Search Results
Maurine and Fred Wilson Papers
Identifier
Abstract
The Maurine and Fred Wilson Papers (1888-1991) contain family papers and the historical research of Fred Wilson. It includes correspondence between Maurine and Fred Wilson, as well as Maurine Wilson’s diaries, calendars, and materials related to her career as a music teacher. The collection also contains Fred Wilson’s research files about the history of Southern Nevada as well as the First Methodist Church in Las Vegas, Nevada.
Archival Collection
Maurine and Fred Wilson and Dr. William S. Park Photograph Albums
Identifier
Abstract
The Maurine and Fred Wilson and Dr. William S. Park Photograph Albums (1900-1930s) consist of twelve albums containing black-and-white photographic prints and three black-and-white photographic negatives. The photographs are primarily related to the families of William S. Park, John S. Park, and Fred and Maurine Hubbard Wilson. Included are images of the Park homes in Las Vegas, Nevada; Park and Wilson family members; scenes of early Las Vegas, Nevada; outdoor activities, and vacation trips to California, Colorado, and Mexico.
Archival Collection
Fred and Maurine Wilson Photograph Collection
Identifier
Abstract
The Fred and Maurine Wilson Photograph Collection depicts the Wilson Family, events, and locations in Las Vegas, Nevada and the Southwestern United States from approximately 1860 to 1990. The photographs primarily depict early Las Vegas, including the Mormon Fort and Kiel Ranch; mines, towns, and railroads in Southern Nevada; the construction and planning of the Hoover (Boulder) Dam on the Colorado River; and the Wilson Family. The photographs also include prominent Las Vegas families such as the Park Family, aerial photographs of the city, landmarks on Fremont Street and downtown Las Vegas, and desert landscapes.
Archival Collection
Cherina Kleven oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Cherina Kleven conducted by Cecilia Winchell on June 9, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Cherina Kleven talks about her family and childhood growing up in Taiwan amongst six siblings. She shares her family's history and how they immigrated to Las Vegas while she was a teen, as well as her employment history and how she met her husband. Cherina talks about racial and gender discrimination and the obstacles she has overcome to be the only working female in her family, the only woman firefighter at her station house, and the first female Asian American Assistant Fire Chief in the United States.
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Margie Llorente Gonzales oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Marietta "Margie" Llorente Gonzales conducted by Cecilia Winchell, Vanessa Concepcion, and Stefani Evans on November 1 and 22, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Margie Llorente-Gonzales discusses her upbringing in Manila, the Philippines and her family history within the country, recalling the lives of her parents, grandparents, and great grandparents. She talks about her childhood, educational pursuits, and courtship with her husband in the Philippines. Margie shares how she and her husband immigrated to the United States, how she adapted to her new life as an immigrant dependent on her extended family, and how she and her husband came to settle in Las Vegas. She talks about her artistic pursuits in the forms of dance choreography and performing, scriptwriting, broadcasting, and publishing newsletters. Margie also discusses her employment at McCarran Airport and her political activism, canvassing, and committee work in the Philippines and the United States.
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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Tea Rose Talk" newsletters
Date
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Transcript of interview with Mary Ellen Osborn Lake by Fred Wilson, February 18, 1951
Date
Archival Collection
Description
On February 18, 1951, Fred Wilson interviewed Mary Ellen Osborn Lake (born 1870 in Mercer County, Missouri) and her son, Thomas Lake (born 1889 in Missouri). Wilson first asked Mary Ellen questions about when she first arrived in Las Vegas, Nevada in 1904. Much of the relatively brief interview involved questions related to the first Methodist churches in Las Vegas and the Lakes’ involvement and recollections of the locations and members of the church community.
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Transcript of interview with Shelley Berkley by Barbara Tabach, February 13, 2015
Date
Archival Collection
Description
In this interview, Berkley shares her family history, from her great-grandparents? immigration to the United States to her immediate family?s own migration from New York to Las Vegas. She reflects upon her childhood experience in Las Vegas, including her varied leadership positions with Jewish organizations as well as at school, from junior high school through college. Berkley also talks about her involvement as an adult within the Jewish community and more broadly as a public servant, in all levels of government.
Former United States Democratic Congresswoman Shelley Berkley represented Nevada?s 1st Congressional District from 1999 to 2013, an area that includes most of Las Vegas. During her seven terms as a member of the U.S. House of Representatives, the district benefited from millions of dollars of federal funding for education, transportation, and other projects. She also successfully fought against storing nuclear waste at Yucca Mountain in Nevada. Shelley Berkley was born Rochelle Levine in New York City in 1951 and moved to Las Vegas during junior high in 1963. She practiced law in Las Vegas and served in the Nevada Assembly for two years. She was also a member and vice chair of the Nevada University and Community College System Board of Regents. Berkley attended the University of Nevada, Las Vegas where she served as student body president and graduated with honors in 1972 with a B.A. in political science. After obtaining her J.D. in 1976 from the University of San Diego, she returned to Las Vegas to practice law. From 1976 to 1979 Berkley was Deputy Director of the Nevada State Department of Commerce. She provided legal counsel to several casinos at various points in her career, served as national director of the American Hotel-Motel Association, and founded the Southern Nevada Association of Women Attorneys and the Senior Law Project. In 1977 she married Frederic Berkley and had two children, Max and Sam. She remarried in 1999 to Dr. Lawrence Lehrner of Las Vegas, who also had two children from a previous marriage. Before being elected to Congress, Berkley served on the board of the American Israel Public Affairs Committee. She continued her vocal support of Israel in Congress and was heavily involved in all matters related to the Middle East. She was a member of several committees, including: Foreign Affairs, Veterans Affairs, Ways and Means, Small Business, and Transportation. Building a new Veterans Administration medical complex in Southern Nevada and sponsoring many pieces of healthcare legislation are also among her accomplishments as a U.S. Representative. In 2013, she was appointed CEO and Senior Provost of the Touro College and University System?s Western Division.
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Lynnette Sawyer oral history interview: transcript
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Archival Collection
Description
Oral history interview with Lynnette Sawyer conducted by Nathalie Martinez on January 03, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Barbara Tabach and Laurents Bañuelos-Benitez also participate in the questioning. Lynnette Sawyer identifies as a Puerto Rican woman born and raised in Spanish Harlem in New York. Her ancestry extends from Spain to Africa and has helped her identity, as she became an educator and museum curator. She describes her life in New York and her journey to Las Vegas. As the founder of the Hispanic Museum of Nevada, she wanted to create a space that would teach young Latinos about their history and heritage.
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Photographs of La Concha sign, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content