the building, a two leveled stretch of structure, continues the last portion of the main building. On the red steel fascia continuing, above the overhang of the second level, "Klondike Hotel" is spelled in large channel letters, treated the same as those seen on the north face of the structure. They are painted gold on the exterior and white on the interiors, filled with incandescent bulbs and bordered with neon. To the left of the text, one on the golden housings for the cabinet, seen on the northern end of the west face, is present but empty. The edge of the overhang, beneath the text is also lined with a raceway and incandescent bulbs
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Chasing, oscillating
Notes: The text which spells casino flashes on and steady burns, then oscillates, steady burns again, then shuts off. Moving around the corner to the western face, all the raceways bordering all the elements chase each other, while the incandescent bulbs located within the text which spells, "Casino" oscillate rapidly. The awning adorned with neon also animates, changing color flashing from red, then blue, then gold. The text which reads "Casino" above the awning is filled with incandescent bulbs which oscillate as well. The incandescent bulbs in the main text on the southern half of the western face of the building light up one letter at a time then once they are all illuminated, then they all begin to oscillate. Once they oscillate for a few seconds, then they all light up once again. The sequence is ended once all the letters go dark.
Sign environment: Located just north of the tourist bureau, the Klondike has the honor of being the first casino a traveler encounters as they enter the Strip. Besides the company of the tourist bureau and the Welcome to Las Vegas sign, it stands rather solitary. It's collection of pulsating bulbs and neon make the Klondike the most dominant force in its presence.
Sign - date of installation: 1978
Sign - date of redesign/move: Before the Klondike was opened twenty five years ago, it was known as the Konakai Motel.
Sign - thematic influences: mining, goldrush--small roadside motels
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Paint

Sign animation: Chasing, flashing, oscillating
Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.

Sign animation: Chasing, flashing, oscillating
Notes: The text fascia sign just to the north of the giant glass display illuminates with a background of neon tubing which chases from right to left. The pattern of colors running across are a sequence banks of red, pink purple and blue vertical neon tubing, chase each other creating a pulsating movement of the individual banks of these colors. While they are animating, the channel letters, which spell "Riviera," are dark and proceed to light up one letter at a time. Once all lit they remain lit, until the background stops with all the bars illuminated. Once all the bars are lit, the interiors of the letters turn off one at a time starting on the far right. The giant mirrored section of the building, advertising for the Splash stage show. The sequence can be best described from its dramatic powering up. The entire sign comes alive with a rapid upward chasing pattern covering the surface of the tower. Once alive, small white bulbs grow out of the end of the space on the top and bottom of the end of the "Splash" text. Once all the previous elements are illuminated, the letters in the Splash logo shut off, illuminate one letter at a time in red neon, then the white neon figure of the seal balancing a ball on the end of it's nose, lights up. The neon bordered circular raceway, then animates with the bulbs in the center chasing each other in a clock-wise sequence. Once lit the vast array of white bulbs grown out of the end of the text begin to gently oscillate, as well as the sparse assortment of floating and attached incandescent bulbs on the wall of the tower. Once the bulbs animate for a few seconds, the entire wall chases downward, becoming black as night, except for the Slash logo text. Underneath the entire front side of the western face of the Riviera, the incandescent bulbs which cover the entire surface oscillate in a wildly, while the ringed entablature on the wall animates quietly in comparison. The multi-colored rings of neon tubing chase each other from left to right, chasing the distance then repeating. The sequence then changes direction and chase from left to right. Creating the tops and bottoms of the entablature are raceways lined with incandescent bulbs that chase each other from left to right. On the surface of the west wall incandescent bulbs chase each other along the raceways which run horizontally around the internally lit cabinets. The small vertical raceways which run inside the clear plastic boxes chase each other from top to bottom, but all the raceways are offset to each other by a few seconds. At the North end of the property the signage for the Riviera's, "Nickeltown" gambling attraction, dominates the corner. He animation on the large exploding sculptural fountain lights up the entire corner. The three rocketing pieces of steel are wrapped in repeating bands of their corresponding colors of blue, purple and yellow. All three simultaneously chase from bottom to top, until completely lit. Then they begin to animate in a chasing pattern from bottom to top. After a few moments of chasing, they chase from beginnig to top once more, leaving al the tubes dark in its path. Along the circular entablature, which runs the circumference of the top mass of the fountain, incandescent bulbs chase each other from right to left, but only on the side which faces the casino. The wall, which faces north, contains the multicolored banks of vertical neon bars that animate in a specific pattern. They chase each other from right to left, then only the purple neon tubing illuminates, they chase again, then only the blue neon tubing illuminates. They chase once again, and then only the gold bars illuminate. The bars chase yet one more time, then all of the tubing illuminates, thus ending the sequence. The main entrance to nickel town is adorned with neon text and images, but only the stars higher up on the wall itself animate. The incandescent bulbs elevated above the surface of the mirrored wall, animate in a soft oscillating pattern, adding the twinkling effect. The larger five pointed stars are animated on the interior by a center of oscillating incandescent bulbs, while concentric neon shapes echo outward in the yellow, purple and blue colors seen on the adjacent wall facing north. The smaller snow-flake esque star shapes are alive with oscillating incandescent bulbs. Looking upward along the north face of the closest tower, the giant vertical, Riviera channel letters animate one character at a time, oscillate then shuts off.