Station Casinos, Inc., was started by Frank J. Fertitta Jr. in 1976 in Las Vegas, Nevada as a single gambling facility. The facility was known as The Casino and underwent various expansions over the years before changing its name to the Palace Station in 1983. Fertitta’s son, Frank J. Fertitta III, joined the company in 1984 as vice president and director. Station Casinos continued expanding throughout the 1990s and establishing additional gaming facilities in Missouri including riverboat and dockside gaming in St.
Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.
On February 21, 1979, Dan Buress interviewed Bernice Johnson (born September 13, 1919 in Los Angeles, California) in her home in Las Vegas, Nevada. The two discuss Mrs. Johnson’s personal history and her reasons for moving to Las Vegas. Johnson describes moving between Southern California and Las Vegas while her husband worked for the railroad company. The interview concludes with Johnson recalling her memories of the Von Tobel family and the rapid population growth in Las Vegas after the construction of the Nevada Test Site.
On March, 14, 1981, collector Diane Donavan interviewed her neighbor, pharmacist Wayne Earl (born June 21, 1926 in St. George, Utah) at the collector’s home in Las Vegas, Nevada. This interview covers Earl’s early recollections of Nevada and his life after moving to Las Vegas in 1940. Earl also talks about World War II, McCarran Airport, Nellis Air Force Base, North Las Vegas politics, Jaycees, and the Chamber of Commerce. Additionally, Earl recalls his involvement in civic affairs, social and religious activities, including his affiliation with the Mormon Church.
On April 6, 1976, collector Beatrice Scheid interviewed housewife Velma Holland (born October 17th, 1903 in New Market, Iowa) in her home in Boulder City, Nevada. This interview covers her early life in Boulder City. Mrs. Holland, Connie Degennes, and Beatrice Scheid are present during the interview.