Search Results
Transcript of interview with Bess Rosenberg by Jerry Masini, November 12, 1975
Date
Archival Collection
Description
Interview with Bess Rosenberg by Jerry Masini on November 12, 1975. In this interview, Rosenberg describes coming to Las Vegas in 1942, and the desert landscape. She gives an in-depth recollection of the first atomic test, and talks about different weather and the seasons in Las Vegas. Rosenberg describes several clubs and hotels around downtown and the recreation at Lake Mead and Mount Charleston.
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Transcript of interview with Dr. Harrie Fox Hess by Scot Siegel, February 26, 1979
Date
Archival Collection
Description
On February 26th, 1979, Scot Siegel interviewed his psychology professor, Dr. Harrie Hess (born March 1, 1929 in Hammond, Indiana) in his office at the University of Nevada, Las Vegas. Dr. Hess discusses his family’s reason for moving to Nevada and how he felt as a young adult moving to Las Vegas. The two go on to talk about Dr. Hess’ contributions to Nevada through his work as a psychologist, and briefly mentions the first law to be drafted on psychology certification in Nevada. Dr. Hess then describes the Wild Cat Lair as an important site of social recreation for early Las Vegas youth. The interview concludes with his memory of Boulder (Hoover) Dam and how he believes that workers from the Great Depression paved the way for industrial success in gambling due to their employment on the Dam.
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Transcript of interview with Madeline Kadin by Kathy Mandel, March 8, 1975
Date
Archival Collection
Description
On March 8, 1975, Kathy Mandel interviewed housewife Madeline Kadin (born in New York) in her home in Las Vegas, Nevada. Also present for the interview is Madeline’s husband, who is referred to as “Mr. Kadin.” The three discuss differences between early Las Vegas and the present. The Kadins also explain the history of Helldorado and how it has changed over the years.
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Transcript of interview with Eldon Cooper by Kamal Whilelm, March 3, 1975
Date
Archival Collection
Description
On March 3, 1975, Kamal Wilhelm interviewed Eldon G. Cooper (born 1922 in Overton, Nevada) about his experiences in Southern Nevada. Also present are Cooper’s wife and several unnamed adults in the background. Cooper first talks about his background and his eventual move to Las Vegas before describing the recreational activities in which he and his family took part. He later describes the atomic testing, environmental changes, modes of transportation, social changes, and tourism in Las Vegas. Cooper also discusses the Stewart Ranch, and his wife describes the setting of multiple photographs taken of properties in the Downtown Las Vegas area.
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Photographs of Little Church of the West signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Little Church of the West
Site address: 4617 S Las Vegas Blvd
Sign owner: Greg Smith
Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip.
Sign condition: Structure 4 Surface 4 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon.
Sign - type of display: Neon; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church.
Sign manufacturer: Larsen Sign
Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996.
Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996.
Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon.
Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content
Saiger, Mort (Morton Saiger), 1903-1997
Morton "Mort" Saiger was born July 22, 1903, in Opatov, Poland. He fled Poland in 1920 three days before he was to be inducted into the army. Settling in Denver, Colorado with his father, he showed an early interest in show business, winning awards as a ballroom dancer, appearing in several silent films, and performing as a baritone in a 1939 Los Angeles, California production of Mozart's opera, "Bastien and Bastienne."
Person