In 1927, a sixteen-year-old girl from Rockford, Illinois moved to New York City to play trumpet with the all-girl bands common from the 1920s through the end of World War II. During this period, which spanned Prohibition, the Great Depression, and World War II, all-girl bands came into their own in America. They were especially popular during the war, when most men were off fighting but people still needed and appreciated music. This was also a time when jazz and swing became wildly popular in this country. All-girl bands were able fill a niche left empty by men at war. Doris Eloise Pressler was born in Jamesville, Illinois on January 17, 1911 to Bertha Hendrich Pressler and Louis Pressler. Almost immediately after her birth, the Pressler family moved to Rockford, Illinois. Bertha was a teacher, a homemaker and mother. Louis did auto body hand-painting and also managed a bar. In addition, he played baritone saxophone and taught his daughter Doris to play trumpet. They both performed with hometown bands, playing churches, dances, and other social events. In 1927 at age sixteen, Doris left school, moved out of the family home, and went to work for Walgreens in downtown Rockford. In her free time she played music. Doris began her professional music career in 1927 as a trumpeter with the Gypsy Sweethearts in Rockford. That same year, she moved to New York, where she played in the only women’s band that ever performed at New York’s historic Roseland Ballroom. During the early 1930s, Doris performed with the Red Dominos, an all-girl band that was part of a variety show produced by E. K. Nadel. However, it was tough for girl musicians during the Depression. Few managers wanted to hire female players when so many men were out of work. Doris persevered, and through the 1940s, she traveled and played with other all-girl bands such as Annette Demon and her French Dolls and the Hollywood Debs. While Doris pursued her music career, a little girl in Wisconsin was learning to play the piano and trombone. Born on April 13, 1917, Ruth Poirier came from a musical family: her father John played drums and French horn, her brother drums and bassoon. John performed with the local Elks Club group, while Ruth and her brother played for their high school band. Ruth’s mother Mary had been a nurse, so when she finished high school Ruth decided to attend nursing school in Chicago. After a year, she returned home to Wisconsin and trained as a beautician. In 1939, Ruth answered a local ad for girl musicians and signed on as a trombonist with an all-girl band. Her first gig lasted only a month, the band dissolved, and she left to tour with Annette Demon and her French Dolls out of Milwaukee. While playing down South, Ruth met a fellow musician who became her lifelong companion, Doris Pressler. In July 1939, Ruth and Doris took off for Southern California. While living in Long Beach, Doris performed with bands at the 660 Club on the Pike, a well-known waterfront amusement park, and at the Waldorf Cellar. She also played a gig at Murphy’s, across from the Showboat in Las Vegas. Girl musicians began getting more jobs because the men were being called into military service. Ruth, a “Rosie the Riveter” during the war years, helped to build Navy fighter planes for Douglas Aircraft in El Segundo, California. After the war ended in 1945 women, whether “Rosie the Riveters” or band members, lost their jobs to the hordes of returning servicemen. Realizing that all-girl bands were “gonna go nowhere at all,” Doris had decided in the early 1940s to return to school and pursue studies in her second love, mathematics. She took classes in math and engineering at the University of Southern California, and then joined the Los Angeles County surveyors’ department as a civil engineer. After two years there, Doris transferred to the road department, where she worked until her retirement in 1974. Ruth returned to work as a beautician, running a shop out of her home. The Greater Los Angeles area contained an active gay and lesbian community both during and after the war. Doris and Ruth enjoyed a social life that included girls’ clubs such as Tess’s and drag clubs like the Flamingo. According to Ruth, these were “sitting-down, drinking places…and visiting. We had one club where they had dancing…. But then they let everybody in.” After the war, everybody just wanted to have fun, and Doris and Ruth enjoyed getting together with all types of friends in clubs and in private homes. During these at-home evenings, Doris and others would play popular music for everyone’s enjoyment. After their retirement to Las Vegas in 1974, Doris and Ruth were active in their local senior center. Doris played with the Las Vegas Senior Band for ten years, and Ruth worked in support of the band and the center. According to Ruth, Doris loved playing with the band, and enjoyed it more because she was retired and could devote herself to her playing. Doris Pressler and Ruth Poirier lived together through six decades of radical social change in America. From the rise of women musicians and workers outside the home, through the return of women to more “traditional” roles after World War II, and finally the revolution in women’s roles from the 1960s to the present, Doris and Ruth experienced it all. And through it all, they maintained a relationship that lasted for 62 years, until Doris’s death. According to Ruth, “I enjoyed my life. I never found anything wrong with . ... I think Doris would say the same."

Oral history interview with Sanje Sedera conducted by Kristel Peralta, Cecilia Winchell, Ayrton Yamaguchi, and Stefani Evans on April 16, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Sanje Sedera discusses growing up in Sri Lanka, formerly Ceylon, with his family. He shares his educational history, moving from Sri Lanka to Darwin, Northern Territory, Australia as a high schooler to learn English before immigrating to the United States to attend Idaho State University. Sedera discusses the political unrest and civil war that took place in Sri Lanka between the Tamil and Sinhalese people, and how he grew to appreciate political activism instilled in him by his paternal grandparents. Sedera shares his employment history working as a manager for K-Mart, an opportunity that brought him to Las Vegas, as well as his entrepreneurial pursuits of owning a mortgage business and becoming a realtor. He talks about the financial crisis of 2008 that led to losing his business, his attempts to run for public office, and how he helped to form Nevada's Asian American Democratic Caucus. Sedera concludes with a discussion of his Buddhist practice and how these philosophies have shaped his life.

Oral history interview with Margarita Rebollal conducted by Marcela Rodriguez-Campo and Barbara Tabach on February 28, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Margarita Rebollal is a lifelong community organizer and advocate for Latinx civic engagement and rights. She shares what it was like to grow up in Ponce, Puerto Rico and shares her childhood memories growing up on the island with her siblings. Rebollal also discusses the death of her father and the eventual move of her family to New York City, New York. She also recalls her education and teen years. Later, she would move to California, and eventually find her way to Las Vegas, Nevada in 1996. Rebollal discusses her passion for civic engagement and the many years serving the community, being most well-known for her role in founding the Puerto Rican Association of Las Vegas and the Hispanic International Day Parade of Nevada. Rebollal also discusses her campaign for the Ward 1 Las Vegas City Council seat.

Oral history interview with David Becker conducted by Claytee D. White and Barbara Tabach on May 15, 2018 for the Remembering 1 October Oral History Project. In this interview, Becker recalls being on a three-day assignment at the Route 91 Harvest Country Music Festival across from the Mandalay Bay Resort in Las Vegas, Nevada. Thinking the gunfire was produced by malfunctioning equipment, he took photos of the scattering crowd. Moments later, in a now silent venue, he realized he captured a horrific massacre. Becker recalls photographing people leaving the venue as they performed acts of heroism, helping the fallen or the slow to reach safety. He discusses how difficult it is to comprehend the acts of that night, and how his photojournalist instincts allowed him to capture such devastating images.

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file.

Oral history interview with Lily Teo conducted by Stefani Evans on February 7, 2022 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Lily Teo discusses her upbringing in Singapore, her education, her religious beliefs, and converting from Buddhism to Catholicism. She talks about her husband, her early married years, and what life was like as a young mother of three children. Teo shares how she started a catering business to feed construction workers and was responsible for shopping for ingredients, preparing all meals and tea, and cooking the food on site in her temporary kitchen. She talks about her children, the faiths they practice and languages they speak including English, Malay, and Mandarin, and the customs and traditions they practice, such as celebrating Lunar New Year and other holidays. Lily's daughter, Stella, sits in on the interview and expands on her mother's recollections.

Oral history interviews with June Monroe and Kazuko Atomura conducted by Cecilia Winchell and Stefani Evans on July 14 and July 19, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In the first interview, Kazuko Atomura describes her childhood in Taiwan and Tokyo, Japan, and shares both happy and difficult mememories of that time. Atomura eventually moved to Los Angeles, California, where she reconnected with a man she previously met in Japan. She married him and together had their daughter, June Monroe, and another son while living in Corpus Christi, Texas. After difficult medical procedures involving Atomura's husband and Monroe's younger brother, Brian, the family relocated to Las Vegas, Nevada. Monroe recalls attending Las Vegas High School and Bonanza High School, and the struggle of making new friends as a young person. In the second interview, the mother and daughter discuss racism, discrimination, and identity. Kazuko Atomura recalls her many experiences with discrimination as a result of both her appearance and language barriers. June Monroe discusses how she came to be proud of her Japanese heritage, while Atomura discusses some of the community activities she has been involved in since living in Las Vegas including the Japanese Culture Club and odori dancing. Then, both Atomura and Monroe discuss Monroe's brother, Brian, who received two kidney transplants; one from Monroe's father and one from Monroe herself. Atomura talks about the shrines she has built for Brian, the experience of him being on dialysis, care taking, and his final days. Monroe shares about her activism with organ donation, being regularly involved with the Nevada Donor Network and helping to pass significant pieces of legislation within the area of organ donation.