Born in 1936, architect Joel Bergman spent his childhood in Venice, California, the son of Edythe Klein and Harry Bergman, a baker who later turned to dealing in scrap metal. The award-winning designer of such Las Vegas projects as the International Hotel, the MGM Grand Hotel (later Bally's), additions to the Riviera Hotel and the Golden Nugget downtown, the Mirage, Treasure Island, Paris Casino Resort, Caesars Palace, Trump International Hotel and Tower, the Signature at MGM Grand, Rhumbar, Gilley's at Treasure Island, and the Tropicana Hotel and Casino first arrived in Las Vegas in 1968 to work on the International Hotel. In this interview, Bergman discusses his architectural career, which began with his graduation in architecture from the University of Southern California; he also discusses his work with Martin Stern, his sixteen years with Steve Wynn, and the formation of his own architectural firm, Bergman Walls and Associates. Throughout, he pays tribute to the three mentors who had the greatest influence on his work—USC architecture professor Carleton Winslow, architect Berton Severson, and client Steve Wynn—and the ways they visualized people moving through space. He acknowledges other professionals whose work he admired and talks about his wives Marlene Federman, Terrie Colston, Maria Nicolini, and Valentina Bogdanova as well as his children and stepchildren. Joel David Bergman passed away August 24, 2016, three weeks after he gave this interview.

As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”

Whenever Paul Huffey drives through John S. Park Neighborhood he visualizes his youth and the times he spent with his childhood friend Michael Mack, who joined in this interview. Together they reminisced about their teen years in the 1950s and living in John S. Park Neighborhood. Paul's first home was Normandie Court, the first authentic motel in Las Vegas. In 1947, Paul's father purchased a lot on Paseo Park and built a home for his wife and only child. He describes life in that home as idyllic: no war or unemployment issues, a time when the Strip was "meaningless" unless you had a parent working there. An era when mothers, at least in his neighborhood, were stay-at-home moms and children freely roamed on their bicycles. Of their teen years, Paul and Michael recall their hi-jinks, discovering beer, and admiring pretty girls. In 1956, he graduated from Las Vegas High School, enlisted in the U. S. Army Reserve and enrolled in University of Nevada Reno. He taught history at Basic High School in Henderson for nine years.

Ivory H. Blue II was born and raised Las Vegas, specifically in the Westside neighborhood projects during the 1980s and 1990s. He describes his early childhood and what he remembers as a strong sense of community. Though grade school had its challenges, Ivory excelled in sciences and came under the watchful mentoring of Dr. Eugene McGaugh, a professor at UNLV. Ivory graduated with a master’s degree and has a long career already with NV Energy. Theresa Harris, Ivory’s mother, was from Hawthorne, Nevada and his father, Ivory Blue I, was originally from Edwards, Mississippi.

Dennis Ortwein arrived in Las Vegas in 1956. He shares many details about growing up in Montana, his parents and siblings, his education, and the moment in time when he was offered an opportunity to work in Las Vegas. He also lays out the path his singing career took, starting with school plays, duets with his sister, and high school quartets. Once in Las Vegas, Dennis taught for a while, served as principal, and was involved in creating programs that helped integrate schools. He also talks about his church choir work, entertainment in early Las Vegas, above-ground testing at the Nevada Test Site, and anti-nuclear protests. Dennis served as lab school and student teaching coordinator in Nigeria. He offers several anecdotes and stories about the time he and his family spent there. After retiring early (age 53), Dennis acted as consultant to the Esmeralda County school board, executive director for the National Conference of Christians and Jews, and wrote a book. He is currently enjoying his singing career by appearing at conventions, in musicals, and at weddings and memorials.

Roberta “Bobbie” Kane (1932 - ) is the first known Jewish child born in Las Vegas. Her parents, Sallie and Mike Gordon, were liquor stores owners and among the founders of the first Jewish congregation in Las Vegas. Bobbie’s childhood remembrances are as a young girl who was fully aware that “Friday nights were reserved for religious services. Saturdays were always reserved for gin rummy.” In the late 1940s, as a teenager at Las Vegas High School (and 1950 graduate), Bobbie recalls Las Vegas as a small town and a joyful place to grow up. She briefly attended University of Southern California before marrying and beginning her family. In time, life brought her back to live with her parents. She pursued a career working for the Desert Inn group of hotels and helped open the Stardust in 1957. She was mentored by Mark Swain, “a six foot-four hunk of a cowboy” who worked for Moe Dalitz. This experience included driving Mark’s pink Cadillac to pick up hotel guests. This provided her with a

Kevin T. Orrock, president of Summerlin and vice president of Master Planned Communities for The Howard Hughes Corp., has come full circle. Born in Pioche, Nevada, he spent his early years in the San Francisco Bay area and in Pittsburgh, Pennsylvania. Graduating from a small liberal arts college, he arrived in Las Vegas in 1974 with a degree in accounting and a teaching credential, finding work in the Desert Inn accounting department. Howard Hughes owned the Desert Inn, so from 1974 Orrock has consistently been in the employ of Howard Hughes, Summa Corporation, and Howard Hughes Corporation. Orrock later earned his M.B.A. at UNLV. In this interview, Orrock focuses on Summerlin, the 22,000-acre, award-winning, master-planned community on the west side of the Las Vegas Valley. He discusses Summerlin’s physical layout, its history, its development, and its future. He specifically credits Summa Corporation’s early visionaries John Goolsby and Will Lummis for having the foresight to sell some of the company’s land in order to build the financial foundation that, in turn, permitted Summerlin’s fifty-year development plan. He also talks about the development and future of Downtown Summerlin; its balance of private, charter, and public schools; and the ways the company selects its residential builders.