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Transcript from interview with Rabbi Yocheved Mintz by Barbara Tabach, March 11, 2015

Date

2015-03-11

Description

During this oral history, Rabbi Yocheved Mintz weaves the journey of her life before and during her move to Las Vegas. She recalls thinking the "whole world was Jewish" growing up in Cleveland, Ohio, and discusses finding a community in Las Vegas, and becoming a rabbi in 2004.

Yocheved (nee Porath) Mintz is a native of Cleveland, Ohio, where she grew up surrounded by Jewish tradition and teachings. Her grandfather was Rabbi Israel Porath and inspiration to become the family?s first female rabbi. She was ordained in May 2004. The next year she became the second spiritual leader of Valley Outreach Synagogue, now known as P?nai Tikvah. She soon was known as a tireless and inspirational rabbi for the entire Jewish community of Las Vegas. After eleven years, on June 17-18, 2016, Rabbi Mintz?s life and dedication to being Jewish were celebrated. She transitioned to be Rabbi Emerita/Senior Educator. Before moving from Chicago to Las Vegas in 1999 she was abundantly busy with raising four sons she had with her husband the late Dr. Alan Mintz (1938-2007). However, she also managed to pursue her education, become an interior designer, and co-found with her friend Etty Dolgin, a Jewish education consulting firm called Kesher Team. Yet there was a lingering goal to become a rabbi. Throughout her life, Yocheved eagerly studied various approaches to living a Jewish life. So once she had settled into Las Vegas, she began her commute to Los Angeles to study at the Academy for Jewish Religion, a trans-denominational seminary. She interned at Temple Beth Sholom and has been involved in Jewish education locally and nationally. She has served as the first president of the Las Vegas Board of Rabbis and on the Interfaith Council of Southern Nevada.

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Interview with Lafayette "Lafe" H. Dana, June 20, 2005

Date

2005-06-20

Description

Narrator affiliation: Livestock Research Assistant, EPA Farm

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Photographs of MGM Grand signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-30

Description

Photos show MGM Grand signs at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass

Mixed Content

Rocio Rodríguez-Martinez oral history interview: transcript

Date

2019-06-21

Description

Oral history interview with Rocio Rodríguez-Martinez conducted by Elsa Lopez and Monserrath Hernández on June 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Rocio shares her personal history growing up in Bogotá, Colombia and how she immigrated to the United States. She talks about motherhood, her Latina identity, and her experiences raising her daughter in Los Angeles and Las Vegas with her husband. Rocio also discusses her employment history and how she was able to achieve her professional goals of becoming a Spanish and English teacher for the Clark County School District (CCSD)'s Family and Community Engagement Services (FACES) program. Her interview is conducted in Spanish. Subjects discussed include: Bogotá, Colombia; El Salvador; Family and Community Engagement Services (FACES).

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Eileen Brookman Photographs

Identifier

PH-00303

Abstract

The Eileen Brookman Photographs depict Nevada Assemblywoman Eileen Brookman from 1959 to 1989. The photographs primarily depict Brookman with other Nevada politicians, including U.S. Senators Harry Reid, Alan Bible, Eugene McCarty, and Howard Cannon, and Nevada Governors Paul Laxalt, Mike O’Callaghan, Richard Bryan, and Grant Sawyer. The photographs also depict Brookman at political events with the Nevada National Guard, bill-signing ceremonies, and at events in Las Vegas, Nevada.

Archival Collection

Bill Willard Photograph Collection

Identifier

PH-00333

Abstract

The Bill Willard Photograph Collection depicts Las Vegas, Nevada, hotels and casinos in Las Vegas, the Las Vegas Valley, and Laughlin, Nevada from 1905 to 1919 and from 1940 to 1999. The photographs primarily depict hotels and casinos in Las Vegas, including the Sahara Hotel, Circus Circus Hotel and Casino, MGM Grand Las Vegas Hotel and Casino, Caesars Palace, Flamingo Hotel, and the Aladdin Hotel. The photographs also depict students at Nevada Southern University (predecessor of the University of Nevada, Las Vegas), the city of Las Vegas, industrial plants in Henderson and Apex, Nevada, and events in Laughlin, Nevada.

Archival Collection

David Rea Collection of Howard Hughes Publicity Photographs

Identifier

PH-00400

Abstract

This collection is comprised of publicity photographs of Howard Hughes and his aircrafts, from approximately the 1940s to the 1950s, that were compiled by David Rea, former pilot for Hughes Aircraft Company. This collection also includes clippings and technical drawings of Hughes aircrafts.

Archival Collection

North Las Vegas Bicentennial Committee Photographs and Drawings of Kiel Ranch

Identifier

PH-00005

Abstract

The North Las Vegas Bicentennial Committee Photographs and Drawings of Kiel Ranch document the buildings on Kiel (Kyle) Ranch in 1974. As part of the commemoration of the United States bicentennial, the North Las Vegas City Council elected to restore Kiel Ranch, which was one of the first non-indigenous settlements in the Las Vegas Valley. The materials include black-and-white photographs of Kiel Ranch as it was in 1974 as well as architectural drawings of planned renovations to the main house, the Brown House, the foreman's house, and the ranch hands' house.

Archival Collection

Florence Lee Jones Cahlan Photographs

Identifier

PH-00045

Abstract

The Florence Lee Jones Cahlan Photographs depict locations and events in Las Vegas, Nevada from 1909 to 1980. The photographs primarily depict historical locations, including the Las Vegas Mormon Fort, the Kiel Ranch, and plaques commemorating Las Vegas’s 75th anniversary. The photographs also depict celebrations, including the Diamond Jubilee festivities held to celebrate Las Vegas’s 75th anniversary, plaque dedications, building dedications, and the 50th anniversary of the arrival of the first mail planes in Las Vegas. The photographs include the Kennecott Copper Corporation’s facilities in McGill, Nevada, Western Airlines planes and pilots, and Union Pacific Railroad locomotives.

Archival Collection

Tonopah Mining Company Records

Identifier

MS-00752

Abstract

The Tonopah Mining Company Records derive from the office of the company’s general manager in Tonopah, Nevada and consist of documents directly generated by its mining and milling operations from 1901 through 1941. The collection includes daily work reports, assay reports and certificates, employee time cards, invoices and receipts for mining equipment and supplies, monthly stores reports, and the company’s numerous insurance policies. Several of the company’s annual reports, including an original typescript copy of the 1907 annual report, are included in the collection. Additionally, select records from the company's subsidiary, Desert Power and Mill Company, as well as the Tonopah and Goldfield Railroad, which include overcharge claims, freight and repair bills, and delivery receipts are included in the collection.

Archival Collection