The Bill Hughes Photographs (approximately 1980-2012) contains negatives, slides, prints, proofs, and born digital images created by local photographer and photojournalist Bill Hughes for publications including Las Vegas CityLife, Las Vegas Business Press, Las Vegas Weekly, as well as commercial clients. A portion of prints in the collection consist of modeling photographs Hughes took as part of his business. The digital images represent a variety of clients, and feature local bands, DJs, and performers in nightclubs and bars on the Strip and downtown Las Vegas. Also included in digital files are portraits, artistic photographs and self-portraits, and material used for Las Vegas Weekly, CityLife, and Business Press.
The Joanne de Longchamps Papers date from 1938 to 1985 and document de Longchamps' career as a poet as well as her personal life. The collection contains photocopies of her published poems, poetry journals and magazines containing her work, and photocopies of her unpublished typewritten poetry. It also contains original correspondence from Joanne de Longchamps to her mother, Ruth Cutten, as well as photocopies of her correspondence to poet Harold Witt.
The American Red Cross Southern Nevada Chapter Records (1917-2015) include business records, legal and property documents, scrapbooks, photographs, awards and event programs. Also included is documentation of training events in Southern Nevada and disaster relief efforts throughout the country.
From concentration to ownership of Las Vegas casinos, Meyers owned the Cashbah and the and Queen of Hearts in downtown Las Vegas. Interview dates: 2/12/2012, 2/29/2012, 3/27/2012, 4/16/2012, 4/24/2012, 5/3/2012, 5/9/2012, 5/16/2012, 10/19/2012, 11/16/2012, 12/7/2012.
Judge Lloyd D. George was born on February 22, 1930, in Montpelier, Idaho. He attended grade school and high school in Las Vegas, Nevada, and earned his B.S. degree from Brigham Young University in 1955. Later that same year, He entered the United States Air Force and worked as a fighter pilot in the Strategic Air Command. In 1958, he concluded his military service as a captain. And in 1961, George earned his J.D. from the University of California at Berkeley. Judge George was admitted to the Nevada Bar in 1961 and began practice in Las Vegas. After 11 years in practice, he began on the path to Chief Judge: In 1974, he was appointed by the Ninth Circuit to preside over the United States Bankruptcy Court for the District of Nevada for a term of fourteen years. In 1980, Lloyd became a member of the Ninth Circuit Bankruptcy Appellate Panels and in 1984, President Ronald Reagan appointed him to the United States District Court for the District of Nevada. On July 15,1992, George was elevated to Chief Judge of the Nevada District. During his tenure on the bench, Chief Judge George held a variety of distinguished memberships. He was a board member on the Federal Judicial Center, a member of the National Bankruptcy Conference, the Chair of the Judicial Advisory for Bankruptcy Rules, the Chair of the Judicial Committee on Administration of Bankruptcy System, a Fellow at the American College of Bankruptcy, and a member of the Judicial Committee on International Judicial Relations. Judge Lloyd George is a highly respected figure in Southern Nevada and has given us a truly intriguing interview.
Oral history interview with Kent Carmichael conducted by Stefani Evans on November 25 and December 2, 2019 for the Boyer Early Las Vegas Oral History Project.
In the first session of this oral history, Carmichael discusses his early career in lighting design and maintenance from his start at Interstate Neon to his work in the 1950s and 60s in Las Vegas. He discusses some of the iconic signs he built including the Casino Center, Carnival Room, Thunderbird, The Frontier, Bonanza, and the Stardust. He also details the technology and inner workings of these innovative signs including the transition from mechanical to electrically controlled signage. Carmichael continues to discuss Native American laborers and various individuals that he interacted with throughout his early career including Max and Mo Oggenblick, Doby Doc, Benny Binion, Arby Alper, Steve Wynn, Peter Arp, and Wayne and Jerry Newton. Carmichael ends the first interview by recalling a high wind event that damaged the Frontier sign and his efforts to bring the sign under control and repair it as well as his vision and behind the Stardust sign.
The second oral history interview contains Carmichael’s discussion of his career from 1968 onward. He immediately picks up discussion of the Stardust sign and his transition to desk work. Carmichael details the challenge and limitations of designing the International sign (the Westgate as of 2021). He describes the development of his first messenger sign for the International and the time consuming task of using tape to program the sign. He fondly remembers working on the Holiday Inn Riverboat signs, and International transition to Las Vegas Hilton and the Hilton’s transition from blue to red letters. Carmichael shares the story of being caught between organized crime and a young Steve Wynn. He recounts his last project for Ad Art, developing and construction the sign for the Louisiana Superdome in New Orleans, Louisiana. He details working through legislative and construction issues as well as the fallout from the Nat Kiefer Commission.
After leaving Ad Art Carmichael began working with Heath and Co. and began collaborating with Raul Rodriguez. Carmichael and Rodriguez went on to design some of the most enduring and visually unique signs in Las Vegas including, the Flamingo, Four Queens, Golden Nugget, Dunes Hotel, and the Desert Inn. They also worked in Reno on Circus Circus and El Dorado. Carmichael also details his interior work including the main pylon and interior signs for MGM Grand; 1974 renovation Golden Nugget, suspended stained glass ceiling at Tropicana, and the MGM Lion display. Lastly Carmichael outlined his work with Young Electric Sign 1983-85 and the Dewey Sign Company including the Las Vegas Convention Center sign. He ends by sharing his views on the role and importance of lighting in Las Vegas.