Dennis Wilson an experienced musician was born in Arabi, Louisiana in 1951. His parents both served in the Marine Corps. Dennis started playing the clarinet in the 4th grade but he did not stop there by the time he was in college he could play the alto saxophone, flute, and clarinet. He received a scholarship to Loyola University in New Orleans. The first introduction to Las Vegas was in 1971. At this time Dennis played for Wayne Cochran and the C.C. Riders traveling all around the United States with the band. In 1979 Dennis moved back to Las Vegas after a short stay in New Orleans. On his return to Las Vegas Dennis recalls his experiences playing with relief bands and performing weekly at Stardust, Dunes, Flamingo, Tropicana, Sands and Caesars. Dennis recalls what it was like working in Las Vegas and the rigorous schedule of a musician. Dennis has had a successful carrier as a musician he went on to play for Burt Bacharach and Dionne Warwick traveling the world. He then settled back in Vegas working on prominent shows such as Avenue Q, Spamalot, and Phantom of the Opera. Dennis still resides in Las Vegas and is now a paraprofessional at Johnson Junior High.
Text
Text
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.
Text
Text
The UNLV Libraries Collection on the Las Vegas Paiute Tribe (approximately 1974-1990) contain oral history transcripts of Paiute community members from approximately 1974 to 1977 and reproductions of Bureau of Indian Affairs correspondence, legal documents, annual reports, and census information regarding the area formerly known as the Las Vegas Indian Colony located in Las Vegas, Nevada. The documents contain information about the original transfer of property ownership from Helen J. Stewart to the United States, who acted on behalf of the Paiute people in 1911, the establishment of the original site location, and annual reports which include a narrative about the community, census information, and health reports of the population living in the area. The collection contains no original documents.
Archival Collection
The Linda Miller Papers (2008-2024) document Dr. Linda Miller's historic preservation work in Las Vegas, Nevada including her work portraying early Las Vegas resident, Helen J. Stewart, at historical events across Southern Nevada. The collection documents Miller's efforts to erect a statue of Helen Stewart at the Las Vegas, Nevada Old Mormon Fort, as well as her contributions to the programming for Sarah Winnemucca Day in 2018. The collection documents Miller's appearances as Helen J. Stewart through photographs, pamphlets, video recordings, digital files, and curriculum used for her outreach work. The collection also documents Dr. Miller's activities as chair for the Nevada State Society chapter of the National Society of the Daughters of the American Revolution (NSDAR) and as a member of the National Society Sons and Daughters of the Pilgrims Southern Nevada Chapter.
Archival Collection
The Helen J. Stewart Papers (1869-1978) document the life of Las Vegas, Nevada pioneer, Helen J. Stewart. It includes correspondence between Stewart and her children as well as various family legal papers and certificates. The collection also contains Helen J. Stewart's 70th birthday scrapbook, a ledger, and a day book from 1904-1919, as well as several photograph albums and information related to the family burial plot.
Archival Collection
Oral history interview with Luceanne "Lucy" Taufa conducted by Jerwin Tiu, Cecilia Winchell, and Stefani Evans on December 16, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Taufa describes growing up on the Tongan island of Vava'u in a large family and later immigrating to the United States. She recalls her father first immigrating to Hawaii, and after obtaining a green card, her and her siblings following shortly after. While Kaufa's older siblings continued to pursue higher education and her younger siblings were too young to work, she took on a bulk of the responsibility to provide income and navigate life in Hawaii for her family. Eventually, Lucy moved to Dallas, Texas, met her husband, and moved to Las Vegas, Nevada for her husband's job. Later in the interview, she discusses joining the Culinary Union after experiencing racial discrimination at her workplace and her pride in her identity as a Tongan woman.
Text