Transcribed from attached press release: "HUGHES ROCK BIT PRODUCTION more than 500,000 rock bits produced last year by the Hughes Tool Company, Houston, Texas, for drilling the kind of deep wells which now produce 90 per cent of the world's petroleum. The rock bit was invented by Howard Hughes' father and the resulting business became the cornerstone on which Howard Hughes built his industrial empire. The machinist above is performing an operation on the cones which make up the rotating end of the Hughes rock bit." Transcribed from photo sleeve: "The Kearney and Trecker 4 spindle machine at the Hughes Tool Company in Houston, Texas. Ca. 1950s."

Howard Hughes on a motion picture set supervising the 'dressing' of a set for use in his production of "The Outlaw." Transcribed from attached press release: "From Russell Birdwell and Associates After an absence of ten years from motion picture production, Howard Hughes resumes film making with the producing and directing of "The Outlaw," the story of Billy the Kid, for Twentieth Century-Fox release. In 1931 he produced and directed "Hell's Angels," from which emerged a glorious new star, Jean Harlow, and in the same year he brought to stardom Paul Muni in "Scarface." And now Hughes, who in 1931 promised two new stars in Harlow and Muni, makes the same promise again with 19-+year old Jane Russell and 21-year old Jack Buetel, playing the top leads in "The Outlaw," the cast of which also includes Thomas Mitchell and Walter Huston. In this picture Hughes is discussing a story point with Jules Furthman, author of the story and screen play on "The Outlaw."

A replica of the "Welcome to Fabulous Las Vegas" sign sits at a median near Boulder Highway at dusk. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: Boulder Hwy
Sign owner: Commissioned by the Boulder Hwy casinos
Sign details: This sign is to pay homage to the original 1959 Welcome to Fabulous Las Vegas sign, but to honor the "Boulder Strip". There are many casinos within this area of Boulder Hwy similar to our famous Las Vegas Blvd. sign.
Sign condition: 5- Very good condition and still works very good
Sign form: Pylon
Sign-specific description: This sign is a replica of the current Welcome to Fabulous Las Vegas sign with identical design and materials used, but is just smaller than the real one
Sign - type of display: Neon, plastic back lit portion and incandescent light bulbs
Sign - media: Steel and plastic
Sign - non-neon treatments: Incandescent light bulbs and plastic back lit portion
Sign animation: Chasing
Notes: incandescent light bulbs on the exterior of the sign.
Sign environment: In the middle of the median on Boulder Hwy. In the middle of the road in front of the East side Cannery and close to the Longhorn casino as well.
Sign designer: Betty Willis
Sign - date of installation: 2007
Sign - thematic influences: Identical in design of the Welcome to Fabulous Las Vegas sign but a bit smaller.
Sign - artistic significance: Googie style is portrayed in the design of this sign.
Survey - research locations: Google maps roadside view, Sign website discussing welc. To fab L.V. sign in general and year of replica installation https://www.signs.com/blog/15-surprising-facts-about-the-las-vegas-sign/ , Las Vegas Sun article https://lasvegassun.com/news/2008/nov/25/ask-mr-sun/
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-28
Sign keywords: Pylon; Neon; Plastic; Backlit; Incandescent; Chasing; Steel

The permanently closed Labayou Casino sits at 15 Fremont Street at the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survery Data Sheet.
Site address: 15 Fremont St
Sign owner: Derek Stevens
Sign details: Opened 1920 as Northern Club By Mayme Stocker. 1943-1960 operated as a few different businesses. 1970 opened as The Coin Castle, 1999 was renovated and opened as La Bayou, 2016 bought by Derek Stevens and torn down.
Sign condition: No longer there
Sign form: Architectural sign
Sign-specific description: Three neon signs site on top of a shack made of wood and sheet metal that is meant to represent something that might be seen in Louisiana. Two windows with green shutters are "open" with T.V. screens inside. Two neon signs sit at the top of the shack that spell out La Bayou in red neon and the cabinet is trimmed with purple neon. At the front of the property, above the entry, is a red neon sign that says "26 New Orleans Daiquiris."
Sign - type of display: Neon and incandescent
Sign - media: Steel, fiberglass
Sign environment: Part of the Fremont Street Experience, next to Golden Gate Casino
Sign - date of installation: c. 1999
Sign - thematic influences: The property has a theme element, which was popular of casinos of Las Vegas in the 1990s.
Sign - artistic significance: Property was decorated with a Louisiana inspired bayou, swamp motif.
Survey - research locations: Newspapers
Survey - research notes: https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/ https://lasvegassun.com/news/2016/jun/25/patrons-say-farewell-to-mermaids-and-la-bayou-in-d/ http://classiclasvegas.squarespace.com/downtown-history/?currentPage=3
Survey - other remarks: Property was razed 2016
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-09-08
Sign keywords: Architectural; Neon; Incandescent; Steel; Fiberglass

Costume Details: Two couples in rust and peach-colored flamenco costumes. Women are in beaded long silk dresses, men in boleros trimmed with jewels, frilled shirts and high-waisted trousers; one woman has fox fur trim on her dress and is wearing a tiara-type headpiece, all the others are wearing felt hats. Notations on back of sketch: "Danseurs Espagnols. Opening: Femme - Robe en faille recouverte en strass, chapeau et boucles d'orielles. Homme - Pantalon et gilets alpaga marron, chemise avec jabot dentelle. Reuers veste et garniture en strass - chapeau feutre. Finale: Robe en satin brodee de strass - Renard beige - boucles - peignes - bracelets - et boules pendantes en strass. Boy: Pantalon en alpaga - gilet satin - garnitures en strass - chapeau beige feutre."
Show Name: Casino de Paris
Performance Name: Finale
Site Name: Dunes (hotel and casino)

Costume Details: Showgirl in sleeveless vest in spotted-pony print with fringe across chest, red tights with spotted-pony print pockets, pony print cuffs, red cowboy boots with spurs, holster with gun around hips, white hat, red bag marked "Pony Express"; topless showgirl in spotted-pony print tights with red jewelled belt, red harness, red side-blinders, matching headpiece, feathered black "tail", headpiece with black feather "mane"; male cowboy costume of black trousers, white boots, red shirt with white bandana tied around the neck, spotted-pony print sleeveless vest, holster and gun around the hips; male Civil War era costume with kepi-style cap, trousers with side fringe, fringed long sleeved jacket tied at the waist with fringed sash.
Show Name: Pony Express
Site Name: Sahara Hotel and Casino

Howard Hughes (second from left) standing in front of the experimental helicopter XH-17, Flying Crane in October 1952. From left to right: Rea Hopper, Director of the Aeronautical Division, Hughes Aircraft Company; Howard Hughes; Clyde Jones, Director of Engineering, Hughes Tool Company Aeronautical Division; Warren Reed, Assistant; Colonel Carl E. Jackson, Air Research and Development Headquarters, Baltimore; Gale J. Moore, Pilot; and Chal Bowen, Flight Engineer/Co-pilot.