In 1939, Wilma (Frank) Bass was born in New York City, where she began her involvement in theater at the age of ten. Almost twenty years later, she met Burt Bass (1932- ) when both worked for a photography studio, one of Burt first post-high school jobs. Burt opened his first professional photography studio in 1962, shortly after he married Wilma in 1960. The couple soon had two daughters – Jill and Wendy – and moved to Las Vegas in 1974. Burt initially worked for his brother-in-law Ed Frank's check cashing businesses and later opened his own photography business, Burton Studio. He later added services such as fingerprinting, background checks, and photographs for identification cards. Wilma worked as a jewelry salesperson, first at the Gold Factory then at Nieman Marcus. Socially, she was very involved with Temple Beth Sholom’s Sisterhood, using her theater talents to write, direct and produce various shows for the Sisterhood, ORT as well as B’nai B’rith Youth Organization. In this interview, Burt discusses his photography business, the migration of its storefront around town, and his colorful landlords, including individuals like Moe Dalitz and Art Marshall. Wilma talks about her sales career in the local jewelry industry, and more extensively, she shares memories of her involvement in the Jewish community with theater productions. Much of the discussion revolved around related news articles and personal photos from their relationships and activities within the Jewish community. The couple also shares stories of friendships with local entertainers, including Jerry Lewis and Neil Sedaka.

Clark questioned if the ranch had as much water or farmable land as claimed by Helen Stewart, and recommended not closing the deal on the property under the present agreement. J. Ross Clark's brother, who is mentioned in the letter, was Senator William Andrews Clark.

Michael Tell, the youngest son of Jack and Beatrice Tell, is the publisher of the Las Vegas Israelite newspaper and the second generation of ownership. He briefly traces his Jewish ancestral roots back to Eastern European grandparents who settled in New Jersey and New York. He became a bar mitzvah in a conservative Jewish synagogue in New York City. At age sixteen, he accompanied his father, Jack Tell, westward to Nevada. The elder Tell was in pursuit of owning a newspaper and Mike was a perfect companion as Jack took over ownership of the Territorial Enterprise. Mike recalls it was a short lived venture and the family settled in Las Vegas, where his father went to work for Hank Greenspun at the Las Vegas Sun and then for Henderson Home News, owned by Morry Zenoff. In 1965, Jack Tell opened the Las Vegas Israelite. Meanwhile, Mike explored the lucrative business of concert promotions and opened a teen nightclub 1961 called the Twin Lakes Twist. He hired such talents of the era as Bobby Darin and Wayne Newton. Soon his business acumen grew and he moved Mike Tell Productions to Los Angeles. He tells the story of his last concert, booking Al Green, and being held at gunpoint. Then in 1979, he returned to work at the Israelite, which had a circulation of about 2000. The Jewish community was beginning to show signs of growth. He recalls running an ad in 1992 for High Holy Days services to be held at the Aladdin hotel. He used the word “Lubavitvh” in the ad and this sparked an interest in Las Vegas from the Chabad movement. He also recalls anti-Semitic episodes in Las Vegas, such as Ralph Englestad’s Hitler birthday parties and the presence of Skinheads. And he reflects on the changes in the community that he has observed over the decades.