Judy Jetter, a devout jazz music enthusiast, was born in a Chicago suburb in 1939. At the age of three, Judy began taking acting as well as tap and ballet classes. While raised by her mother until age 15 Judy was forced to study opera even though jazz music was her passion. Her first introduction to jazz came while listening to, legendary jazz great, Woody Herman on the radio. Judy developed an instant appreciation and love for jazz music. While working as a commercial actress during her childhood - Super Circus and Peter Pan peanut butter - Judy experienced live performances by the Stan Kenton Orchestra and was completely amazed. After graduation Judy was married and gave birth to her son. She worked for a movie studio in Chicago doing various jobs such as cleaning the stage, typing scripts, model work, and even playing the role of housewife. Later Judy went to college and earned a degree in psychology, which led to a job as a therapist. However, after remarrying to Bill Jetter, Judy switched careers and soon became an exercise instructor at the YMCA. There she cultivated her passion for working with people who suffered from disabilities. In particular, Judy developed a water regiment specifically designed for people with disabilities. Judy would go on to share her experiences in this field in two subsequent book publications. Unfortunately Judy's husband passed away with cancer. However, Judy found refuge and support from a group of jazz enthusiasts. Alongside her cadre, Judy began really studying how to listen to music. She moved to Las Vegas in 1992 and can often be found at different jazz venues throughout the city. She enjoys the local jazz scene in Las Vegas and making her weekly rounds to take-in Big Band and jazz singers such as Jobell and Terri James, as well as going to see Bruce Harper playing at Bugsy's, and the talented Gus Mancuso performing at the Bootlegger. Judy believes that music, like everything else, has evolved and will continue to mature; however, jazz musicians such as Louis Armstrong still remain as the foremost contributors in the long history of jazz music. Her hope is that music and the arts will continue to be offered through education to allow the next generation another "dimension to not only their education but their soul."

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

Alice Ward Boyer arrived in Las Vegas from Oklahoma in 1937. Her brother and former husband came earlier to escape the dustbowl depression and get settled. In the middle of the summer, just at dusk, she emerged from the train at Kingman, Arizona with her two small children to meet her family and drive through the darkness to her new home in Las Vegas. Although she missed the trees of the Plains, she soon became accustomed to her desert home. Her recollections revive the older Las Vegas when community life characterized the small town. At the heart of her story is the Mesquite Club. The non-partisan civic activities of the Mesquite Club are part of a national history of women’s club voluntarism in the nineteenth and twentieth century United States. Founded in 1911, this pioneer Las Vegas women's club played an essential role in the development of the growing town. When few cultural or social services existed, the club raised funds for the first public library, developed parks for the city, and provided services and funding for the aged and youth. The Mesquite Club, along with the Parent Teacher Association, scouts, and church activities formed a network of community relations commonly found in developing towns and cities, but not ususally associated with Las Vegas. Alice Boyer joined the Mesquite club in 1944. She first served as the chair of the Garden Committee, then "went right up through the chairs," and was elected President of the club for 1958-59. (See Table of Offices Held). Speaking about the Mesquite Club founders, Alice Boyer said, “They were very forward-looking women. They knew that the town would grow and they wanted the best for the town.” As one of the second generation of members, she has found the club to be a continuing source of congenial social life and civic community building. Born in rural Oklahoma, she spent her early years on a ranch. Her parents met there shortly after "the run to open Oklahoma" around 1892. They met, married and had twelve children, nine of which survived. Alice came right in the middle. She spent her early years riding horses, wearing “overalls," and spending as much time as possible outside. The family moved into Clinton, Oklahoma for better schools for their children when she was in the fifth grade. Alice graduated from high school just as the Great Depression began and worked briefly at a newspaper before marriage. At the time of the interview, Alice Boyer’s vivaciousness, gracious manner, and sharp memory belied her 82 years. This interview has been produced with the assistance of the Mesquite Club and the History Department of the University of Nevada, Las Vegas. It is part of a series on women community builders in Las Vegas. The transcript has been edited only slightly for clarity while the syntax and style of the narrator were retained.