Keny Stewart often sits in his backyard and hears the train whistle. In that moment he thinks about what Las Vegas must have been like in the 1940s—a moment made more meaningful by living in historic John S. Park Neighborhood. He enjoys his place, a place he has called home for 20 years. He was there for the beginning of the neighborhood "renaissance". Keny moved from California to Las Vegas in 1984 to work as an entertainer. One day a few years later he accidentally drove through John S. Park neighborhood, admired the architecture of the homes and the nostalgic feeling. Soon he was a homeowner, restoring his investment, a labor of love. At the time he worked nights on the Strip and restored his house day. Along the way he made a career change to educator/librarian for grade school level. He is a former neighborhood association president. He remembers the neighborhood's battle to maintain its integrity as it went up against local casino developer Bob Stupak's (whose home i

On March 6, 1981, Mark Milford interviewed Owen Earl Cox (born 1909 in Bunkerville, Nevada) about his experiences growing up in and working in Nevada. Cox first talks about his early moves to and from Nevada and his work in road construction in the 1930s. He then discusses his work of machinery at the Basic Magnesium Plant and some of his experiences during that time. Cox also talks about his family, the Mormon Church, the growth of population, and the increase in tourism. He later describes managing a store he owned known as Vegas Village and the types and prices of the products that were sold there. The end of the interview involves a discussion of crime, Cox’s hobby of cattle ranching, and his views on the growth of Las Vegas.

On November 1, 1974, collector James M. Greene, interviewed widow and mine leaser, Bertha Gresh (born August 29th, 1883, in Cedarburg, Wisconsin) in her home in Nelson, Nevada. This interview covers early mining days, Bertha’s personal history, and the history of Nelson County. She also discusses her art, social activities, and the prizes she won as a visual artist in Nevada.

Las Vegas tourists who stop to admire the Mirage volcano, the Bellagio conservatory, the Wynn Las Vegas mountain, the Encore gardens, and the iconic Welcome to Las Vegas sign’s surroundings on the Las Vegas Strip likely do not realize that in each case they have sampled a unique landscape environment conceived by Don Brinkerhoff of Lifescapes International, Newport Beach, California. It is for producing work of this caliber that in 2016 the American Gaming Association selected Brinkerhoff to be the first designer inducted into the Gaming Hall of Fame. In this interview, the Los Angeles native and son of a working-class father and an artist/schoolteacher mother, explains how he spent his youth in an owner-built house in the modest suburb of El Monte, where he tended the family truck garden. Despite earning his degree in ornamental horticulture at California Polytechnic (Cal Poly), Don felt unschooled in the arts because the small school did not teach them. To fill that educational gap, Don took his wife and four children to Europe for two years, where he affiliated with the American Academy in Rome and worked for TAC (The Architects' Collaborative) in Greece among other adventures. The family spent another six months in Hawaii, where the children attended school and Don worked with a local landscape architect. The family’s unusual work, school, and travel experience more than completed Don’s arts education and shaped his world view and that of his daughter Julie in countless ways that came to silently benefit the Las Vegas built environment. Upon returning to California in 1968, Brinkerhoff opened his Orange County office, and Lifescapes International became the “go-to” firm to create water features for condominium projects. This work led to his first hotel-casino project at a Sun City golf course condominium project in South Africa, which in turn led to a telephone call from architect Joel Bergman inviting him to become one of three candidate landscape architects to work with Steve Wynn on what would become The Mirage hotel-casino in Las Vegas. Here, Brinkerhoff speaks to his design philosophy as ninety percent problem-solving and ten percent inspiration even as he describes organizing the signature tree for The Mirage, building the Mirage volcano, taking the idea for Bellagio’s conservatory from the DuPont family’s Longwood Gardens, of creating faux banyans in the Mirage atrium, of creating the model for the Las Vegas Strip median, and of building the mountain on Las Vegas Boulevard in front of Wynn Las Vegas to conceal the Cloud at the Fashion Show Mall. While the fortunes of Lifescapes International continue to grow and succeed worldwide, both Don and Julie credit Steve Wynn and their Las Vegas work: “Las Vegas has totally changed our lives.”

Oral history interview with Alex de Castroverde conducted by Monserrath Hernandez on April 17, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, De Castroverde discusses his family's background and his parent's emigration story from Cuba to the United States. He talks about growing up in Reno, Nevada, his father becoming a lawyer, and attending the University of Nevada, Reno. De Castroverde remembers the establishment of De Castroverde Law Group, the significance his father had on the Hispanic community in Las Vegas, Nevada, and taking over operations of the law firm with his brother. Lastly, De Castroverde talks about his involvement with Cristo Rey St. Viator College Preparatory High School, the Guinn Center, and the Las Vegas Business Academy.

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file. Pages 274 -313 of unknown manuscript.

Oral history interview with Nathalie Martinez conducted by Rodrigo Vazquez and Barbara Tabach on June 24, 2021 for Latinx Voices of Southern Nevada Oral History Project. Nathalie Martinez, one of the original members of the Latinx Voices project team, dicusses her personal history and the history of her parents who immigrated to the United States from Colombia and El Salvador. She shares her educational background and experiences working as an interviewer for the Latinx Voices project before its culmination and her graduation in 2021. Nathalie also talks about her work on the project's podcast and her work linguistically translating the interviews from Spanish to English.