Oral history with Chris Davis, Debbie Davis, and Mynda Smith conducted by Claytee D. White and Barbara Tabach on May 24, 2018 for the Remembering 1 October Oral History Project. In this interview, Debbie and Chris Davis and Mynda Smith discuss the murder of their daughter and sister (respectively), Neysa Davis Tonks, at the Route 91 Harvest Country Music Festival on October 1, 2017. They discuss plans to form Fifty-Eight Loved and Never Forgotten, a foundation to help educate the children of the 58 families affected that night. Neysa, a single mother, left behind three sons, 24, 18, and 15 years of age. The family members recall how they were first alerted to Neysa's death, and having to locate and identify her body at the coroner's office twenty-four hours later. Chris, David, and Mynda reflect on Neysa's life, her work, and legacy. Debbie, Chris, and Mynda believe that "darkness cannot exist in the presence of light. Neysa's light will shine forever."
Text
Oral history interviews with John Fudenberg conducted by Barbara Tabach and Claytee D. White on May 3, 2018 and May 23, 2018 for the Remembering 1 October Oral History Project. In this interview, John Fudenberg, the coroner for Clark County in Las Vegas, Nevada, gives an account of his experience during the October 1, 2017 mass shooting on the Las Vegas Strip and what his role was during the tumultuous days after the shooting. He explains how he and the staff of the coroner's office prepared for the large number of casualties as well as their arrival at the Route 91 Harvest festival venue. Fudenberg speaks of setting up the Family Assistance Center at the convention center and how it supported the community but also aided the coroner's office in gathering information about the deceased and identifying them. Fudenberg discusses the main job of the Coroner's Office during the first week after the shooting, which was to autopsy the bodies and communicate with the families, as well as the Police Department. He also talks about the emotional impact the shooting and its aftermath had on him and his staff members and the wellness program they implemented, of which trauma yoga and meditation had a large impact.
Text
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
Text
Information about the Aruba Hotel (Thunderbird) sign that sits at 1215 S Las Vegas Blvd.
Site name: Thunderbird Hotel and Casino (Las Vegas, Nev.)
Site address: 1215 S Las Vegas Blvd
Sign owner: 1215 Las Vegas Blvd LLC; C.F. Saticoy, LP
Sign details: The building was constructed in 1964 (Assessor). A vintage postcard from 1967 shows the Lotus Inn Motel and a Sambo's restaurant (VintageVegas.com, 2017). The hotel was renamed the Monte Carlo Inn in 1979, but reverted in the 1980's to the Lotus Inn (VintageVegas, 2017). In 1985, it became the Tally Ho (VintageVegas). Casino owner Bob Stupak renamed it the Thunderbird in 1986 or 1987 (VintageVegas). Stupak proposed building 15-story, $400 million resort hotel called the Titanic on the site, but vocal opposition from residents of the nearby John S. Park neighborhood and a trademark controversy derailed the project (Knightly, 2014). The property was renamed the Aruba Hotel in the early 2000's and became the Thunderbird in 2016 (O'Brien, 2016; VintageVegas). As of April 2017, a 15-story residential building was planned for the site (Carter, 2017).
Sign condition: Condition is 5, excellent. The lower portion of the sign is wrapped in plastic. The exposed upper portion of the sign shows the cabinet, paint and neon all in new condition. All of the neon tubes are intact and functioning.
Sign form: Blade
Sign-specific description: The lower portion of the rectangular metal cabinet is wrapped in black plastic. "THUNDERBIRD" is spelled out in white blocks and red serif letters which run vertically down both sides of the plastic wrap. The upper portion of the cabinet is exposed. The cabinet is topped by a bird shape facing the street. The bird and visible part of the rectangular cabinet are painted forest green. Both sides of the bird are covered in white, blue, pink, yellow and green skeleton neon. Underneath the bird , a horizontal yellow skeleton neon tube is visible.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: Las Vegas Blvd north of the Strip. Property is surrounded by other motels and wedding chapels.
Sign - date of installation: c. 2007
Sign - thematic influences: Tropical, Caribbean and Old Vegas. The parrot on top of the sign closely resembles the symbol of the former Thunderbird hotel on the Las Vegas Strip. The property has used the Thunderbird name intermittently since the 1980's, even when it was the Aruba hotel and the word "THUNDERBIRD" appeared over an "Aruba" sign. (Vegas24Seven, 2012)
Survey - research locations: Assessor's website
Survey - research notes: Carter, J. (2017 April 27). Fights are brewing over a proposed 15-story building downtown. Las Vegas Weekly. Retrieved from https://lasvegasweekly.com/intersection/2017/apr/27/fights-are- brewing-over- proposed-building- downtown/ Knightly, A. M. (2014 August 31). A history of landmarks never built. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/news/a-history- of-landmarks- never-built/ O'Brien, J. (2016 January 21). Thunderbird Hotel reopening with former Arts Factory owner at helm. Retrieved from http://vegasseven.com/2016/01/21/thunderbird-hotel- reopens/ http://www.vegas24seven.com/substance-cd- release-sinicle- the-great- circuiting-mechanical- death-a- sinners-confession- at-the- aruba-hotel- saturday-june- 30th/ Vegas24Seven.com. (2012). Substance CD Release, Sinicle, The Great Circuiting, Mechanical Death, A Sinners Confession at The Aruba Hotel Saturday June 30th . Retrieved from Vintage Vegas. (2017 February 16). Archive: Lotus Inn Motel, c. 1967. Retrieved from http://vintagelasvegas.com/post/157345077754/lotus-inn- las-vegas Zeitzer, I. (2007 June 29). On The One, The Aruba Hotel " Las Vegas, NV- 6/22. Retrieved from http://www.jambands.com/reviews/shows/2007/06/29/on-the- one-the- aruba-hotel- las-vegas- nv-6-22#ixzz4rBUwxlkh
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-30
Sign keywords: Blade; Neon; Steel
Text
Text
Rachel Gibson was the granddaughter of Nevada pioneers. Her maternal grandparents, George Rammelkamp and Anna Dougherty, were among the earliest white residents of northern Nevada, settling first in Dayton and later Yerington. Her mother, Clara Angelina, and her two aunts, Elizabeth and Georgie, graduated from the University of Nevada at the turn of the century. Clara taught in Yerington for a number of years before marrying Chase Masterson, a dentist. Rachel was born in 1913 in Yerington. The eldest of three children, she continued the tradition of women’s learning and education that began with her mother’s generation. Her 1930 class was the first to graduate from Las Vegas High School, and soon after Rachel moved to California to attend college. Although her father had counseled her to study law, Rachel chose the field of economics. She received her Bachelor’s degree from the University of California at Berkeley, and worked in San Francisco for one year before returning to complete
Text
Joyce Moore's family moved to Las Vegas from Chicago in 1953, when she was eight years old. She attended Rancho High School, married and had three daughters, and currently lives in Las Vegas. Joyce's father was in the gaming industry and her mother was a nurse. Growing up in Las Vegas meant going to shows with her mother, spending summer days in the pool at the Showboat Hotel, and riding horses to the Last Frontier. While a teenager at Rancho High school, Joyce worked at several movie theaters including the Huntridge, went to school dances and marched in the Hellodorado Parade. After her divorce, Joyce returned to work to support herself and her children, first at the Daily Fax then later on the Strip at the Aladdin and Circus, Circus doing a variety of office and accounting jobs. As a lark she and a friend applied to work as cocktail waitresses at the MGM; she was hired and spent the next five years in a job that was by turns interesting, exhausting, frustrating and fun. This interview covers several periods of Joyce's life - her childhood, teen years, and early adult life - and what it was like to grow up, live and work in Las Vegas in from the mid-1950s until the mid-1970s.
Text