The Gateway Motel sign sits in early evening light at the northeast corner at 928 South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet Site address: 928 S Las Vegas Blvd Sign owner: Vinod Soni and Gateway Motel Inc Sign details: The Gateway Motel dates back to early 1930's and could be considered one of the earliest motels to pop up in Las Vegas. Before the name changed to Gateway Motel it was named as the Gateway Auto Court circa 1930-1946 it was known as the Gateway Auto Court. The first sign was built circa 1930's and their new remodeled sign which is still in use today was built circa 1950's. The 1950's sign was originally painted darker colors and had a larger graphic of a gate. The original 1930's sign has the streamline modern influence that was prominent in 1930's and 40's. The sign itself is a pole sign with a square structure at the top. The font Auto-Court is in pure neon with that fire-red hue; the font is placed in the middle to stand out the most. The word Gateway is on top of Auto-Court in black with black streamline lines surrounding the word. Underneath is a small wooden board hanging probably stating no vacancy. The background color of the square structure is in pure white and the pole is chrome. Sign condition: The condition of the sign is a 3.5. Some of the neon is not working when it's turned on at night. The paint has some sun/UV damage since it looks faded. The reader board has a stained effect from sun damage. Sign form: Pylon with three separate signs converged into one. Sign-specific description: The sign is made out of glass, steel, plastic, and concrete. The color palette is light blue, white and a cream white. The sign is designed in separate sections. The white cream based portion is situated at the top with a gate and bridge illustrative design in glass tubes and neon. The gate itself lights up yellow with red on the side. The font Gateway is larger than the gate and is in the color white when lit up. Underneath the Gateway word is a subliminal directional arrow pointing towards the motel buildings This section is in the color sky blue with the word motel in massive white letters. Underneath the directional arrow is the reader board surrounded by the steel light blue border. The reader board states Free Wi-Fi and HBO. Underneath in the left corner is a small light blue board that states "no vacancy" in neon. These three separate signs are all connected like blocks with a concrete pillar structure holding up the sign. During the evening, the light blue paint is not shown and is just pure black with the neon illuminating the sign. Sign - type of display: Neon and plastic back lit sign Sign - media: Steel, plastic and concrete Sign - non-neon treatments: Plastic back lit portion Sign environment: This location is on the corner of Las Vegas Blvd and Charleston. This is right next to the original Dona Maria Tamales restaurant. Sign - date of installation: Circa 1950's Sign - date of redesign/move: From a 1930's streamline modern sign to a 1950's Mid-Century modern architectural roadside motel sign. Sign - thematic influences: The sign is influenced by Mid-Century Modern roadside architecture, with the directional arrow as a staple in many motel roadside designs of the 1950's and 60's to accommodate the car consumer era. Sign - artistic significance: One main trends of the 1950's designs with neon signs is using illustrative motifs with the inclusion of directional arrows to lend to the highway travelers an idea of where the property is located. To make sure these travelers don't miss the establishment in an empty road. Survey - research locations: Assessor's Page, Roadside Architecture Website http://www.roadarch.com/signs/nvvegas.html , Neon Museum book Spectacular, Vintage Las Vegas http://vintagelasvegas.com/search/Gateway+Motel Surveyor: Gisselle Tipp Survey - date completed: 2017-08-30 Sign keywords: Neon; Plastic; Backlit; Steel; Concrete; Roadside; Reader board; Back to back
The Travelers Motel sign sits at 1100 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 1100 Fremont St Sign details: This location was constructed in 1926. Though the year of when the Traveler's Motel opened in unknown though its sign states, "Your Best Bet In Las Vegas Since 1936'. Though Vintage Las Vegas' blog states that the Traveler's Motel acquired some of their land from the Lucky Motel. Currently the Traveler's Motel is closed and gated up. Sign condition: 3, the sign is fairly in condition. However, the sign does not light up at night. The sign that used to read "Traveler's Motel" that was affixed to the iron gate-like structure appears to have the majority of its sign taken down or destroyed in recent times. Sign form: Blade Pole sign and Porte Cochere Sign-specific description: This sign is attached to the building that belongs to and extends outward to Fremont Street. The lower portion of this sign has the same details on each side of the sign. The top portion of this sign is a trapezoid with "Traveler's" painted on it in a cursive text except for the "t." This is done in white on a rust colored background. Neon is also affixed to "Traveler's." Underneath this is a plastic back lit sign detail the various accommodations of the property, such as: phone, cable T.V., microwave, refrigerators, "totally remodeled rooms," "daily * weekly rental," and "Your Best Bet In Las Vegas Since 1936." Under this is another, smaller trapezoid that has the street address painted on it in bold white numbers with a rust background. Extending from the top portion of this sign is a rust colored pole that has five other poles with various lengths extending out from that towards Fremont Street. Attached to these poles are letters that spell out "MOTEL," the top supports the "M" and each pole following hold each of the others letters to spell out the word. Each of these are diamond shaped plastic, possibly back lit signs. The plastic is off-white and each of the letters is black. The marquee sign attached to the iron gate-like structure that connects one side of the building to the next. This sign is a long, rectangular back lit sign that has a white background and bold red text reading "Traveler's Motel. " This sign also was attached to an longer, yellow rectangle with rounded sided on the left and right side of the sign. Sign - type of display: Neon, possibly back lit (sign doesn't light up any more) Sign - media: Steel and Plastic Sign - non-neon treatments: Plastic back lit portion Sign animation: The sign is no longer in use; therefore, it is difficult to determine this. There is also no record of the sign having any animation. Sign environment: This property resides in the area east of the Fremont East District with many new businesses surrounding it, such as: PublicUs, the Bunkhouse Saloon, Chow, The Writer's Block, and 11th Street Records. However, there are quite a few other closed Motel properties that reside near the Traveler's Motel as well. Sign - thematic influences: The sign is extremely reminiscent of many of the signs from the 50's and 60's that belong to the other motels in the downtown area. The sign has many geometric elements to it that make it appear that it could be from this time period. Sign - artistic significance: This sign does not have a specific theme to it. However, the plastic figure climbing on the sign stresses that this motel would be for those who do enjoy traveling and adventures. This sign does follow a very basic trend regarding motel signs on Fremont Street. It is attractive and very noticeable to those moving along Fremont Street. The overall design of the sign is very geometric, which is a common aesthetic among signs made in the 50's and 60's. Survey - research locations: Assessor's Page and Vintage Las Vegas website http://vintagelasvegas.com/search/Traveler+Motel Survey - research notes: It was difficult to find any history or old photographs of this property. Surveyor: Lauren Vaccaro Survey - date completed: 2017-08-18 Sign keywords: Neon; Steel; Plastic; Backlit; Pole sign
Jane Greenspun Gale-actor, activist, writer, magazine publisher, philanthropist, and farmer- has filled her life with accomplishments such as the Animal Foundation and Springs Preserve. It has also been a life filled with adventure - from “looking for John Lennon” during her time living and studying acting in London to learning to raise chickens on the acres of the Gilcrease Farm she owns with husband and photographer Jeff Gale. Everyone calls her Janie. Born Jane in 1949, she is the third of four children born to community leaders Barbara and Hank Greenspun. In this oral history, Janie captures the fun of growing up in Las Vegas under the watching eye of Hank. As a teen she and her friends cruised Fremont Street. Several years later she wanted to be arrested protesting the Atomic Test Site, when Hank diverted her into reporting about the event instead. Her Jewish foundation was at Temple Beth Sholom, where her parents were among the founding members. As the Jewish population grew, the tastes in synagogues grew to reflect the change. When Janie’s children preferred the Reform approach at Congregation Ner Tamid, a new family tradition began. She is proud of her background and shares loving stories of time spent with her grandparents as a child and pride in the heroic and dramatic story behind the naming of Hank Greenspun Plaza in Israel. Even her love story with Jeff is a tale made for movies. It unfolds in this engaging oral history interview along with anecdotes that are plucked from her personal history and preserve a reflection of growing up in Las Vegas, one of the Greenspun family of local fame.
Shortly before the University of Georgia granted Betsy Fretwell Master's degree in public administration in 1991, she applied for a one-year internship with Clark County, Nevada. The County hired her, but Fretwell did not complete her internship. Instead, the County promoted her, hired her full-time, and soon had her lobbying for the County's interests in Carson City. Her insistence on learning all sides of a question and communicating that knowledge to the decision makers was one of the skills that made her so valuable to Clark County administrators. In this interview, Fretwell discusses her South Carolina childhood, her affinity for the University of Georgia Bulldogs, and the path she took to occupy the office of city manager for the City of Las Vegas. She talks about her years at Clark County and a term at the City of Henderson, but she mostly focuses on her sixteen years at the City of Las Vegas, first as assistant city manager under Virginia Valentine and later as city manage
On March 13, 1981, Dana Jamerson interviewed Harold McKay (b. July 27th, 1903 in Dresden, Kansas) about his life as a teacher in Las Vegas, Nevada. McKay speaks about his education, his move from Chicago, Illinois to Las Vegas and how he began his career in education. McKay focuses on how and why he founded the Teacher’s Credit Union, his time working in administration and his business school, as well as the problems related to segregation and integration in the educational system. Lastly, he talks about the growth of the gaming and entertainment industry in Las Vegas, and his volunteer work with the Senior Citizen Center.
From the Ralph Roske Oral History Project on Early Las Vegas, OH-01017. On February 26, 1980, collector Steven McKenzy interviewed Clark County Community College coordinator of rehabilitation, Autumn Keyes Ita (born December 8th, 1936 in Port-au-Prince, Haiti) at the Clark County Community College. This interview offers a personal historical account on home and family life in Las Vegas, Nevada. Autumn also discusses entertainers such as Wayne Newton and Sammy Davis, Jr., and the role that entertainment played in the development of Southern Nevada.
On March 21, 1977, Christopher Moran interviewed Alice Doolittle (born 1897 in Boston, Massachusetts) about her experiences while living in Nevada. Also present during the interview is Ruth Belding, Alice’s daughter. Doolittle first talks about her reasons for coming to Las Vegas and her eventual occupation as a dental assistant. She also talks about her family’s history of living on the Stewart Ranch and the ranch’s swimming pool that attracted many during the summers of Las Vegas. Doolittle also describes her move to Boulder City with her husband, the first theaters in Las Vegas, and the Union Pacific Railroad. At the end of the interview, the three discuss Helen Stewart, Harley Harmon, and the Doolittle Center, named after Doolittle’s late husband, Ferris Doolittle.
On March, 14, 1981, collector Diane Donavan interviewed her neighbor, pharmacist Wayne Earl (born June 21, 1926 in St. George, Utah) at the collector’s home in Las Vegas, Nevada. This interview covers Earl’s early recollections of Nevada and his life after moving to Las Vegas in 1940. Earl also talks about World War II, McCarran Airport, Nellis Air Force Base, North Las Vegas politics, Jaycees, and the Chamber of Commerce. Additionally, Earl recalls his involvement in civic affairs, social and religious activities, including his affiliation with the Mormon Church.
In this interview, the cultural power couple recall their early impressions of Las Vegas, their beloved Ninth Street house built by Marion Earl, and the changes that caused them to move when spot zoning destroyed their close-knit downtown neighborhood. Lamar speaks of the founding of public radio KNPR and KCNV, of finding studio space, of obtaining grant money to build on the campus of the (now) College of Southern Nevada, and of acquiring the Peter Shire sculpture that graces the front of the studio. He talks about the vision of Charles Hunsberger, of Hunsberger's fall, and of politically appointed boards of trustees. Pat shares her experience of meeting people in a babysitting co-op and the UNLV Art Department, getting her UNLV Master's degree in public administration, and her work in cultural programming with the City of Las Vegas and with Clark County. She speaks of creating gallery, classroom, and performing space at the City's Reed Whipple building and the Charleston Heights Art Center; of founding the Rainbow Company Youth Theatre; of developing Clark County's Desert Breeze Park, Flamingo Senior Center, and the Wetlands, among others; of placing exhibits of the Clark County Museum at McCarran International Airport; of the Public Arts Commission, the Airport Arts Commission, the Allied Arts Council, and of developing Community Development Block Grant programs for the City of Las Vegas and Clark County. Throughout the interview, Pat and Lamar Marchese exemplify why Southern Nevada got lucky in 1972. As the duo grew in their knowledge of and passion for the arts, they also honed their skills at bringing the arts to the public. And we, the Southern Nevada public, continue to benefit as their legacies live on through public radio, community arts programming, and useful and accessible parks.