The Bureau of Reclamation Photographs of the Hoover Dam and Boulder City, Nevada depict the construction of the Hoover (Boulder) Dam and the development of Boulder City, Nevada from 1869 to 1974, with a bulk of the materials dating from 1929 to 1940. The photographs primarily depict the construction operations in Black Canyon, including digging tunnels, pouring concrete, building the power plant, and inspections by Bureau of Reclamation engineers. The photographs also depict Boulder City, including schools, workers, and dormitories. The collection also includes photographs of St. Thomas, Nevada, Lake Mead, Nelson’s Landing, Nevada, and an archaeological excavation near Lake Mohave, Nevada.

The Beckley Family Photograph Collection (approximately 1891-1982) consists of black-and-white photographic prints and negatives and color photographic slides. The images depict the Beckley family, their businesses in southern Nevada, and Las Vegas, Nevada as the city developed during the first half of the twentieth century. Also included are images of airplanes at the first Las Vegas airport Anderson Field, later renamed Rockwell Field in 1925, Fremont Street in Las Vegas, and postcards of mining towns across southern Nevada.

The Charley Henchis Papers (approximately 1945-1987) document the career of international cabaret show producer Charley Henchis and the shows he produced in Las Vegas, Nevada and Beirut, Lebanon. Materials include Henchis' business files which includes correspondence, files on specialty acts, photographs, and press about Henchis. Shows represented in this collection includes La Parisienne which was performed at the Dunes Hotel in Las Vegas in 1960 before moving to Casino du Liban in Beirut. Other shows represented in this collection that were produced for Casino du Liban includes Mais Oui, S'il Vous Plait, Flash!, and Hello!. Additional materials include press and publicity files, music arrangements and scores, recordings of musical numbers used for the productions, and film footage of shows and production reels. Also included is film footage of the Charley Ballet, Henchis' dance troupe who were featured in his shows.

The Christie Young Papers are comprised of Young's personal papers, journals, and photographs between 1982 and 2011. The journals document Young's arrival to Las Vegas, Nevada and her involvement in several nascent Las Vegas lesbian, gay, bisexual, transgender, and queer (LGBTQ) organizations from 1982 to 1985, such as UNLV's Lesbian and Gay Academic Union (LGAU). The collection includes materials related to her life in San Diego, California from 1985 to 1995 and typed transcripts of all journal entries that relate to the Las Vegas LGBTQ community. The collection also includes photographic slides and prints documenting Young's involvement with LGAU and events in the Las Vegas LGBTQ community.

The Southern Nevada Chapter of the American War Mothers Organization Records (1947-1995) are comprised primarily of scrapbooks containing correspondence and minutes, numerous newspaper clippings, and photographs. Also included are pamphlets on American War Mothers organizational rituals, bylaws, history, ceremonial ephemera, flags, and a Henderson Chapter Charter. The materials also contain items relating to the North Las Vegas Chapter, the Rose Garden Chapter, and the State Chapter.

The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.