Oral history interview with Charles Quander conducted by Claytee D. White on October 27, 2005 for the African Americans in Las Vegas: a Collaborative Oral History Project. Quander, who served as a flight officer in the Army Air Corps first all-Black fighter and bomber squadrons known collectively as the Tuskegee Airmen, talks about his upbringing in Washington, D.C., his early interest in flight, and his decision to train as a pilot at the outset of World War II. Quander talks about his training and reflects on both the process of learning to fly and the discrimination that the cadets experienced from the predominately white senior officers. He then talks about his post-military education and his career with the federal government, working as an investigator for the Bureau of Alcohol, Tobacco, and Firearms (ATF) and the United States Attorney's strike force on organized crime. He ends the interview describing his retirement and travel, his move to Las Vegas, Nevada, and his views on war, the Department of Homeland Security, and his perceptions of Las Vegas' growth.

The Clyde F. Merrick Photographic Slides (approximately 1971-1979) contain color photographic slides taken by Clyde F. Merrick, longtime resident of Las Vegas, Nevada. The majority of slides in this collection depict signs for different businesses around Las Vegas including the Las Vegas Strip and the Westside. Some of the businesses documented in this collection includes Fong's Garden, Leon's Shear Magic Beauty Salon, Lucas and Son's Antiques, Dick's Tricky Trikes, Mohan's Custom Tailors, the Twenty Grand Club, Owens TV Repair, and Caesars Palace. The collection also documents a variety of different types of businesses around Las Vegas including bars and nightclubs, beauty salons, car washes, gas stations, and restaurants. Merrick was also a car racing hobbyist and a number of slides in this collection depict what is presumed to be the Las Vegas Speedrome racetrack (later known the Las Vegas Motor Speedway). This collection also includes photographs of locations outside of Las Vegas and Southern Nevada.

Oral history interview with Geri Tomich conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 15, 2023 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. Born and raised in the Philippines, Geraldine "Geri" Tomich recalls life in the city of Manila, where her father worked as an engineer and her mother as a stay-at-home mother. Tomich attended an American school, where she learned how to speak English from a young age, and her extracurricular activities included speedreading and writing letters to her friends. After her parents divorce, her mother took Tomich and her three siblings to the United States to live with their aunt. After a brief period in California, Tomich resumed her college career in a community college in Southern Nevada, getting an associate's degree in paralegal studies before transferring to the University of Nevada, Las Vegas (UNLV) to earn her bachelor's degree in business management. During this time, Tomich recalls working her way up in a law firm, starting as a receptionist before moving up to a secretary and then later a paralegal. For law school, Tomich moved to Spokane, Washington, to attend Gonzaga University. Citing her family, she moved back to Las Vegas to practice law, first returning to the law firm where she got her start before moving to Marquis Aurbach in 2003. She also discusses the other organizations she is involved in, including the Nevada Community Foundation and the Baller Dream Foundation. Throughout the rest of the interview, Tomich discusses values, what it has been like balancing a family with a full-time job, and what parts of Filipino culture she has retained.

The Maria LaCavera Papers (1947-2017) contain the papers of professional dancer Maria LaCavera. The collection documents the career of LaCavera dancing in Las Vegas, Nevada at the Flamingo Hotel in 1947, and the Last Frontier Hotel in 1949 as one of the Ramona Girls dancing in the Danny O'Neil Varieties Act. Materials include photographs of LaCavera and other Ramona Girls, newspaper clippings, correspondence, LaCavera's American Guild of Variety Artists (AGVA) employment contracts, Fabulous Las Vegas magazines, and hotel receipts. Other items of note include photographs of the 1949 Helldorado parade, a Frontier Hotel Ramona Room menu, and Frontier Hotel ephemera. There is also a copy of a self-published biography of LaCavera, written by her daughter-in-law Kristin Meyer entitled From Bon-Air to the Last Frontier. The collection also contains the digital images used to illustrate the book.

The Charley Henchis Papers (approximately 1945-1987) document the career of international cabaret show producer Charley Henchis and the shows he produced in Las Vegas, Nevada and Beirut, Lebanon. Materials include Henchis' business files which includes correspondence, files on specialty acts, photographs, and press about Henchis. Shows represented in this collection includes La Parisienne which was performed at the Dunes Hotel in Las Vegas in 1960 before moving to Casino du Liban in Beirut. Other shows represented in this collection that were produced for Casino du Liban includes Mais Oui, S'il Vous Plait, Flash!, and Hello!. Additional materials include press and publicity files, music arrangements and scores, recordings of musical numbers used for the productions, and film footage of shows and production reels. Also included is film footage of the Charley Ballet, Henchis' dance troupe who were featured in his shows.

The Felicia Campbell Papers (approximately 1962-2020) contains material documenting the life and work of long-time UNLV English professor, Felicia Campbell. Materials include Campbell's personal and professional papers including correspondence, scholarly journals featuring her published articles, article drafts, newspaper clippings, photographs, personal diaries, and awards. Also included are materials documenting Campbell's discrimination lawsuit against UNLV in the 1970s regarding equal pay for tenured female faculty.

The Larry Fotine Music Collection (approximately 1940-2017) contains the complete library of composer, jazz band leader, and composer for television Larry Fotine. Materials include manuscript scores, printed sheet music of works by Fotine, ASCAP agreements and contracts, photographs, recordings (both published recordings and archival recordings), correspondence, and books by Fotine, and memorabilia. Fotine directed his own bands beginning in the 1930s, with many million-plus seller recordings. He composed over 300 songs, including collaboration with Duke Ellington (“I Ain’t Got Nothin’ but the Blues”), and arranged music for Sammy Kaye’s band (1940-1945), Blue Barron and Art Mooney (1945-1947), and Lawrence Welk (1958-1960). Fotine composed music for the "Buttons and Rusty" cartoon shows at the end of his career in the 1980s. There is an item-level inventory available upon request.