From the Army Mapping Service Aerial Photographs of Southern and Western Nevada (PH-00285). Aerial photographs, composites, and indices. Geological Survey, Army Map Service.
The Charles Vanda Photograph Collection, approximately 1960 to 1988, contains black-and-white and color photographic prints with some corresponding negatives of Charles Vanda with colleagues and friends from the University of Nevada, Las Vegas (UNLV). The images depict Vanda at UNLV sporting events, graduation ceremonies, and other campus events. Also included are some images from fellow musicians, entertainers, and producers associated with Vanda.
The Felix Lenox Photograph Collection (approximately 1910-2000) contains original photographic slides, prints, and contact sheets collected by Lenox in support of his popular "Nevada Armored Transport Inc. (1946-1984)" Facebook page. The collection also includes Lenox's own research on Las Vegas history and armored trucks.
The Frank D. Rathbun Photograph Collection dates from approximately 1915 to 1968 and consists primarily of black-and-white photographic prints and some corresponding negatives taken by Frank D. Rathbun and Michael Moen, who resurveyed the various sites Rathbun visited. The majority of the images depict petroglyphs located throughout the desert southwest in Nevada, California, and Arizona, as well as documentary images of the construction of the Los Angeles Aqueduct and the Hoover Dam transmission lines. Additional material includes postcards from areas Rathbun visited in California, Arizona, and Nevada.
The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.
The Clarence Ray Photograph Collection (approximately 1930-1960) consists of black-and-white photographic prints and negatives of Clarence Ray, casino scenes of people playing table games, and images of Ray with black activists in Las Vegas, Nevada.