UNLV Libraries Collection of Fitzgeralds Hotel and Casino Promotional and Publicity Materials includes newspaper and magazine clippings, a press kit, and promotional materials for Fitzgeralds in Las Vegas, Nevada, and Tunica, Mississippi, dating from 1991 to 2001.
UNLV Libraries Collection of Mandalay Bay Resort and Casino Promotional Materials and Reports includes annual reports, equity research reports, Securities and Exchange Commission Form 10-K, Securities and Exchange Commission Form 10-Q, press kits, press releases, and promotional materials for Mandalay Bay Resort and Casino in Las Vegas, Nevada, dating from 1996 to 2006.
The Gay and Lesbian Community Center of Southern Nevada Records (1992-2023) and include news articles, institutional records such as bylaws, agendas, and meeting minutes, ephemera, and programs for the Center’s annual Honorarium fundraiser. Additional materials include materials relating the the wellness clinic.
The Julian Taber Collection on Gambling Addiction (1977-1988) includes papers, proposals, internal reports, memoranda, and newspaper articles chronicling the work of Julian Taber, an early specialist in the field of gambling addiction. The majority of the collection relates to Taber’s work and pilot programs at the Brecksville Veterans Administration (VA) Hospital in Brecksville, Ohio, with select materials pertaining to an alcohol dependency treatment program he coordinated at the VA hospital in Reno, Nevada.
Oral history interview with Sergio "Checko" Salgado conducted by Laurents Bañuelos-Benitez, Barbara Tabach, Elsa Lopez, and Monserrath Hernández on June 4, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Checko talks about his personal history that led him to pursue journalism and photography. He discusses his education and employment working in art galleries in Denver, Colorado and Las Vegas, Nevada and the various art exhibitions he has designed including in the Marjorie Barrick Museum at the University of Nevada, Las Vegas and in the Reynolds Senate Building in Washington, D.C.
Oral history interview with Katrina Sandigo conducted by Nathalie Martinez and Barbara Tabach on August 28, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Katrina talks about her family's history and her grandfather's immigration to the United States from Nicaragua. She discusses her education and her time spent studying at the University of Nevada Las Vegas (UNLV) and her work with the Clark County School District (CCSD). She is currently the Education Director for Nevada's Anti-Defamation League (ADL). Katrina also shares her religious faith and how she is active in the Jewish community of Las Vegas.
Known for “raising hell and making a difference” in the Las Vegas Valley, Thomas Rodriguez has dedicated more than four decades of his life to the political, educational, and social advancement of the Latinx community. Tom was born in 1940 to Jennie Gomez and Joseph Rodriguez in a Topeka, Kansas neighborhood its residents called The Bottoms. Mexicans, Mexican Americans, American Indians, African Americans, among other peoples lived in this diverse and beloved community. In 1956, the Urban Renewal Program, a program funded by the Federal Government that sought to raze neighborhoods the city considered to be “slums,” forced The Bottoms’ residents to abandon their homes. Rodriguez recalled the effects that this event had on his family and on his educational career. Despite his family’s relocation, he graduated from a high school located in a nearby neighborhood in 1958. Years later, the activism and ideology of the Chicano Movement of the 1960s taught Rodriguez that to overcome the injus
On March 11, 1978, Ann K. Clark interviewed her step grandfather, tire repairman Walter Dane, (born August 10th, 1914 in West Barnett, Vermont) in her, the interviewer’s, home in North Las Vegas. Also present during the interview is the interviewer’s mother, Marie Dane. Walter relocated to Indian Springs in 1930 before settling in Las Vegas in 1943. In 1968 he moved to Utah, where he resided at the time of this interview. Well-traveled, Walter discusses his many moves over the years. Ultimately, this interview covers the growth and development of the Las Vegas and Indian Springs areas.
Part 1: Interviewed by Stefani Evans. Myron G. Martin, President and CEO, and Donald D. Snyder, Chairman of the Board of Directors, share their memories of the founding of The Smith Center for the Performing Arts from the first non-for-profit foundation formed in 1996. The second iteration led by Snyder in 1999 brought in Martin--former Director of UNLV Performing Arts Center--and created a sustainable business plan for a center for the performing arts that would be accessible geographically and culturally for all segments of Nevada society. Here, Martin and Snyder recall how land, funding, and legislation for The Smith Center depended on the ""power of the project"" and the Snyder-Martin team's ability to overcome skeptics in the public, the Nevada Legislature, the Clark County Commission, the Las Vegas City Council, and the Don Reynolds Foundation. Martin and Snyder satisfied the various requirements for each organization and earned unanimous approval at each stop--in fact, the $50 million donation to The Smith Center was the largest the Don Reynolds Foundation had ever granted largest. That the approvals came on three consecutive days from competing municipal jurisdictions makes the accomplishment even sweeter. Subjects: Las Vegas, NV; Cultural center; Performing arts; The Smith Center for the Performing Arts; The Smith Center; Not-for-profit;; Nevada Legislature; Clark County Commission; Las Vegas City Council; The Don Reynolds Foundation; Fundraising; Planning; Endowment; Part 2: Interviewed by Stefani Evans. Martin, who was the youngest of three boys raised in suburban Houston, Texas, likes to say that in college at the University of North Texas he played for the Atlanta Braves and the Texas Rangers. So he did--as the organist. He earned a Bachelors of Music in piano, organ, and voice and an MBA from Golden Gate University. He came to Las Vegas after a fifteen-year career with the Baldwin Piano Company as executive director of the Liberace Foundation; he later became president of UNLV?s Performing Arts Center and in 1999 he became president of the Las Vegas Performing Arts Center Foundation. Here, Martin and Snyder recall the process whereby they hired architect David Schwarz of Washington, DC, to create The Smith Center's ""timeless, elegant"" look; creating a ""shared vocabulary"" by visiting 14 performing venues in 5 European countries; the City of Las Vegas's RFP that resulted in hiring Whiting-Turner Contracting Company; the exterior art/artists, significance of the bell tower, Founding Fifty(seven), and the ability of the theater to adapt from staging The Book of Mormon to staging a community funeral for two slain police officers. Subjects: The Smith Center; The Smith Center for the Performing Arts; Architecture; Fundraising; Acoustics; Public private partnerships; Request for proposals; Whiting-Turner; Theater Projects Group; vocabulary; Part 3: Interviewed by Stefani Evans. Author Jack Sheehan, joining this third session on The Smith Center in his role as Don Snyder's biographer, explains the way he envisions the place of The Smith Center in the larger context of Las Vegas. Martin and Snyder provide names for the group that grew out of the Call to Action meeting and founded the original Las Vegas Performing Arts Foundation. They share anecdotes of a 2005 trip, wherein they were joined by Las Vegas City Councilman Lawrence Weekly, City of Las Vegas Mayor Oscar Goodman, and consultant to the City of Las Vegas Dan Van Epp to visit City Place and the Kravis Center for Performing Arts in West Palm Beach as an example of a place where a performing arts center was a catalyst for revitalization in an area of underused and underutilized urban land. They discuss opening night, March 10, 2012, /From Dust To Dreams: Opening Night at the Smith Center For The Performing Arts/, which was produced broadcast live on national Public Broadcasting System (PBS) television stations, produced by George Stevens Jr. and directed and produced by Michael Stevens for The Stevens Company; hosted by Neil Patrick Harris; and featuring Jennifer Hudson, Willie Nelson, Merle Haggard, Emmylou Harris, Martina McBride, Carole King, Arturo Sandoval, Joshua Bell, Mavis Staples, Pat Monahan; American Ballet Theater dancers Marcello Gomes and Luciana Paris; also Broadway performers Brian Stokes Mitchell, Laura Osnes, Cheyenne Jackson, Sherie Rene Scott, Montego Glover, and Benjamin Walker. Martin describes how provisions of Nevada SB235--introduced March 6, 2017, signed into law by Governor Bob Sandoval, and became effective October 1, 2017--for the regulation of ticket sales to an athletic contest or live entertainment event affect The Smith Center ticket sales. They talk of providing 3,600 good construction jobs during the recession, of Discovery Childrens Museum, of future development plans for the entire 61-acre Symphony Park parcel, and of a second capital campaign to increase the endowment to $100 million to enable The Smith Center to be economically sustainable.
Fred Gibson's family came to Nevada in 1929; moving to Ely, Carson City, and eventually Las Vegas. He went into the Army after high school graduation and then studied Japanese at Yale. After some time in Colorado, Fred transferred to UNR and graduated from the Mackay School of Mines. Fred and his dad organized Pacific Engineering and Production Company of Nevada in 1955. The company merged with American Pacific in 1982 and today, among other enterprises, manufactures drugs at a facility in Rancho Cordova. His brother James Gibson served almost 30 years in the Nevada legislature. As a trustee director of the Nevada Development Authority (NDA), Fred was instrumental in organizing support for the idea of an engineering school at UNLV. Fred worked with people like Robert Maxson, Bob Gore, Jack McBride, Bill Flangas, and John Goolsby. He also teamed with Kenny Guinn to elicit donations from individuals and corporations, and lobbied the legislature to garner support for the school. As a member of the University Foundation, Fred has had a lot of interaction with Georgia Tech, and is trying to get the State of Nevada to approve a Georgia plan. He believes this will help the UNLV College of Engineering reach the level of schools like Georgia Tech and MIT. He also encourages the legislature to allow the university to use unclaimed property funds, but this idea still has not met with approval.