An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of one of the hundred studio guest rooms at the Aqueduct at the Sands Hotel and Casino. The exterior was designed by Julius Gabrielle, and the interior was designed by Albert Parvin & Company. Like all Sands rooms, this one had wall-to-wall, floor-to-ceiling drapes. A boucle-weave casement cloth under curtain eliminated the use of blinds. Outside draperies supplied most of the color accents in the room. Wall coverings in this room were of imported Japanese grass cloth. The table had a drop leaf which extended the surface to 72" x 30". All rooms featured antique-framed mirrors hung off center above 66-inch Mr. and Mrs. Chests. All guest room furniture was made in Barker Brother's factory.
An image of Scotty's Castle in the desert terrain of Death Valley. Located within the far northern region of Death Valley in Grapevine Canyon, the Death Valley Ranch, more commonly known as Scotty's Castle, is a prime example of Spanish-Mediterranean styling during the Roaring 1920s and Depression of the 1930s. Scotty's Castle was constructed by Albert Johnson with the help of Death Valley Scotty during the Great Depression, but because the men began to build onto federal land, construction was forced to a halt. To this day, Scotty's Castle remains incomplete. Transcribed across the bottom of the image: "Scotty's Castle on the Death Valley Ranch; Death Valley National Monument, Calif."
An image composed of Scotty's Castle, Death Valley Scotty, and a stone covered in petroglyphs. Located within the far northern region of Death Valley in Grapevine Canyon, the Death Valley Ranch, more commonly known as Scotty's Castle, is a prime example of Spanish-Mediterranean styling during the Roaring 1920s and Depression of the 1930s. Death Valley Scotty was a prospector, performer, and con man who was made famous by his scams involving gold mining near Death Valley. The petroglyph-covered rock beside Death Valley Scotty was designed by Native Americans who inhabited the valley hundreds of years ago. Transcribed across the bottom of the image: "The world's most hospitable host, Death Valley Scotty," Scotty's Castle, Death Valley, Calif."
Black and white photograph of the March 1960 meeting at the Moulin Rouge Hotel Coffee Shop to end segregation on the Las Vegas Strip. City officials and NAACP members met to eliminate segregation in public accommodations and jobs and discuss calling off demonstrations on the Strip in the City of Las Vegas and Clark County, Nevada. From left to right: Woodrow Wilson (NAACP), Lubertha M. Warden Johnson, Bob Bailey (NAACP), Clesse Turner (County Commissioner), Butch W. E. Leypoldt (Sheriff), Hank Greenspun (Las Vegas Sun), Dr. James B. McMillan (President of the NAACP), Oran Gragson (Mayor), Dr. Charles I. West, Ray K. Sheffer (Chief of Police), Art Olsen (County Commissioner), possibly David Hoggard, and Donald Clark (NAACP).
Transcribed from attachment on the back of the photo: "Sands Hotel before 1962 left to right Dr. James B. McMillan, Dr. Charles I. West, Sammy Davis, Jr., Mons. James B. Empey, Pastor of St. Joan of Arc Catholic Church. Presenting an "Award of Merit and honorary fellowship" to Sammy Davis, Jr. and Will Maston trio from the George Washington Carver Memorial Institute of Washington, D. D. for outstanding contributions to the arts, humanities, and better race relations."
Sands Hotel and Casino: 3355 Las Vegas Boulevard South