The collection is comprised of professional communication, memoranda, newspaper clippings, membership cards, and manuals from 1930 to 1984 that belonged to Las Vegas, Nevada police officer, Joseph T. LaVoie. The collection contains material about LaVoie's police work, his involvement with various labor organizations, and his work with childrens groups such as the Friends of Youth. The material about LaVoie's work as a police officer dates from 1946 to 1966, when the Las Vegas Metropolitan Police Department was known as the City of Las Vegas Police Department.
The Rene de Haven Papers contain photographs, costume designs, promotional show materials, press clippings, music manuscripts and productio notes, and audio recordings of dancer and choreographer Rene de Haven from 1944 to 2011. Personal papers, prints, proof sheets, black-and-white and color photographs document de Haven's work in dancing and choreography in Las Vegas, Nevada and Los Angeles, California.
The Hughes Tool Company series (1912-1990) encompasses the administrative, financial, and legal management of Hughes Tool Company. Materials within the series depict Howard Hughes' control of the company; his film, aeronautics, electronics, and real estate ventures; and his lawsuits and United States Senate hearing. The series also includes research reports on the corporate history of Hughes Tool Company and its subsidiaries, copyright histories for films Hughes produced, and correspondence from Hughes' associates searching for reels of Hughes' films domestically and internationally.
Archival Collection
Howard Hughes Film Production Records
To request this item in person:
Collection Number: MS-01036 Collection Name: Howard Hughes Film Production Records Box/Folder: N/A
The Grace Hayes Photograph Collection consists of black-and-white photographic prints and negatives from approximately 1890 to 1980. The collection includes personal photographs of Hayes and her son Peter Lind Hayes and publicity photographs from Hayes's entertainment career.
The Jess Mack Papers document the professional life of burlesque agent and comedy writer Jess Mack from 1916 to 1988 in Las Vegas, Nevada. In addition to contracts, correspondence, engagements, and newspaper articles, the collection contains five boxes of jokes, scripts and scenes used in various burlesque productions. Other material includes photographs of entertainers and burlesque stars, joke booklets, and issues of Mack's magazine, Cavalcade of Burlesque, dating from 1951 to 1954.
In this interview, Berkley shares her family history, from her great-grandparents? immigration to the United States to her immediate family?s own migration from New York to Las Vegas. She reflects upon her childhood experience in Las Vegas, including her varied leadership positions with Jewish organizations as well as at school, from junior high school through college. Berkley also talks about her involvement as an adult within the Jewish community and more broadly as a public servant, in all levels of government.
Former United States Democratic Congresswoman Shelley Berkley represented Nevada?s 1st Congressional District from 1999 to 2013, an area that includes most of Las Vegas. During her seven terms as a member of the U.S. House of Representatives, the district benefited from millions of dollars of federal funding for education, transportation, and other projects. She also successfully fought against storing nuclear waste at Yucca Mountain in Nevada. Shelley Berkley was born Rochelle Levine in New York City in 1951 and moved to Las Vegas during junior high in 1963. She practiced law in Las Vegas and served in the Nevada Assembly for two years. She was also a member and vice chair of the Nevada University and Community College System Board of Regents. Berkley attended the University of Nevada, Las Vegas where she served as student body president and graduated with honors in 1972 with a B.A. in political science. After obtaining her J.D. in 1976 from the University of San Diego, she returned to Las Vegas to practice law. From 1976 to 1979 Berkley was Deputy Director of the Nevada State Department of Commerce. She provided legal counsel to several casinos at various points in her career, served as national director of the American Hotel-Motel Association, and founded the Southern Nevada Association of Women Attorneys and the Senior Law Project. In 1977 she married Frederic Berkley and had two children, Max and Sam. She remarried in 1999 to Dr. Lawrence Lehrner of Las Vegas, who also had two children from a previous marriage. Before being elected to Congress, Berkley served on the board of the American Israel Public Affairs Committee. She continued her vocal support of Israel in Congress and was heavily involved in all matters related to the Middle East. She was a member of several committees, including: Foreign Affairs, Veterans Affairs, Ways and Means, Small Business, and Transportation. Building a new Veterans Administration medical complex in Southern Nevada and sponsoring many pieces of healthcare legislation are also among her accomplishments as a U.S. Representative. In 2013, she was appointed CEO and Senior Provost of the Touro College and University System?s Western Division.
The Somerset Shopping Center sign sits at 252 Convention Center Drive. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet. Site address: 252 Convention Center Dr Sign owner: Somerset Shopping Center CO LP Sign details: This shopping center was built in 1966 next to the Somerset House Motel. The motel was demolished in 2011; however, the shopping center is still around. Some businesses that reside in the shopping center include: a hair and nail salon, a dry cleaners, an Ethiopian restaurant, and a place for banquets to name a few. Sign condition: 5, the sign is in beautiful condition. Sign form: Pole Sign-specific description: This pole sign sits close to the street so motorists and pedestrians can view it easily. A light blue pole holds up the main portion of this sign, as well as back lit plastic signs on each side of the pole that display what businesses are in the shopping center. The sign itself consists of a yellow ring that encircles three other signs. This yellow circle is covered in incandescent light bulbs that chase when the sign is lit up at night. Also, extending from this yellow circle are light blue poles in various lengths that are surrounded in neon tubes and oscillate around the yellow circle when the sign is lit up at night. In the center of the circle are three signs. The first sign is an elongated oval that has the word "SOMERSET" painted on it in bold white letters with a black outline on a light blue background. Neon tubes outline these letters. The sign under that is a large rectangle shape with each of the sides curving inward. There are also incandescent light bulbs lining the outer edge of this sign that chase when the sign is lit up. This sign has the word "SHOPPING" painted on it in bold white text against a red background. Neon tubes outline each letter of this word. The sign under this is another elongated oval that is a similar size to the "SOMERSET" sign. This sign reads "CENTER" in bold white text against a red background and neon tubes outline this word as well. Sign - type of display: Neon, Incandescent light bulbs and back lit Sign - media: Steel and plastic Sign - non-neon treatments: Plastic portion of sign Sign animation: Oscillating, chasing Sign environment: The shopping center that this sign is located in is about a block away from the Strip and is near a few monumental properties. It resides close to the Las Vegas Country Club, the Las Vegas Convention Center, and the Guardian Angel Cathedral that Paul Revere Williams designed. It is down the road from casinos like the Wynn, Encore, Circus Circus, and the Westgate. The Peppermill, an iconic Las Vegas restaurant, is down the street as well. It was down the street from the Stardust when that property was up and running. Sign manufacturer: YESCO Sign - date of installation: Most likely 1966, 1960's era Sign - thematic influences: The design of this sign is very eye-catching from the road, as are many roadside signs throughout this era of the city. Bold text and light animation make this a standout sign to attract motorists and pedestrians to the shopping center. Sign - artistic significance: This sign appears to have some Googie design influence throughout it. It has a space age feel to it because of the yellow circle that surrounds the "SOMERSET SHOPPING CENTER" signs and the blue poles that extend from it also add to this style. Survey - research locations: Assessor's Page http://www.clarkcountynv.gov/assessor/Pages/searchbybusinessname.aspx , Vintage Las Vegas website http://vintagelasvegas.com/search/somerset , Roadside architecture website http://www.roadarch.com/signs/nvvegas.html Surveyor: Lauren Vaccaro Survey - date completed: 2017-09-01 Sign keywords: Neon; Incandescent; Backlit; Steel; Plastic; Oscillating; Chasing; Pole sign
In the interviews, Tilman discusses his birth in Gooding, Idaho in 1913, his early life, and his arrival to Las Vegas, Nevada in 1931. Tilman then talks about his experiences mining, milling, and ranching before moving to Las Vegas. While in Las Vegas, Tilman was involved with construction of Hoover Dam (Boulder Dam) and labor issues. Later, Tilman describes fishing and boating in the Colorado River, working at a duplex mine in Searchlight, Nevada, and working at the Las Vegas Ice House. Lastly, Tilman talks about influential Boulder City residents he knew, his children, and the Stratosphere Hotel and Casino.
Oral history interview with Domingo Cambeiro conducted by Stefani Evans and Claytee D. White on October 18, 2016 for the Building Las Vegas Oral History Project. In this interview, Cambeiro discusses his upbringing in Havana, Cuba. He talks about his initial interests in architecture, starting his own architecture drawing service, and attending the University of Havana. Cambeiro recalls submitting a request to leave Cuba, emigrating to the United States, and arriving in Las Vegas, Nevada in 1962. Cambeiro talks about working with Las Vegas architect Julius Gabriel, obtaining his architecture license, and starting an architectural firm. Lastly, Cambeiro discusses being selected to create architectural drawings for the Thomas & Mack Center.