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On the corner of 7th street and Clark, and beside the tennis courts of Las Vegas Academy, stands the law office of attorney Eva Garcia Mendoza. Eva has worked in her office since 1982, and in this time she has helped the Las Vegas community work through civil and immigration cases besides aiding in a myriad of other ways. Eva Garcia Mendoza was born in 1950, in the town of McAllen, TX-an environment that perpetuated hatred of Mexican Americans. Eva recalls the racism she endured; for instance, being spanked if she spoke Spanish in school, and her family facing job discrimination because of her skin color or her last name. Being an ethnic and financial minority was difficult, and Eva remembers nights as a child when she would cry herself to sleep. Eva showed resilience in the face of adversity as she states, “you rise to the level of your teachers’ expectations.” With the encouragement of her band professor, Dr. L.M Snavely, she began higher education at Pan American College. She moved to Las Vegas in 1971 and began to work before being accepted at UNLV to study Spanish literature. She graduated in the class of 1973. In 1975, Eva applied to become a court interpreter, a decision that would drastically change the trajectory of her career. She earned the coveted position and began to work beside Judge John Mendoza who was the first Latino elected to public office in the state of Nevada. Several years later John and Eva would wed. Judge Mendoza passed away in 2011. Eva talks about how extraordinary his legacy is-from his professional achievements to a story about his v football days and the 1944 Dream Team, this true story even piqued the interest of Hollywood writers. Through her work, Eva began to notice how she was more than qualified to become a lawyer herself, so she applied and gained a full ride scholarship to the Law School of San Diego University. Eva describes the struggles of attending school in San Diego while her spouse and children were home in Las Vegas. Despite the financial difficulties, being one of few minority students, and becoming pregnant her second year, Eva was able to finish her remaining university credits by returning to Las Vegas and working with Judge Mendoza. Together, they started the Latin Bar Association. Eva began her own practice in 1981 and would later partner with Luther Snavely, who was the son of her band teacher that helped her to attend college so many years back. Today, Eva has a new partner at her office and hired her son to work as a secretary. Eva also tells of the office’s mysterious history, of which includes a ghostly figure many clients claimed to have seen in the reception room. Eva recounts many of her professional achievements, such as petitioning to start the American Immigration Lawyers Association, Nevada Chapter, representing celebrities, winning the unwinnable cases such as against the Nevada Test Site. Eva talks about current events, such as today’s immigration laws, the discriminatory practices of revoking birth certificates from those born in Brownsville, TX., and about the importance of the #MeToo movement. Eva and her family have a great fondness for Las Vegas. The support for the Latinx community in Las Vegas greatly contrasts that which she experienced as a child in southern Texas. She describes wanting to take her children and grandchildren to visit her old home in McAllen, TX where her family grew up on the “wrong side of the tracks.”
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Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
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A group photo of a dinner party in an unspecified location. Description provided on back of image: "1) Mrs. Dick Leavitt; 2) Mother; 3) Archie Mellott; 4) Mrs. Walter Bond 5) Leon; 6) Jimmie Downs; 7) Bessie; 8) Len Botts; 9) Mrs. Archie Mellott; 10) Dick Leavitt; 11) Walter Bond; 12) Glenn(?) Case; 13) Don Brimmer; 14) Mrs. Wm. Johnson; 15) Mrs. J. Debrink; 16) Mrs. Bill Hall; 17) Lauren Shaw; 18) Mrs. Eldon Leavitt; 19) Bill Johnson; 20) Mrs. Jimmie Adams; 21) Eldon Leavitt; 22) Self; 23) Gene Perry; 24) Mrs. Len Botts; 25) Harry Jameson; 26) Mrs. Nay; 27) Harold Case; 28) Mrs. Arnold Scott; 29) Mrs. L. Shaw; 30) Juluis Debrink (Shorty); 31) Arnold Scott; 32) Jimmie Adams; 33) Bill Hall."
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Oral history interview with Brendan Ly conducted by Cecilia Winchell and Stefani Evans on March 27, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Brendan discusses his background growing up in communist Vietnam in the early 1970s and fleeing with his family as refugees; they immigrated to Hong Kong, China before moving to the United States to live briefly in North Carolina before settling in California. Brendan talks about working at a young age picking fruit, working in catering, and having positions in retail before pursuing higher education and studying pharmaceuticals. He shares stories of his work experience with Walgreens and how this led to him opening a pharmacy with his brother, which they've managed together for the past 18 years.
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B-roll footage of the exterior of First Western Saving bank, an unidentified apartment complex under construction, The International Casino, unidentified hotel under construction with a crane, overviews possibly from the International Casino showing the Landmark Casino and other Strip properties including Circus Circus. Original media 16mm, color, aspect ratio 4 x 3, frame size 2048 x 1556. From The Production Company Audiovisual Collection (MS-00930) -- Digitized audiovisual material file.
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38 foot waterwheel on the Muddy River near Logandale, Nevada.
Transcribed Notes: Bureau of Reclamation typed notes appended to back of photo: Boulder Canyon Project, Nevada Region 3 A 38-foot water wheel lifts water 30 feet from the Muddy River to irrigate a farm near Glendale, Nevada.
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From Union Pacific Railroad Collection (MS-00397). The bottom corner says, "Heating Plans. Union Pacific System. L.A. & S.L.R.R. Co. Hotel & Passenger Station for Caliente, Nevada. John Parkinson & Donald B. Parkinson Architects. 420 Title Insurance Bldg., Los Angeles. Cal. Date 2-25-22. Job 162. Sheet 80."
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