Oral history interview with Stacey Fott conducted by Claytee D. White and Stefani Evans on July 18, 2024 for the UNLV Remembers: an Oral History of the 6 December 2023 Shootings project. In this interview, Fott describes being at her desk in UNLV Special Collections and Archives when the first alert sounded. The building provided a sense of safety, and Fott continued to check on students while the Library was locked down. Her husband, who also works on campus, used his scooter to take Tropicana to their nearby home. After the evacuation of the Library, occupants were sent to Thomas & Mack. She walked home after inviting others to use her home as a pick-up location because it was near campus yet out of the zone where traffic was not allowed. Fott returned to campus the next day to move her car. She recalls passing Beam Hall felt too overwhelming, so she walked between Wright Hall and the Law School to Lot N behind Lied Library. After some reflection, Fott's anger is subsiding but arises every once in a while. She was able to go home to her husband and cats, but recognizes that a number of colleagues will never go to that physical home again. Digital audio and transcript available.
Archival Collection
UNLV Remembers: an Oral History of the 6 December 2023 Shooting interviews
Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.
Narrator affiliation: Physicist, First director, Lawrence Livermore Laboratory; Arms control negotiator; Director, Defense Dept. Research adn Engineering