Search Results
Gene Hertzog Professional Papers
Identifier
MS-01015
Abstract
The Gene Hertzog Professional Papers (approximately 1930-2015) are comprised of photographs, slides, transparencies, publications, video cassettes, correspondence, and digital files spanning Gene Hertzog's working years with the United States Army, the Bureau of Reclamation, and as a freelance photographer and videographer based in Southern Nevada, New Mexico, and Washington state. The collection documents the complicated infrastructure required to supply water to the Las Vegas Valley and includes still and moving images of the Springs Preserve, Lake Mead National Recreation Area, the Colorado River, and the Columbia Basin. The majority of the collection comes from Hertzog's time as a regional photographer for the Bureau of Reclamation and offers a unique glimpse into the Bureau's work in Southern Nevada, the southwest, and the Pacific Northwest from the 1950s to the mid-1990s.
Archival Collection
Elizabeth von Till and Claude N. Warren Professional Papers
Identifier
MS-00906
Abstract
The Elizabeth von Till and Claude N. Warren Professional Papers (1916-2021) are comprised of the personal and professional papers of anthropologist Claude N. Warren and historical preservationist Elizabth von Till Warren. The materials in this collection primarily consist of research files, maps, and drawings on various archaeological and historical preservation projects in southern Nevada of which they both were involved. This collection includes field notes and surveys from archaeological projects such as the Old Las Vegas Mormon Fort and the Las Vegas Springs Preserve. Records on von Till Warren's involvement with the Old Spanish Trail Association, Southern Nevada Historical Society, and historic preservation work around southern Nevada are represented. Also included are Robert H. Crabtree's archaeological research files, a colleague of Claude Warren who bequeathed his professional files to him upon his death.
Archival Collection
Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scrapbook: "Through the years"
Date
2007
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014).
Mixed Content
Photographs of Slots a Fun signs, Las Vegas (Nev.), 2002
Date
2002
2017-09-01
Archival Collection
Description
Photos show Slots a Fun signs at night and during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2880 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Slots a' Fun is located on the south side of the Circus Circus parking lot, but it is on residence now. The small building stretches west with the mouth of the building being an open mouth facing the east. The external signage is located on the elongated north face of the building, and the gaping east entrance. The north side is comprised of gold painted, crafted raceways with various text signage. The entrance is adorned with various internally lit cabinets as well as a marquee adorned pediment, located within the front face of the entrances overhang. The entrance is considerably small, sandwiched between flamboyant properties such as the Westward Ho and the Circus Circus.
Sign condition: Structure 4 Surface 4 Lighting 4 The structural integrity is good as well the lighting. The surface is starting to show some signs of wear, but not very much at all.
Sign form: Fascia
Sign-specific description: The main entrance faces east and contains an interesting array of signage. The front is highlighted by two giant pillars. The are uniquely designed as inverted, tapered cones supporting the barrel vaulted cantilevered overhang. Near the top portion of the column a backlit message box cuts through the pole dividing it into two apparent sections. Bordered on all edges with gold polished raceways with incandescent bulbs, the box is animated in a chasing pattern. A top the poles on the north and south sides a polished aluminum, circular cabinet, has red, backlit plastic containing the words "Slots A' Fun" in white text. These cabinets are outlined in red neon. The edges of the apparent recess are lined with incandescent bulbs Each vault contains a long bank of large incandescent sphere's, arranged in single file. Along the front of the cantilevered overhang we have an entablature running the length of building. Gold raceways run horizontally along the top and the bottom with rows of triple incandescent bulbs. In the center of the pediment, white channel letters painted red on the inside, with incandescent bulbs filling the interior space of all of the characters. Each letter is also outlined in neon. The rest of the interior space of the facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Under that, a polished gold aluminum banner with various assorted neon letters and advertisements is displayed. Since the "Slots A' Fun" used to be part of the Circus Circus it is closely integrated into the environment and even with the signage. Upon the northeast corner of the building a sign for the Circus Circus is perched on the top of the roofline facing north/south. Facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Moving around to the north face of the building, an array of signage is present headed west along the wall. Along the stucco facade we have overhangs of different dimensions. On these three overhangs we have gold channels in the shape of a continuous curly cue or rope shape. These raceway channels are lined on the inside with incandescent bulbs. The first one, furthest east, is a good length, and smaller in height than the others. The pattern loops eight times along the front. One single loop of the rope shape is located on the return width of the overhang as well. No text is incorporated with this overhang. The second curling raceway is over a wider, shallower depth. The overhang, is much larger in size and supports cursive pan channel letters painted red and outlined with red neon. The letters spell "Casino" in a continuous script text. The third overhang is the largest of the trio, and serves as the main entrance for this face of the building. It is in direct proximity to the actual Circus Circus building and the blazing signage, and porte cochere. This overhang is lower to the ground than the other two but projects further out. Channel letters spell "Slots A' Fun" in the front face of the overhang located in the center. The channel letters are painted red and lined on the interiors with red neon as well. This text is block instead of script. Flanking either side of the text there is the curling channels. The face of the building rises upward from the ground and meets the bottom edge of the overhang, with a continuous radius vault. The surface of the wall is surfaced with a gold reflective material. Just below the text of the overhang is a red steel cabinet, that is internally lit. The red painted steel box has a red plastic with a red plastic face with white lettering. The block text reads "Entrance." The sides are sculpted with a radius space reduced out of the sides of the cabinet. The edges of the face are lined with incandescent bulbs. Below the cabinet a red, vinyl, awning extends out over the doors, and a pedestrian path. A small portion of the main structure still extends west with one more loop on the face of the building.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, oscillating
Notes: All of the raceways chase each other. This includes all of the different aspects which are lined with incandescent bulbs.
Sign environment: The Slots A Fun has the unique position of being in between the Westward Ho and the Circus Circus. It was at one time part of the Circus Circus, so it essentially blends in with its environment. The south side of the building literally resides touching the Westward Ho.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of Slots a Fun can be regarded as the heavy influence from its initial design based on the Circus Circus. In that respect it would be linked to a circus theme. The almost surrealistic swelling of the tile laden columns on the east face of the building as well as the curly cue raceways suggest a busy excitement usually associated with the extravaganza of the circus. To that end, the interaction with the Las Vegas environment would suggest the theme of a party. Such influence of the same element of theming can be seen in the umbrella shapes and chasing action of the neighboring Westward Ho. Several elements of the facade suggest different trends as well. The eastern overhang's vaulted dome is surfaced with the highly reflective polished gold aluminum. The entrance on the northern face incorporated with the surfacing with a golden reflective surface. The trend of using the reflective surface to further perpetuate the luminescence is used highly in the flanking properties. The use of the raceways is a unique function, not repeated on any other property.
Sign - artistic significance: Some unusual elements that have not been repeated can be found in this lesser-known example of sign art.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Masonry; Graphics; Paint
Site address: 2880 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Slots a' Fun is located on the south side of the Circus Circus parking lot, but it is on residence now. The small building stretches west with the mouth of the building being an open mouth facing the east. The external signage is located on the elongated north face of the building, and the gaping east entrance. The north side is comprised of gold painted, crafted raceways with various text signage. The entrance is adorned with various internally lit cabinets as well as a marquee adorned pediment, located within the front face of the entrances overhang. The entrance is considerably small, sandwiched between flamboyant properties such as the Westward Ho and the Circus Circus.
Sign condition: Structure 4 Surface 4 Lighting 4 The structural integrity is good as well the lighting. The surface is starting to show some signs of wear, but not very much at all.
Sign form: Fascia
Sign-specific description: The main entrance faces east and contains an interesting array of signage. The front is highlighted by two giant pillars. The are uniquely designed as inverted, tapered cones supporting the barrel vaulted cantilevered overhang. Near the top portion of the column a backlit message box cuts through the pole dividing it into two apparent sections. Bordered on all edges with gold polished raceways with incandescent bulbs, the box is animated in a chasing pattern. A top the poles on the north and south sides a polished aluminum, circular cabinet, has red, backlit plastic containing the words "Slots A' Fun" in white text. These cabinets are outlined in red neon. The edges of the apparent recess are lined with incandescent bulbs Each vault contains a long bank of large incandescent sphere's, arranged in single file. Along the front of the cantilevered overhang we have an entablature running the length of building. Gold raceways run horizontally along the top and the bottom with rows of triple incandescent bulbs. In the center of the pediment, white channel letters painted red on the inside, with incandescent bulbs filling the interior space of all of the characters. Each letter is also outlined in neon. The rest of the interior space of the facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Under that, a polished gold aluminum banner with various assorted neon letters and advertisements is displayed. Since the "Slots A' Fun" used to be part of the Circus Circus it is closely integrated into the environment and even with the signage. Upon the northeast corner of the building a sign for the Circus Circus is perched on the top of the roofline facing north/south. Facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Moving around to the north face of the building, an array of signage is present headed west along the wall. Along the stucco facade we have overhangs of different dimensions. On these three overhangs we have gold channels in the shape of a continuous curly cue or rope shape. These raceway channels are lined on the inside with incandescent bulbs. The first one, furthest east, is a good length, and smaller in height than the others. The pattern loops eight times along the front. One single loop of the rope shape is located on the return width of the overhang as well. No text is incorporated with this overhang. The second curling raceway is over a wider, shallower depth. The overhang, is much larger in size and supports cursive pan channel letters painted red and outlined with red neon. The letters spell "Casino" in a continuous script text. The third overhang is the largest of the trio, and serves as the main entrance for this face of the building. It is in direct proximity to the actual Circus Circus building and the blazing signage, and porte cochere. This overhang is lower to the ground than the other two but projects further out. Channel letters spell "Slots A' Fun" in the front face of the overhang located in the center. The channel letters are painted red and lined on the interiors with red neon as well. This text is block instead of script. Flanking either side of the text there is the curling channels. The face of the building rises upward from the ground and meets the bottom edge of the overhang, with a continuous radius vault. The surface of the wall is surfaced with a gold reflective material. Just below the text of the overhang is a red steel cabinet, that is internally lit. The red painted steel box has a red plastic with a red plastic face with white lettering. The block text reads "Entrance." The sides are sculpted with a radius space reduced out of the sides of the cabinet. The edges of the face are lined with incandescent bulbs. Below the cabinet a red, vinyl, awning extends out over the doors, and a pedestrian path. A small portion of the main structure still extends west with one more loop on the face of the building.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, oscillating
Notes: All of the raceways chase each other. This includes all of the different aspects which are lined with incandescent bulbs.
Sign environment: The Slots A Fun has the unique position of being in between the Westward Ho and the Circus Circus. It was at one time part of the Circus Circus, so it essentially blends in with its environment. The south side of the building literally resides touching the Westward Ho.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of Slots a Fun can be regarded as the heavy influence from its initial design based on the Circus Circus. In that respect it would be linked to a circus theme. The almost surrealistic swelling of the tile laden columns on the east face of the building as well as the curly cue raceways suggest a busy excitement usually associated with the extravaganza of the circus. To that end, the interaction with the Las Vegas environment would suggest the theme of a party. Such influence of the same element of theming can be seen in the umbrella shapes and chasing action of the neighboring Westward Ho. Several elements of the facade suggest different trends as well. The eastern overhang's vaulted dome is surfaced with the highly reflective polished gold aluminum. The entrance on the northern face incorporated with the surfacing with a golden reflective surface. The trend of using the reflective surface to further perpetuate the luminescence is used highly in the flanking properties. The use of the raceways is a unique function, not repeated on any other property.
Sign - artistic significance: Some unusual elements that have not been repeated can be found in this lesser-known example of sign art.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Masonry; Graphics; Paint
Mixed Content
Photographs of Rummel Motel sign, Las Vegas (Nev.), February 23, 2017
Date
2017-02-23
2017-09-18
Archival Collection
Description
The Rummel Motel sits north of The Strip at 1809 Las Vegas Boulevard South. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1809 S Las Vegas Blvd
Sign owner: Yeh Chia-Hong
Sign details: The motel was founded by Marvin Rummel in 1945 (VintageLasVegas, n.d.), although the Clark County Assessor lists the original construction year as 1951 (Assessor, n.d.). Undated vintage postcards, one describing the motel as "new" (Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard, n.d.) show that a two-story building was later added to the back of the motor court (VintageLasVegas). The addition may explain the discrepancy in construction dates. The Roles family purchased the property in 1958 (VintageLasVegas; Noted bowler, hotel owner dies, 2002). Ralph Roles also operated the Del Mar Motel (the Del Mar's sign, designed by Betty Willis, is now at the Neon Museum). A vintage postcard from 1958 shows that motel was endorsed by the Automobile Association of America and another automobile club (Garofalo, 2011). The motel was severely damaged by fire on April 30 2017 (VintageLasVegas; Hershkovitz, 2017) and is currently closed.
Sign condition: The condition is 2, fair. The lower portion of the cabinet is dented and access panels are damaged or missing. The upper portions of the cabinet display numerous metal patches. The plastic on the reader board has holes. The remaining neon tubing appears to be intact. All incandescent light bulbs are missing.
Sign form: Pylon sign
Sign-specific description: The sign is supported by a rectangular blue metal pylon. A blue metal-framed reader board and orange metal upper cabinet are cantilevered out from the pylon toward the street. In the center of the upper cabinet is an amoeba-shaped area which is painted black and outlined by white skeleton neon. Inside the black amoeba are individual cursive letters which spell out "Rummel Motel" in white paint traced by white skeleton neon. Atop the upper cabinet is a smaller orange metal cabinet which is wing-shaped. Above the wing is a blue metal circle. Inside the channel of the circle are six concentric circles of empty light sockets. On the outside of the circle is a semi-circular metal frame which holds five white skeleton neon five-pointed stars.
Sign - type of display: Neon, incandescent and reader board
Sign - media: Steel and plastic
Sign - non-neon treatments: Incandescent light bulbs and a reader board
Sign environment: This is located on Las Vegas Boulevard South just north of the Las Vegas Strip
Sign - date of installation: The current sign dates back to at least 1958, but probably is not the original motel sign. A vintage postcard shows that before the two-story addition, the motel had a simple double pole sign with the name "Rummel Motel" enclosed by an open oval (Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard, n.d.). The colors, lettering style and oval shape of the former sign appear to have inspired the design of the sign seen in a postcard from 1958 (Garofalo, 2011). The latter sign, with heavy modification, is the sign seen on the property today. The sign as currently configured is recognizable in a postcard from the late 1950's or early 1960's (Las Vegas motels then and now, n.d.).
Sign - date of redesign/move: The circa 1958 sign (Garofalo, 2011) was supported by double poles. The pole on the street side of the sign can still be seen on the upper cabinet, but it no longer reaches to the ground. The pole on the motel side of the sign ran from the ground toward the center of the sign, and then doglegged inward toward the motel to support the sign from the side. That pole appears to be the same one now enclosed by the pylon. The shadow of the pole can be seen inside the current reader board, which was a later addition attached below the circa 1958 sign. Automobile club shields at the bottom of the circa 1958 sign have been removed. A black metal directional arrow pointing toward the motel from the street side of the sign has also been removed. A circular white or light yellow metal cabinet with concentric rows of incandescent lightbulbs in the interior and a semi-circle of neon stars on the exterior has been moved from the top of the former directional arrow to the top of the wing-shaped cabinet. The circa 1958 wing-shaped cabinet was flush with the street side of the sign and contained skeleton neon which advertised, "HEATED POOL". The current wing-shaped cabinet contains no neon and has been pushed to the center of the sign. The lower cabinet of the circa 1958 sign was painted orange and black, which is now all orange. The amoeba shape was painted blue and is now black. Below the amoeba were skeleton neon letters which spelled out, "NO VACANCY" and "24 HOUR ROOM SERVICE". The neon is now gone. A small black metal cabinet attached at the bottom of the sign contained what appear to be either painted or skeleton neon letters which state, "COOLED BY REFRIGERATION". That portion of the sign is now gone.
Sign - thematic influences: This sign showcases 1950's and 1960's Googie trends. This also conveys earlier motor court designs in the building and the sign.
Survey - research locations: Clark County Assessor, Parcel No. 162-03-310-007, Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Garofalo, M. (2011 November 2). Still standing-Rummel Motel. Retrieved from https://www.flickr.com/photos/vintageroadtrip/6304823598/ Hershkovitz, R. (2017 April 30). Fire damages vacant downtown Las Vegas motel. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/local/local-las-vegas/downtown/fire-damages-vacant-downtown-las-vegas-motel/ Las Vegas motels-Then and now. (n.d.). Rummel Motel. Retrieved from http://stefanidrivesvegas.com/8.html Noted bowler, motel owner Roles dies. (2002 July 30). Las Vegas Sun. Retrieved from https://lasvegassun.com/news/2002/jul/30/noted-bowler-motel-owner-roles-dies/ RoadsideArchitecture. (n.d.) The Rummel Motel. Retrieved from http://www.roadarch.com/signs/nvvegas3.html Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard. (n.d.). Retrieved from https://www.amazon.com/Rummel-Motel-1809-So-U-S/dp/B00P9LEQCS VintageLasVegas. (n.d.). Rummel Motel. Retrieved from http://vintagelasvegas.com/post/160953547509/rummel-motel-1809-s-las-vegas-blvd-built-by
Surveyor: Mitchell Cohen
Survey - date completed: 2017-09-18
Sign keywords: Pylon; Neon; Incandescent; Reader board; Plastic; Steel
Site address: 1809 S Las Vegas Blvd
Sign owner: Yeh Chia-Hong
Sign details: The motel was founded by Marvin Rummel in 1945 (VintageLasVegas, n.d.), although the Clark County Assessor lists the original construction year as 1951 (Assessor, n.d.). Undated vintage postcards, one describing the motel as "new" (Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard, n.d.) show that a two-story building was later added to the back of the motor court (VintageLasVegas). The addition may explain the discrepancy in construction dates. The Roles family purchased the property in 1958 (VintageLasVegas; Noted bowler, hotel owner dies, 2002). Ralph Roles also operated the Del Mar Motel (the Del Mar's sign, designed by Betty Willis, is now at the Neon Museum). A vintage postcard from 1958 shows that motel was endorsed by the Automobile Association of America and another automobile club (Garofalo, 2011). The motel was severely damaged by fire on April 30 2017 (VintageLasVegas; Hershkovitz, 2017) and is currently closed.
Sign condition: The condition is 2, fair. The lower portion of the cabinet is dented and access panels are damaged or missing. The upper portions of the cabinet display numerous metal patches. The plastic on the reader board has holes. The remaining neon tubing appears to be intact. All incandescent light bulbs are missing.
Sign form: Pylon sign
Sign-specific description: The sign is supported by a rectangular blue metal pylon. A blue metal-framed reader board and orange metal upper cabinet are cantilevered out from the pylon toward the street. In the center of the upper cabinet is an amoeba-shaped area which is painted black and outlined by white skeleton neon. Inside the black amoeba are individual cursive letters which spell out "Rummel Motel" in white paint traced by white skeleton neon. Atop the upper cabinet is a smaller orange metal cabinet which is wing-shaped. Above the wing is a blue metal circle. Inside the channel of the circle are six concentric circles of empty light sockets. On the outside of the circle is a semi-circular metal frame which holds five white skeleton neon five-pointed stars.
Sign - type of display: Neon, incandescent and reader board
Sign - media: Steel and plastic
Sign - non-neon treatments: Incandescent light bulbs and a reader board
Sign environment: This is located on Las Vegas Boulevard South just north of the Las Vegas Strip
Sign - date of installation: The current sign dates back to at least 1958, but probably is not the original motel sign. A vintage postcard shows that before the two-story addition, the motel had a simple double pole sign with the name "Rummel Motel" enclosed by an open oval (Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard, n.d.). The colors, lettering style and oval shape of the former sign appear to have inspired the design of the sign seen in a postcard from 1958 (Garofalo, 2011). The latter sign, with heavy modification, is the sign seen on the property today. The sign as currently configured is recognizable in a postcard from the late 1950's or early 1960's (Las Vegas motels then and now, n.d.).
Sign - date of redesign/move: The circa 1958 sign (Garofalo, 2011) was supported by double poles. The pole on the street side of the sign can still be seen on the upper cabinet, but it no longer reaches to the ground. The pole on the motel side of the sign ran from the ground toward the center of the sign, and then doglegged inward toward the motel to support the sign from the side. That pole appears to be the same one now enclosed by the pylon. The shadow of the pole can be seen inside the current reader board, which was a later addition attached below the circa 1958 sign. Automobile club shields at the bottom of the circa 1958 sign have been removed. A black metal directional arrow pointing toward the motel from the street side of the sign has also been removed. A circular white or light yellow metal cabinet with concentric rows of incandescent lightbulbs in the interior and a semi-circle of neon stars on the exterior has been moved from the top of the former directional arrow to the top of the wing-shaped cabinet. The circa 1958 wing-shaped cabinet was flush with the street side of the sign and contained skeleton neon which advertised, "HEATED POOL". The current wing-shaped cabinet contains no neon and has been pushed to the center of the sign. The lower cabinet of the circa 1958 sign was painted orange and black, which is now all orange. The amoeba shape was painted blue and is now black. Below the amoeba were skeleton neon letters which spelled out, "NO VACANCY" and "24 HOUR ROOM SERVICE". The neon is now gone. A small black metal cabinet attached at the bottom of the sign contained what appear to be either painted or skeleton neon letters which state, "COOLED BY REFRIGERATION". That portion of the sign is now gone.
Sign - thematic influences: This sign showcases 1950's and 1960's Googie trends. This also conveys earlier motor court designs in the building and the sign.
Survey - research locations: Clark County Assessor, Parcel No. 162-03-310-007, Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Garofalo, M. (2011 November 2). Still standing-Rummel Motel. Retrieved from https://www.flickr.com/photos/vintageroadtrip/6304823598/ Hershkovitz, R. (2017 April 30). Fire damages vacant downtown Las Vegas motel. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/local/local-las-vegas/downtown/fire-damages-vacant-downtown-las-vegas-motel/ Las Vegas motels-Then and now. (n.d.). Rummel Motel. Retrieved from http://stefanidrivesvegas.com/8.html Noted bowler, motel owner Roles dies. (2002 July 30). Las Vegas Sun. Retrieved from https://lasvegassun.com/news/2002/jul/30/noted-bowler-motel-owner-roles-dies/ RoadsideArchitecture. (n.d.) The Rummel Motel. Retrieved from http://www.roadarch.com/signs/nvvegas3.html Rummel Motel, 1809 So. 5th St. U.S. 91 - L.A. Highway Las Vegas, Nevada original vintage postcard. (n.d.). Retrieved from https://www.amazon.com/Rummel-Motel-1809-So-U-S/dp/B00P9LEQCS VintageLasVegas. (n.d.). Rummel Motel. Retrieved from http://vintagelasvegas.com/post/160953547509/rummel-motel-1809-s-las-vegas-blvd-built-by
Surveyor: Mitchell Cohen
Survey - date completed: 2017-09-18
Sign keywords: Pylon; Neon; Incandescent; Reader board; Plastic; Steel
Mixed Content
Photographs of Fergusons Motel sign at sundown, Las Vegas (Nev.), June 28, 2017
Date
2017-06-28
2017-08-16
Archival Collection
Description
The Fergusons Motel sign, restored by Downtown Project, sits at 1028 Fremont Street. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site address: 1028 Fremont St
Sign owner: 1028 Fremont LLC (Assessor) /Downtown Las Vegas Project (Bruzda, 2016; Millward, 2017; Schoenmann, 2013; Snel 2014)
Sign details: The building was constructed in 1946 (Assessor). The business opened originally as the Franklin Motel (RoadsideArchitecure.com). The motel may have been renamed Ferguson's in 1962 (Las Vegas motels-Then and Now). The current sign probably dates from the late 1950's or 1960's and is not from the Franklin (RoadsideArchitecture.com). Downtown Project partners purchased Fergusons Motel in December 2012 and the property was closed as of 2013 (Schoennmann, 2013). The Downtown Project planned to convert the motel's 69 rooms into retail shops, offices, taverns and a restaurant (Schoenmann). As of May 2017, no construction had been completed and The Downtown Project had altered its plans to instead use the site for residences, restaurants and art space (Millward, 2017).
Sign condition: Condition is 5. The sign has been reconditioned to look like new.
Sign form: Pole
Sign-specific description: The sign is mounted on a rectangular metal pole which is painted yellow. Attached to the street side of the pole are several metal cabinets joined to form an "L" shape which points toward the motel. The bottom cabinet contains the word "KITCHENS", which runs horizontally in white painted sans serif letters and white sans serif skeleton neon letters. Below "KITCHENS" is a white plastic light box. Below the lightbox are two rows of intertwining clear light bulbs. The bottom of the metal cabinet is shaped like two undulating waves. Over the top of "KITCHENS" is a small cabinet which spells out "VACANCY" in white san serif letters which are covered by clear skeleton neon sans serif letters spelling out, "Sorry NO VACANCY". The word "MOTEL" runs vertically down the sign in white painted and white neon letters, all san serif. Neon tubes outline the letters while another tube runs down the center. Running down the street side of the sign are three intertwining rows of clear light bulbs. The top of the cabinet is painted green in the shape of a chevron or boomerang. The bottom sides of the boomerang intersect at a perpendicular angle and the top is curved. The tip of the boomerang juts out from the sign toward the hotel. The interior of the boomerang is traced by three rows of skeleton neon. On top of the boomerang is a yellow circle outlined in light blue. The blue outline contains 16 clear light bulbs. The yellow interior of the circle has 16 spiral rows of clear light bulbs running from the exterior to the interior of the circle. The yellow pole which supports the sign runs through a lozenge shaped blue metal cabinet. The cabinet states, "FERGUSONS" in Googie style white letters and skeleton neon and "DOWNTOWN" is sans serif white letters and skeleton neon. Above the cabinet, attached to a pole, is a white statue of a climbing figure which is similar to other figures on Fremont Street and was likely added to the sign by the Downtown Project.
Sign - type of display: Neon and incandescent
Sign - media: Steel and plastic. Possibly fiberglass for the climbing figure.
Sign - non-neon treatments: Incandescent light bulbs, light box
Sign environment: In the East Fremont district this motel is surrounded by other motels many of which are also currently closed.
Sign - date of installation: Circa late 1950's/ 1960's
Sign - date of redesign/move: The sign is probably from the late 1950's or 1960's (RoadsideArchitecture.com). A postcard from the 1960's shows the background of the "MOTEL" portion of the sign painted black (Garofalo, 2011). Below "FERGUSONS" hung two smaller signs: the top sign displayed the AAA symbol and the words, "Phone", "Pool" and "T-V" (Garofalo, 2011). The lower sign displayed three badges (auto clubs?).
Sign - artistic significance: The sign design style is Googie.
Survey - research locations: Bruzda, N. (2016 May 2). Construction planned for Fergusons Motel in downtown Las Vegas still yet to be seen. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/construction-planned-for-fergusons-motel-in-downtown-las-vegas-still-yet-to-be-seen/ Clark County Assessor. Parcel No. 139-35-201-006. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Garofalo, M. (2011 November 1). Still standing-Fergusons[sic] Motel [Photograph]. Retrieved from https://www.flickr.com/photos/vintageroadtrip/6305057708/in/photolist-aBa4Zw-qeNAZa-fxWx3V-54q1dr-7qs1A1-81uYMJ-9i1MAF-pUfCjM-m57jkW-8BzGrN-nM1Nyq-zCCx9s-EJBciL-BkTrgS-zpiF94-aW6aKv-2ZFRQ4-opLfq5-riESKk-n8Wdz-qmMWgN-riESNg-FW15N3-dvx2N-7As5GF-aC7z44-omUMSx-qmMWKy-5XLHvx-evbtLo-onbi7i-635ftN-UhMyz7-8sfVoW-BVWgRY-m8qWB8-ev8mFD-6sadvS-8FdMPf-pBdbtQ-etP68R-pfCeRE-54HNiA-9uFAxg-3b4UbW-FWTWBt-pjCShX-8Bv6mp-aUDgVc-qUKBLu Las Vegas motels-Then and now. (n.d.) Retrieved from http://stefanidrivesvegas.com/2.html Millward, W. T. (2017 May 8). Plans to turn Fergusons Motel into mixed-use campus advance. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/local/local-las-vegas/downtown/plans-to-turn-fergusons-motel-into-mixed-use-campus-advance/ RoadsideArchitecture.com. Fergusons Motel. Retrieved from http://www.roadarch.com/signs/nvvegas2.html Schoenmann, J. (2013 July 3). Joe Downtown: Ferguson Motel being converted into taverns, retail spaces. Las Vegas Sun. Retrieved from https://lasvegassun.com/news/2013/jul/03/joe-downtown-ferguson-motel-being-converted-tavern/ Snel, A. (2014 August 5). New plans proposed for rundown Fremont Street motel. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/new-plans-proposed-for-rundown-fremont-street-motel/
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-16
Sign keywords: Steel; Plastic; Fiberglass; Incandescent; Pole sign; Neon
Site address: 1028 Fremont St
Sign owner: 1028 Fremont LLC (Assessor) /Downtown Las Vegas Project (Bruzda, 2016; Millward, 2017; Schoenmann, 2013; Snel 2014)
Sign details: The building was constructed in 1946 (Assessor). The business opened originally as the Franklin Motel (RoadsideArchitecure.com). The motel may have been renamed Ferguson's in 1962 (Las Vegas motels-Then and Now). The current sign probably dates from the late 1950's or 1960's and is not from the Franklin (RoadsideArchitecture.com). Downtown Project partners purchased Fergusons Motel in December 2012 and the property was closed as of 2013 (Schoennmann, 2013). The Downtown Project planned to convert the motel's 69 rooms into retail shops, offices, taverns and a restaurant (Schoenmann). As of May 2017, no construction had been completed and The Downtown Project had altered its plans to instead use the site for residences, restaurants and art space (Millward, 2017).
Sign condition: Condition is 5. The sign has been reconditioned to look like new.
Sign form: Pole
Sign-specific description: The sign is mounted on a rectangular metal pole which is painted yellow. Attached to the street side of the pole are several metal cabinets joined to form an "L" shape which points toward the motel. The bottom cabinet contains the word "KITCHENS", which runs horizontally in white painted sans serif letters and white sans serif skeleton neon letters. Below "KITCHENS" is a white plastic light box. Below the lightbox are two rows of intertwining clear light bulbs. The bottom of the metal cabinet is shaped like two undulating waves. Over the top of "KITCHENS" is a small cabinet which spells out "VACANCY" in white san serif letters which are covered by clear skeleton neon sans serif letters spelling out, "Sorry NO VACANCY". The word "MOTEL" runs vertically down the sign in white painted and white neon letters, all san serif. Neon tubes outline the letters while another tube runs down the center. Running down the street side of the sign are three intertwining rows of clear light bulbs. The top of the cabinet is painted green in the shape of a chevron or boomerang. The bottom sides of the boomerang intersect at a perpendicular angle and the top is curved. The tip of the boomerang juts out from the sign toward the hotel. The interior of the boomerang is traced by three rows of skeleton neon. On top of the boomerang is a yellow circle outlined in light blue. The blue outline contains 16 clear light bulbs. The yellow interior of the circle has 16 spiral rows of clear light bulbs running from the exterior to the interior of the circle. The yellow pole which supports the sign runs through a lozenge shaped blue metal cabinet. The cabinet states, "FERGUSONS" in Googie style white letters and skeleton neon and "DOWNTOWN" is sans serif white letters and skeleton neon. Above the cabinet, attached to a pole, is a white statue of a climbing figure which is similar to other figures on Fremont Street and was likely added to the sign by the Downtown Project.
Sign - type of display: Neon and incandescent
Sign - media: Steel and plastic. Possibly fiberglass for the climbing figure.
Sign - non-neon treatments: Incandescent light bulbs, light box
Sign environment: In the East Fremont district this motel is surrounded by other motels many of which are also currently closed.
Sign - date of installation: Circa late 1950's/ 1960's
Sign - date of redesign/move: The sign is probably from the late 1950's or 1960's (RoadsideArchitecture.com). A postcard from the 1960's shows the background of the "MOTEL" portion of the sign painted black (Garofalo, 2011). Below "FERGUSONS" hung two smaller signs: the top sign displayed the AAA symbol and the words, "Phone", "Pool" and "T-V" (Garofalo, 2011). The lower sign displayed three badges (auto clubs?).
Sign - artistic significance: The sign design style is Googie.
Survey - research locations: Bruzda, N. (2016 May 2). Construction planned for Fergusons Motel in downtown Las Vegas still yet to be seen. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/construction-planned-for-fergusons-motel-in-downtown-las-vegas-still-yet-to-be-seen/ Clark County Assessor. Parcel No. 139-35-201-006. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Garofalo, M. (2011 November 1). Still standing-Fergusons[sic] Motel [Photograph]. Retrieved from https://www.flickr.com/photos/vintageroadtrip/6305057708/in/photolist-aBa4Zw-qeNAZa-fxWx3V-54q1dr-7qs1A1-81uYMJ-9i1MAF-pUfCjM-m57jkW-8BzGrN-nM1Nyq-zCCx9s-EJBciL-BkTrgS-zpiF94-aW6aKv-2ZFRQ4-opLfq5-riESKk-n8Wdz-qmMWgN-riESNg-FW15N3-dvx2N-7As5GF-aC7z44-omUMSx-qmMWKy-5XLHvx-evbtLo-onbi7i-635ftN-UhMyz7-8sfVoW-BVWgRY-m8qWB8-ev8mFD-6sadvS-8FdMPf-pBdbtQ-etP68R-pfCeRE-54HNiA-9uFAxg-3b4UbW-FWTWBt-pjCShX-8Bv6mp-aUDgVc-qUKBLu Las Vegas motels-Then and now. (n.d.) Retrieved from http://stefanidrivesvegas.com/2.html Millward, W. T. (2017 May 8). Plans to turn Fergusons Motel into mixed-use campus advance. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/local/local-las-vegas/downtown/plans-to-turn-fergusons-motel-into-mixed-use-campus-advance/ RoadsideArchitecture.com. Fergusons Motel. Retrieved from http://www.roadarch.com/signs/nvvegas2.html Schoenmann, J. (2013 July 3). Joe Downtown: Ferguson Motel being converted into taverns, retail spaces. Las Vegas Sun. Retrieved from https://lasvegassun.com/news/2013/jul/03/joe-downtown-ferguson-motel-being-converted-tavern/ Snel, A. (2014 August 5). New plans proposed for rundown Fremont Street motel. Las Vegas Review Journal. Retrieved from https://www.reviewjournal.com/business/new-plans-proposed-for-rundown-fremont-street-motel/
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-16
Sign keywords: Steel; Plastic; Fiberglass; Incandescent; Pole sign; Neon
Mixed Content
"Hollywood, Westerns and the Mexican Female": manuscript draft by Roosevelt Fitzgerald
Date
1989-02-28
Archival Collection
Description
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file.
Text
Mei Yang oral history interview: transcript
Date
2021-11-10
Archival Collection
Description
Oral history interview with Mei Yang conducted by Jourdin Wilson on November 10, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. University of Nevada, Las Vegas (UNLV) professor and graduate coordinator Mei Yang talks about her family and childhood in Shanxi Province, southwestern China. She shares her educational background pursuing her bachelor's and master's degrees in China before immigrating to the United States to earn her PhD in Computer Science from the University of Texas, Dallas. Mei Yang talks about her move to Las Vegas, Nevada, her work and professorship at UNLV, and her thoughts on pursuing a STEM (science technology engineering math) career as a woman. She shares how she raises her daughters in the United States away from her husband overseas, the Chinese community within Las Vegas, and traditions she celebrates.
Text
Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter scrapbook
Date
2008 to 2009
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014).
Mixed Content
Photographs of Greek Isles signs, Las Vegas (Nev.), 2002
Date
2002
Archival Collection
Description
Daytime and nighttime views of the Greek Isles Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint
Mixed Content