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Displaying results 20401 - 20410 of 20927

Charles Guy interview, 1995: transcript

Date

1995-04-06
1995-04-14
1995-04-21
1995-05-19

Description

Guy begins by talking about his birth in Brazil, Indiana, his early work selling Civilian Conservation Corps magazine subscriptions, and his travels across the United States before arriving in Boulder City, Nevada in 1938. Next, Guy recalls his early memories of Boulder City, the Las Vegas Wash, and his work at the Boulder Beach campgrounds at Lake Mead Recreation Area and in Overton, Nevada. Guy also discusses the campgrounds' working conditions, entertainment, access to amenities, and work associates. Afterwards, Guy talks about his time as a railroad worker in Indiana and Las Vegas, Nevada, Block 16 in Las Vegas, Las Vegas entertainers, working as a volunteer fire fighter, and anecdotes about people in his personal life.

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Transcript of interview with Charles T. "Blackie" Hunt by Cork Proctor, July 3, 2003

Date

2003-07-03

Description

Charles T. "Blackie" Hunt, born in Pottstown, Pennsylvania in 1930, started accordion lessons at age five. He recounts learning from experienced musicians, then teaching others at age twelve because his teacher was drafted. He attended West Chester State Teachers College where, among other accomplishments, he put together a group with Nick Carlino as tenor sax player. Blackie shares detailed memories of the many musicians with whom he worked and toured. They played in venues that included Harrisburg, Toronto, and Montreal, and eventually were offered a booking at the Sahara Hotel in Las Vegas. The group that Blackie worked with in Las Vegas, Tahoe, and Reno came up with the name "The Characters" (backward 'e'), and the show featured comedy and music. It was during this time that he met Lorraine (stage name Lauri Perry), who had her own group. They were married after a couple of years and Lauri joined The Characters. Blackie and Lorraine Hunt opened Blackie's Bar on Tropicana and Eastern Avenues in the seventies. He talks about the jazz sessions that took place and the musicians who sat in on them, and how he and Lorraine eventually decided to bow out of show business themselves. The Hunts went on to open the Bootlegger, a restaurant/piano bar on Las Vegas Boulevard. They started a little comedy/music session called "Off the Cuff', in which local or touring musicians, comedians, and singers often participate. Blackie and Lorraine have been part of the vibrant history of Las Vegas and the state of Nevada for many years, and continue to make their home here.

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Transcript of interview with Judy Lee (Johnson) Jones by Claytee D. White, February 22, 2007

Date

2007-02-22

Description

In the 1950s and 1960s, the Copa Room at the Sands Hotel and Casino featured glamorous showgirls. For a few years, the Houston Chronicle sponsored a contest that added the Texas Copa Girls to the line. In 1958, one of the winners was 17-year-old Judith Lee Johnson. For the "wild" but "naive" Judy, the experience was a period of funfilled freedom, followed by relentless encouragement of others to attend college, which she reluctantly did. To her surprise, she embraced the college life, took her studies seriously, and received an education degree. She also became Miss Houston. Four years later she returned to Las Vegas and the Sands. As she stepped into her role as a showgirl this second time, she was no longer the newbie. She experiences the lifestyle with more maturity. She talks about the celebrities she met, the lasting friendships she formed, performing in the Elvis movie Viva Las Vegas, and her trip around the world, a trip that included her personal dream of going to Paris. Judy shares details of her family heritage and she wonders to what extent she might have been living her mother's dream. Though her love of performance and theatre is keen, Judy channeled her passions into a 29-year career as an educator. She married a Marine in 1965, raised their children, moved with his career. She and her husband, Walter F. Jones, live in Virginia.

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Dr. Syed Saquib oral history interview: transcript

Date

2018-02-23

Description

Oral history interview with Dr. Syed Saquib conducted by Barbara Tabach on February 23, 2018 for the Remembering 1 October Oral History Project. In this interview, doctor Syed Saquib discusses the University Medical Center's (UMC) role during the night of the October 2017 mass shooting in Las Vegas, Nevada. He speaks about the hospital's level of preparation and the procedures in place that allowed for an effective and controlled system to treat the survivors. Saquib talks about the group effort that was required to care for all of the patients in an efficient manner. In addition to that night, he also discusses his move to Las Vegas in 2016 and the sense of community he has developed.

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Transcript of interview with Joy Snyder by Lisa Gioia-Acres, December 17, 2009

Date

2008-12-17

Archival Collection

Description

Joy Snyder, born and raised in Pennsylvania, is the daughter of Jean Dasinto and stepdaughter of Ray Hunt. Though she was raised thinking she was an only child, she shares that as an adult, she was contacted by an aunt who gave her information about an Austrian half-sister. The half-sister had tracked the family through WWII records on her biological father! Joy was raised in a very large extended Italian family (her maternal grandmother was first-generation Italian) and became the first in her family to attend college. She had decided early on that she wanted to be a nurse and chose to attend Temple University Hospital in Philadelphia. She recounts memories of her earliest work there, which began the first week of school. After graduation from nursing school, Joy married her childhood sweetheart, William (Bill) Snyder. They made the move to Las Vegas in 1978 and Joy found work right away at Desert Springs Hospital. She worked there about six months and then took maternity leave after the birth of their second son. When she returned to work, it was at Sunrise Hospital (early 1979) in the newborn nursery. Joy comments on many aspects of her career, including the informal approach to health care, the effects of desert climate on mothers and newborns, and the changes she has seen at Sunrise Hospital. She also comments on adoption practices in Las Vegas, drug-addicted babies, and cultural attitudes that appear during the birthing process. Today Joy is retired and her husband Bill is close to retiring. They feel a strong connection to Las Vegas (Bill has a school named after him), but maintain a second home in New York for their trips back East to visit friends and family. They also keep up with various community activities, including book clubs and running clubs for the children at William Snyder Elementary School.

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"Spirit of AKA" Alpha Kappa Alpha Sorority targets presentation summary

Date

2002-07-12

Description

This a brochure of the AKA Spirit program to celebrate the 60th Boule, including a presentation by 26th Supreme Basileus Soror Linda Marie White. 

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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University of Nevada, Las Vegas law school: questionnaire, press releases, meeting minutes, newspaper clippings

Date

1973 to 1979

Description

Folder contains: law school questionnaire and responses, 1973; press release about a statewide advisory board charged with developing preliminary plans for a law school at UNLV, June 20, 1973; Minutes of the Joint Senate-Assembly Education Committee Meeting for a Law School, March 16, 1973; press releases about donations; notes; and newspaper clippings. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).

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Corey Nyman oral history interview: transcript

Date

2018-05-04

Description

Oral history interview with Corey Nyman conducted by Claytee D. White on May 04, 2018 for the Remembering 1 October Oral History Project. In this interview, Nyman recalls his high school and college experiences, and working in Las Vegas, Nevada as a young adult. On October 1, 2017, Nyman attended the Route 91 Country Music Festival with his brother and a group of friends. They enjoyed the concert from the Red Bull VIP suite, which Nyman felt helped them escape bullets as he and his friends helped others escape. About three hours after escaping the venue, they arrived at Tropicana Avenue and Koval Lane where their ride picked them up. The driver was one of the last allowed into the area under the airport underpass. Nyman discusses his feelings since the shooting, and states that he loves the city and has made it his home despite the traumatic events of the night.

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Erma Linda Rivera oral history interview: transcript

Date

2019-01-09

Description

Oral history interview with Erma Linda Rivera conducted by Laurents Bañuelos-Benitez, Nathalie Martinez, Maribel Estrada Calderón, and Barbara Tabach on January 09, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Erma Linda Rivera discusses her early life as a grandchild of immigrants. She shares her experiences growing up in a mining town in Arizona. After marrying, both Erma Linda and her husband Jose became federal civil servants. This would lead Erma Linda Rivera to Las Vegas, Nevada in 1984. Prior to retirement, Rivera worked as an regional Equal Employment Opportunity manager. Rivera discusses her career working for the Department of the Interior, sharing how her job helped fuel her passion for social justice. Erma Linda relates the importance of civic involvement in her life. Finally, she reflects on how Henderson, Nevada has changed over the years she has lived there.

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Photographs of Greek Isles signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Greek Isles Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint

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