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Photographs of La Bayou Casino, Las Vegas (Nev.), June 24, 2016

Date

2016-06-24 to 2017-09-08

Description

The permanently closed Labayou Casino sits at 15 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet.
Site address: 15 Fremont St
Sign owner: Derek Stevens
Sign details: Opened 1920 as Northern Club By Mayme Stocker. 1943-1960 operated as a few different businesses. 1970 opened as The Coin Castle, 1999 was renovated and opened as La Bayou, 2016 bought by Derek Stevens and torn down.
Sign condition: No longer there
Sign form: Architectural sign
Sign-specific description: Three neon signs site on top of a shack made of wood and sheet metal that is meant to represent something that might be seen in Louisiana. Two windows with green shutters are "open" with T.V. screens inside. Two neon signs sit at the top of the shack that spell out La Bayou in red neon and the cabinet is trimmed with purple neon. At the front of the property, above the entry, is a red neon sign that says "26 New Orleans Daiquiris."
Sign - type of display: Neon and incandescent
Sign - media: Steel, fiberglass
Sign environment: Part of the Fremont Street Experience, next to Golden Gate Casino
Sign - date of installation: c. 1999
Sign - thematic influences: The property has a theme element, which was popular of casinos of Las Vegas in the 1990s.
Sign - artistic significance: Property was decorated with a Louisiana inspired bayou, swamp motif.
Survey - research locations: Newspapers
Survey - research notes: https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/ https://lasvegassun.com/news/2016/jun/25/patrons-say-farewell-to-mermaids-and-la-bayou-in-d/ http://classiclasvegas.squarespace.com/downtown-history/?currentPage=3
Survey - other remarks: Property was razed 2016
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-09-08
Sign keywords: Architectural; Neon; Incandescent; Steel; Fiberglass

Mixed Content

Photographs of Virtue Vice and Venue signs, Las Vegas (Nev.), June 28, 2017

Date

2017-06-28
2017-09-01

Description

The sign for Virtue Vice sits at 750 Fremont Street as part of The Venue in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site address: 750 Fremont St
Sign owner: Victor Perrillo
Sign details: This building was constructed in 2015 for the Venue which is a concert venue and special event center that usually holds weddings and proms. The Arizona based owners have a similar venue to this one in Scottsdale, Arizona.
Sign condition: 5- Very new and still works good
Sign form: Sign on Building
Sign-specific description: The roof line that they building has is a curved Moorish style, right below the roof line is a channeled "V" that contains incandescent light bulbs. Below this is black channeled block letters spelling out "THE VENUE" which illuminate a whitish gold color.
Sign - type of display: Neon and Incandescent light bulbs
Sign - media: Steel
Sign - non-neon treatments: Incandescent light bulbs
Sign animation: Flasher for incandescent light bulbs
Sign environment: This location is in the East District of Fremont, on the same side of the street as the El Cortez but about half a block to the East. This location is across the street from the Container Park and also has one of the "Fremont Street East District" signs in the street in front of this property.
Sign - date of installation: 2015
Sign - thematic influences: Sine they are a venue for many different events this name is perfect for the location and their sign is well representative of that.
Sign - artistic significance: The channeled "V" and words "The Venue" help contain the light.
Survey - research locations: Las Vegas Weekly article https://lasvegasweekly.com/as-we-see-it/2015/jun/03/the-venue-downtown-concert-hall-fremont-east/ , The Venue website http://thevenuesgroup.com/, acessor's page
Survey - research notes: The building was constructed for this specific company in 2015 , and previous to this it was an empty lot for a few years.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-01
Sign keywords: Neon; Incandescent; Steel; Flashing; Building-front design; Fascia

Mixed Content

Letter from Francis M. Bunker and John M. Bunker's Mother, Bunkerville, Nevada to John M. Bunker

Date

1894-09-29

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, a typed transcription of the same letter, and a copy of original letter attached.

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The Story of Classic Las Vegas Oral History Interviews

Identifier

MS-01075

Abstract

The Story of Classic Las Vegas Oral History Interviews (approximately 1950-2006) is comprised of raw and edited video recordings of oral history interviews used for The Story of Classic Las Vegas documentary which was produced, directed, and edited by Lynn Zook. The documentary offers first person historical overviews of what it was like to live in Las Vegas, Nevada from the 1920s to the 1970s. Individuals interviewed include a wide range of community members of the Las Vegas Valley including business owners, educators, entertainers, politicians, gaming professionals, casino workers, and activists. Materials also include a media kit with promotional materials and interview transcript for one of the interviewees, Betty Willis.

Archival Collection

Howard Cannon Papers

Identifier

MS-00002

Abstract

The Howard Cannon Papers (1958-1988) contain the personal, administrative, and legislative papers of Howard W. Cannon, U.S. Senator from Nevada between 1959 to 1983. The collection primarily pertains to Cannon's time in office from the 86th Congress in 1959 to the 97th Congress in 1983. Materials include correspondence, speech transcripts and supporting research material, press releases, reports, memoranda, newspaper and magazine clippings, and Senate voting records. The collection also includes constituent correspondence and casework related to legislative issues such as foreign relations, social security, veterans, tax reform, labor, aviation, nuclear testing and waste, civil rights, and environmental protection.

For a detailed inventory, please contact Special Collections and Archives (special.collections@unlv.edu).

Archival Collection

Jesus Jara (Clark County School District, Superintendent) oral history interview conducted by Magdalena Martinez and Elia Del Carmen Solano-Patricio: transcript

Date

2022-09-27

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.

Text

Transcript of interview with Ernie Hensley by Lisa Gioia-Acres, Janurary 25, 2008

Date

2008-01-25

Description

Ernie Hensley, an accomplished African American musician, was born in Washington D.C. on March 14 1940, the son of Ernest W. Hensley Jr. and Gladys Barbara Hensley. Both of his parents worked for the federal government in the nation's capital. Ernest W. Hensley Jr., was an employee at the Department of Defense and Gladys Barbara Hensley mother, who was an excellent pianist and drum major, ultimately set her musical career aside to provide for her family and worked for the National Labor Relations board. At the age of seven, after finding a saxophone in his grandmother's attic, Ernie embarked on his musical journey. He took lessons at the Modem School of Music in Washington D.C. Eventually acquired proficiency with the clarinet and the flute through long hours of practice. Ernie attended a historically black school, Armstrong High School in D.C., until he was transferred to integrated McKinley High School in 1954 following the Brown v. Board of Education ruling. Ernie recalls his experience in a new desegregated environment. After High School in 1957, Ernie joined the Air Force as a member of the 511th Air Force Band. In 1959 he resettled in France to play saxophone for the Air Force Band. Emie ultimately made a career in the Air Force. He had countless experiences of performing around Europe and in Washington D.C. at places like Constitution Hall. A dream came true when Emie was honored to become a member of the "Airmen of Note," the premier jazz ensemble for the United States Air Force. He retired from the Air Force in 1979. Because of his distinguished career in the United States Air Force, Emie had a number of opportunities once he retired from the military. He moved to Las Vegas in 1979 at age 39 and after living in area for just a few weeks, Emie started working with Johnny Haig 3 nights a week. Shortly thereafter, Emie found a long-term home working with Jimmy Mulidore's group at the Hilton for nearly a decade until 1995. Throughout Ernie's lifetime he has been fortunate to work with notable musicians such as Andy Williams, Sammy Davis Jr., Somers, Juliet Prowse, Steve an Eydie and his good friend Sarah Vaughn. Emie, along with his wife Carolyn, a retired UNLV faculty member, still resides in Las Vegas.

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