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Nevada Women's History Project bylaws, policies, and procedures

Date

1996 to 1997

Description

Folder from the Nevada Women's History Project Records (MS-00406).

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Transcript of interview with George Pollak by Claytee White, May 25, 2010

Date

2010-05-25

Description

George was raised in Mattapan, a suburb of Boston, by his mother and father. George had four siblings and was the second youngest. George shares fond memories of growing up and playing softball and tennis in the neighborhood park with his numerous friends. George could listen to a song on the radio and play it on the piano by ear when he was as young as four years old. George had several jobs to earn money growing up, including working in a record store and as a busboy. Eventually George and his brother joined a trio with Steve Harrington and performed in clubs. In 1958, George joined his brother and Paulette Richards in Las Vegas where they had a contract to play at El Rancho Hotel & Casino where they played until it was destroyed by fire. Following the fire, George and his brother parted ways and each did their own thing. In the 1960s, George began playing with the band at Caesars Palace. George used his background in accounting to do some bookkeeping and payroll for some of the ban

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Transcript of interview with Jillian Hrushowy by Joyce Marshall, September 26, 1995

Date

1995-09-26

Description

Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

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Transcript of interview with Kent "Tim" Hafen by Gregory Hafen, March 4, 1975

Date

1975-03-04

Description

On March 4, 1975 collector Gregory T. Hafen interviewed his father, Kent (Tim) Hafen (born April 17th, 1932 in St. George, Utah) at his ranch home in Pahrump, Nevada. This interview covers the history and development of Pahrump from 1951 to 1975. Kent relocated to Pahrump, Nevada in 1951, after living in Mesquite, Nevada from 1932 to 1951. Kent was a local farmer.

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Transcript of interview with Paul Senzaki, Alan Hess, and Charlie White III by Stefani Evans and Claytee White, September 9, 2016

Date

2016-09-09

Description

Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.

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Transcript of interview with Anna Sipl Meyers by Leita Kaldi Davis, February 12, 2012, February 29, 2012, March 27, 2012, April 6, 2012, April 24, 2012, May 3, 2012, May 9, 2012, May 16, 2012, October 19, 2012, November 16, 2012, & December 7, 2012

Date

2012-02-12
2012-02-29
2012-03-27
2012-04-06
2012-04-24
2012-05-03
2012-05-09
2012-05-16
2012-10-19
2012-11-16
2012-12-07

Description

From concentration to ownership of Las Vegas casinos, Meyers owned the Cashbah and the and Queen of Hearts in downtown Las Vegas. Interview dates: 2/12/2012, 2/29/2012, 3/27/2012, 4/16/2012, 4/24/2012, 5/3/2012, 5/9/2012, 5/16/2012, 10/19/2012, 11/16/2012, 12/7/2012.

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Transcript of interview with Tony Scodwell by Lisa Gioia-Acres, September 29, 2008

Date

2008-09-29

Description

Tony was born the only son of the only son in Beloit, Wisconsin. Following his parents divorce when he was 12, he and his father went to live with his grandparents who, he admits, spoiled him. While neither of his parents played a musical instrument, Tony’s grandmother was a professional organist. In addition, Tony had an uncle who was a professional saxophone player and who was an inspiration to him. Tony’s dad was very supportive of his decision to learn trumpet and rented Tony an instrument, took him to his lessens, and sat with him while he practiced. Tony was firm in his convictions by the 9th grade that he was going to be a musician. Following high school, Tony was awarded a full scholarship to the Berklee School of Music in Boston which was a very prestigious music school. Tony repeatedly left school to go on the road which the school fully expected of their students. The last time he left the school he never went back. Tony states he got his degree on the road with experience from playing in bands like Stan Kenton, Tommy Dorsey, and with his idol Harry James. Tony took his career abroad when he took up residence in Cologne, Germany to play with a band there. Tony came to Las Vegas to play in a band with Buddy Rich which turned out to be of a shorter duration than he expected. Tony then played in Las Vegas and Reno for a time before going back on the road after realizing he preferred playing jazz on the road as opposed to playing in show bands. After eight years on the road, Tony returned to Las Vegas, got married, and settled down. Aptitude tests proved accurate when they showed Tony had a talent for things mechanical and metal as Tony went on to manufacture trumpets in addition to playing them. One can feel the love Tony has for his trumpets as he describes the process of creating them. After playing trumpet for almost 30 years, Tony decided it was time to concentrate on his photography for a while. Tony does not consider himself retired, but rather he likes to play, take pictures, and, of course, he practices the trumpet every day.

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Nora Mirabal interview, August 30, 2019: transcript

Date

2019-08-30

Description

Interviewed by Elsa Lopez and Barbara Tabach. Cuban refugee family by way of Spain and then to the US; arrived in Las Vegas in 1973 when Nora was 9 years old. Struggled in youth but rises up as embraces educaton. Currently is Assistant Director of Academic Partnership at CSN.

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