Robert D. "Bob" Fisher is a Las Vegas, Nevada broadcast personality and lobbyist. He was born in Minneapolis, Minnesota and moved to Las Vegas in 1994 when he was hired to be the founding president and CEO of the Nevada Broadcasters Association (NVBA). During his 22 years as head of the NVBA, he produced and hosted Observations, a public affairs program broadcasted on radio and television throughout the state of Nevada. Soon after, he began producing and hosting the only weekly live television program about diabetes in the United States; in 2015 his weekly live radio program The Diabetes Show was the only one of its kind to be aired over commercial radio in the U.S. Fisher helped bring the AMBER Alert program to Nevada in 2003, and served as its chairman and coordinator for ten years. His other lobbying successes include the classification of certified broadcasters as First Responders and the elimination of Broadcaster Non-Compete contracts in 2013. He served on the Nevada Homeland Security Commission for 13 years, the Nevada Crime Commission, and the Governor's Defense Base Closure and Realignment Commission. Fisher is a founding clergy member of Midbar Kodesh Temple in Henderson, Nevada and served as its cantor for over a decade. After his retirement from NVBA at the end of 2014, he established Bob Fisher Weddings to provide his services as a wedding officiant. In this interview, conducted shortly after his retirement from NVBA, Fisher discusses his childhood in Twin Cities, and the large role Judaism played in his upbringing. He speaks at length about his involvement with United Synagogue of Conservative Judaism over the years, including as regional director of the United Synagogue Youth Far West Region, which took him from Minnesota to California. He talks about his time in Los Angeles, and later, about his life in Las Vegas, including his broadcasting career as well as involvement with Midbar Kodesh Temple.

On February 26 and 29 of 1980, Leanne Terry interviewed Edwina E. Danzinger (born 1925 in Houston, Texas) about her life in Southern Nevada. Danzinger first talks about her family, specifically her siblings, children, and grandchildren. She also talks about church membership, early housing in Nevada, her husband’s work on the Nevada Test Site, and her family’s hunting practices. Danzinger then describes her involvement in Boy Scouts and hiking, her various positions of employment at the University of Nevada, Las Vegas, how the college campus has changed over time, and how the college students have changed over the years. The two also talk about the changes in the crime rate, the atomic testing, air pollution, and the changes made to the university by the Buckley Amendment.

Gordon Smith was born in Utah, but moved with his family to Babbitt, Nevada in 1947. His father, a barber, moved the family to Las Vegas in 1955. In this interview, Gordon recalls school and after-school pursuits; changes in the town; summer jobs; and college. He also talks about his military service and returning to Las Vegas to take up the razor himself - starting a successful barbering business of over 30 years.

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin