The Clinton Wright Photographs (1964-2018) contains black-and-white photographic negatives of various sizes, dating from 1964 to 1971. The images document the Black experience in Las Vegas, Nevada during the 1960s and 1970s, and capture scenes of everyday life in the historic Black neighborhood known as the Westside, social events such as weddings and parties, and events hosted by local churches. The collection also contains a photograph of Clinton Wright from 2017 when he visited the University of Nevada, Las Vegas Special Collections and Archives, and a memorial program for his wife, Joyce Wright, who passed away in 2018.
The Las Vegas Art Museum Records (1952-2009) contain administrative files, press, marketing materials, and scrapbooks that document the history of the Las Vegas Art Museum (LVAM). Collection materials include exhibition files, annual reports, financial statements, board meeting agendas and minutes, event invitations, press releases, and newspaper and magazine clippings documenting the museum's activities. Materials include photographs from museum events as well as photographs of artwork displayed as part of visiting and permanent exhibitions. Audio and video recordings include interviews with museum staff and local news coverage of events. Also included are architectural floor plans for the Sahara West Library, which was used as a gallery space for LVAM. Digital files in this collection include recordings and presentation slides from LVAM lectures with curators and artists. Other digital files include photographs from LVAM events and workings files from LVAM staff.
The Shelley Berkley Papers (1987-2012) consist primarily of correspondence and other documents pertaining to Shelley Berkley's tenure as United States Representative for Nevada 1st congressional district. Topics include nuclear waste storage at Yucca Mountain, education, women's rights, health care, foreign affairs, veterans, economics, and homeland security. The collection also includes photographs, interviews, and awards. Shelley Berkley served as a member of Congress between 1999 and 2013.
The Barbara Raben Collection on the Las Vegas Jewish Community (1976-2018) is comprised of materials collected by Barbara Raben that document her personal life and her involvement with the Las Vegas, Nevada Jewish community, specifically the Hadassah Southern Nevada Chapter and the Jewish Family Service Agency (JFSA) of Clark County, Nevada. Hadassah and JFSA records consist of photographs and programs from events held by the organizations. Materials also document Raben's business, The Candy Factory, and her connections to the Florence Melton School of Adult Jewish Learning.
Release of all rights, licenses, leases, contracts, etc., of the Las Vegas Land and Water Company to the Las Vegas Valley Water District. Notarized by Louis Scholnick in Douglas County, Nebraska on June 3, 1954.
Includes meeting agenda and minutes with additional information about the mandatory athletic fee resolution. CSUN Session 7 Meeting Minutes and Agendas.
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
In 1948 in Las Vegas, Nevada, a camera-girl-turned-cocktail-waitress and a casino credit manager welcomed the birth of their son, Darrin Bush. After attaining his education at St. Joseph’s Catholic School and Bishop Gorman High School, Bush earned his Bachelor’s degree in journalism at the University of Nevada, Reno. Bush credits his love for photography to his mother’s influence and his study of journalism. Bush’s first job after college as a room service waiter at the Sahara Hotel eventually grew into the coveted position of room service swing captain. His swing shift duties included the entertainers' dressing rooms, which meant taking care of the entertainers, getting them what they needed, and stocking their favorite foods and drinks nightly. Through his work, Bush eventually formed close friendships with several celebrities of the day. He enjoyed his work, but he never stopped honing his skills as an amateur photographer. In the mid-1980s, Bush left the Strip to become a professional photographer for the Las Vegas News Bureau. Throughout his News Bureau career, Bush photographed the casino buildings made famous by Las Vegas-the construction and the architecture of Southern Nevada’s gaming palaces-as well as iconic events in Las Vegas history. Darrin retired from the News Bureau in about 2014, but his work recording the building of and events of Las Vegas lives on in the News Bureau archives. He continues to be an avid photographer.
As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”