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On stage, 1966 June-July

Level of Description

File

Archival Collection

Sands Hotel Public Relations Records
To request this item in person:
Collection Number: MS-00417
Collection Name: Sands Hotel Public Relations Records
Box/Folder: Box 23

Archival Component

Promotional recordings, 1958 July

Level of Description

File

Archival Collection

Sands Hotel Public Relations Records
To request this item in person:
Collection Number: MS-00417
Collection Name: Sands Hotel Public Relations Records
Box/Folder: Box 27

Archival Component

CNN: The Gamble, 1994 July

Level of Description

Item

Archival Collection

William R. Eadington Professional Papers
To request this item in person:
Collection Number: MS-00646
Collection Name: William R. Eadington Professional Papers
Box/Folder: Box 05

Archival Component

Howard Hughes, 1938 July

Level of Description

File

Archival Collection

Howard Hughes Public Relations Photograph Collection
To request this item in person:
Collection Number: PH-00373
Collection Name: Howard Hughes Public Relations Photograph Collection
Box/Folder: Folder 06

Archival Component

July 1910 statement, uncollected accounts, Las Vegas Land and Water Company, 1910 July

Level of Description

File

Archival Collection

San Pedro, Los Angeles & Salt Lake Railroad Company Records
To request this item in person:
Collection Number: MS-00007
Collection Name: San Pedro, Los Angeles & Salt Lake Railroad Company Records
Box/Folder: Box 01

Archival Component

Letter from Leavitt L. Keene to R. T. Walker, April 15, 1918

Date

1918-04-15

Description

Letter inquires about employment opening for a cyanide plant operator at the Techatticup Mine.

Text

Transcript of interview with Julie Menard by Joyce Marshall, March 17, 1996

Date

1996-03-17

Description

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

Text