Search Results
Cave Nightclub Records
Identifier
Abstract
The Cave Nightclub Records (1992-1994) are comprised of materials generated during the planning and construction of the Cave Nightclub in Las Vegas, Nevada. It opened in 1992 as a straight nightclub. It changed ownership in 1993, and reopened on September 3, 1993 as a gay nightclub and closed early in 1995. The collection contains policy documents, building plans, and promotional and publicity materials, as well as artifacts, including waiter uniforms from the nightclub.
Archival Collection
O.C. "Boots" LeBoutillier Paintings
Identifier
Abstract
The collection consists of two watercolor paintings donated and autographed by Las Vegas resident O.C. “Boots” LeBoutillier. The materials were painted and signed by Robert Carlin depicting the crash of Baron Manfred Von Richthofen's (the "Red Baron") airplane on April 21, 1918. LeBoutillier is also depicted in the paintings flying above as the "Red Baron" crashes after being shot down. The paintings were created approximately between 1970 to 1979.
Archival Collection
Photograph of Evel Pie sign, Las Vegas (Nev.), June 28, 2017
Date
Archival Collection
Description
Site address: 508 Fremont St
Sign owner: High Horse Group
Sign details: Original construction year of the building was 1949. Previous to this property being Evel pie it house the short lived F. Pigalle fondue restaurant, and the Radio City Pizza. This 1979 Evel Knievel themed pizza restaurant and bar opened in late 2016. Their motto is Live Hard, Ride Fast, Eat Pizza. In the restaurant there is an Evel Knievel Pinball machine and a Stunt Cycle Game.
Sign condition: 5 - new sign, just over a year old
Sign form: Sign above the entrance
Sign-specific description: Above the entrance there are red channeled cursive letters Evel Pie filled with neon tubes that illuminate red at night. To the left and right of the letters there are little white wings that are plastic but are illuminated with neon tubes I behind it.
Sign - type of display: Neon
Sign - media: Steel and Plastic
Sign - non-neon treatments: Plastic for "wings" of sign
Sign environment: Located in the East Fremont District
Sign manufacturer: Diamond Head Signs
Sign - date of installation: Late 2016
Sign - artistic significance: The logo is the same font as Evel Knievels old advertisements. This font this was a close representation of his signature but more of a bubble font cursive letters rather than the flat signature that would have been done with a pen/pencil. Also the wings on the sign represent the theme since he was known for jumping such long distances that they said he would fly.
Survey - research locations: Assessor's website
Survey - research notes: Eater Vegas https://vegas.eater.com/2016/12/16/13979544/evel-knievel- evel-pie- pizza-las- vegas, Las Vegas weekly https://lasvegasweekly.com/dining/dining-news/2016/sep/28/evel- pie-fremont- east-downtown-las- vegas/
Survey - other remarks: The High Horse ownership group that owns this property is comprised of Barden Powers, Jeff Fine, Seth Schorr and Kelly Knievel.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-22
Sign keywords: Plastic; Steel; Neon; Fascia; Building-front design
Mixed Content
Micheal Miller interview, April 5, 1976: transcript
Date
Archival Collection
Description
On April 5, 1976, collector Broderick T. Ackerman interviewed Michael Miller who has lived in Nevada since 1910. In this interview, Mister Miller speaks about his time working on ranches and as a trapper in Northern Nevada. He also speaks about his time running nightclubs in Las Vegas, Nevada, as well as seeing much growth throughout his time living in Las Vegas.
Text
Sylvia Alvarado interview, April 12, 2019: transcript
Date
Archival Collection
Description
Interviewed by Rodrigo Vazquez, Monserrath Hernández, and Barbara Tabach. Sylvia Alvarado talks about growing up in North Las Vegas and her Catholic upbringing in a Mexican household. Her studies in Journalism & Media Studies led her to her career as a radio host on English and Spanish-speaking programs. She also talks about speaking "pocha" Spanish and the Latinx influence in radio programming.
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