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Transcript of interview with Esther Toporek Finder by Barbara Tabach, June 8, 2016

Date

2016-06-08

Description

Esther Toporek Finder is a professor of psychology and has lived in Las Vegas, Nevada since 2010. She was born May 28, 1953, in Chicago, Illinois, and moved to Washington D.C. in 1979 after graduating with her Masters from the University of Chicago. While in Washington D.C, Finder was able to jump start her career as an oral historian recording Holocaust survivor stories with the U.S Holocaust Memorial Museum and the Shoah Foundation. Esther Finder is a second generation Holocaust survivor. Her passion for Holocaust education and its representation in society has led her to many opportunities to teach, facilitate, educate, create and contribute to many survivor oriented groups such as The Generation After where she was President for 15 years, the Holocaust Era Assets Conference as representation of the American survivor community, as well as the creation of the Generations of the Shoah International group in October 2002. When Finder moved to Las Vegas, she quickly and deeply involved herself in the Las Vegas Holocaust survivor community. She has been integral with Nellis Air Force Base?s Days of Remembrance, the opening the Generations of Shoah Nevada Chapter, and partnering with the World Federation of Jewish Child Survivors of the Holocaust and Descendants to bring conferences to the Las Vegas Valley. In addition, she has been an organizer of commemoration programs for students attending UNLV and schools within the Clark County School District. Her involvement with the Governor?s Advisory Council on Education Relating to the Holocaust and the television series Eyewitness to History have highlighted the Holocaust survivors living in Las Vegas. In this interview, Finder discusses her childhood as well as the paths that led her to realize her passion for the Holocaust survivor community and her deep association with the community. She shares her experiences interviewing survivors and second generation survivors giving a deeper insight into the stories that they have shared with her over the years. In addition, she reflects on her long reach within the survivor community and brings to light the foundation of family being a survivor gives. Finder highlights the traveling, teaching and community service opportunities she has had over the years while enlightening people about the importance of countering hate through education.

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Transcript of interview with Irving Kirshbaum by Cheryl Rogers, February 23, 1979

Date

1979-02-23

Description

Interview with Irving Kirshbaum by Cheryl Rogers on February 23, 1979. In this interview, Kirshbaum discusses the Riviera Hotel where he began working in 1955. He also talks about the landscape of the Las Vegas Strip in the 1950s, and the state of gambling, comps, customer service, and dealer training. The interviewer asks about the treatment of minorities at the Riviera, and in Las Vegas generally, and the effect of corporate ownership on casinos.

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Irene Cepeda interview, April 24, 2019: transcript

Date

2019-04-24

Description

Interviewed by Monserrath Hernández, Nathalie Martinez and Rodrigo Vázquez. Irene Cepeda is a woman dedicated to serving the Latinx as well as all minority groups in education in Southern Nevada. As a Las Vegas native, she grew up alongside the Latinx community here and is a proud Latina from Nicaraguan roots. She is dedicated to uplifting the Latinx community through her work with the Latino Youth Leadership Conference and college access specialist at Nevada State College. Now, as representative of District D on the Clark County School District Board of Trustees, she seeks to tackle the issues the district faces from acts of White supremacy to a lack of funding for English Language Learner families.

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Transcript of interview with Sherwin "Scoop" Garside by David Anderson, March 25, 1976

Date

1976-03-25

Description

On March 25, 1976, David Anderson interviewed Sherwin “Scoop” Garside (born May 26, 1915 in Tonopah, Nevada) about his life in Southern Nevada. Garside first talks about his father’s business in running an early Nevada newspaper and his personal knowledge of the early mining that took place in different parts of Nevada. He also talks about living in the town of Tonopah, the American Indians who lived in the area, and his experiences from living in Las Vegas. Garside also mentions the beginnings of gambling in Las Vegas, the population boom periods of Las Vegas, and his experiences in witnessing the aboveground atomic testing.

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Transcript of interview with Clark Crocker by Monica Lehman, March 3, 1978

Date

1978-03-03

Description

On March 3, 1978, Monica Lehman interviewed Clark Crocker (born 1920 in Westfield, Massachusetts) about his experiences while living in Nevada. Crocker first talks about his family and educational background before describing his experiences from going to school in both California and Massachusetts. Crocker then describes what he knows about the building of Hoover Dam and later talks about his career as a teacher and school principal. The two also discuss Crocker’s hobbies and volunteer work, including that for the fire department in Pahrump, and they later discuss Crocker’s experiences as both a frogman and navigator for the United States Navy during World War II. The interview concludes with some of Crocker’s thoughts and philosophies on how curriculum should be structured in schools.

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Transcript of interview with Harry Kogan by Barbara Tabach, January 12, 2016

Date

2016-01-12

Description

With a liveliness of a man decades younger, Harry Kogan looks at his 100th birthday with cheer and satisfaction. Born March 11, 1916 to poor Russian immigrant parents in the Jewish ghetto of Philadelphia, Harry vividly recalls walking to school shoeless, with no hat or no raincoat. A treat would be his mother handing him ten-cents to go to the theater and enjoy a silent movie. After graduating from high school in 1933, Harry quickly took one of the rare jobs available in a garment manufacturing company where he worked his way into being a skilled and valued fabric cutter-a job that paid $35 a week. Harry was raised with two brothers and lived in Philadelphia for the first 91 years of his life before moving to Las Vegas. One of his brothers learned the refrigeration business while enlisted in the Navy and after the war formed a commercial refrigeration business named Kogan Brothers. Harry is a philosophical and philanthropic man. He was slow to retire and traveled the world, took classes and donated to his favorite causes; among which are the Boys Town Jerusalem and the Jewish Federation of Las Vegas. He sat for this interview to honor his Jewish roots, to share his life experiences and spending the past years in Las Vegas.

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Transcript of interview with Ron Lawrence by Dennis McBride, June, July and August 1997

Date

1997-07-22
1997-07-11
1997-08-08
1997-08-22

Description

Ron Lawrence is one of the busiest people in the gay community, so I want him to know how much I appreciate his reserving time for me so that I could complete this oral history interview. The importance of his work toward the well-being of the gay community in Las Vegas cannot be measured, and much of what he's accomplished and otherwise made possible will live long after he leaves us. With Ron's consent to this interview, our knowledge of Nevada's gay history is greatly enriched and our record preserved.

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Transcript of interview with Gary Sternberg by Barbara Tabach, February - April, 2015

Date

2015-02-12
2015-02-15
2015-04-07
2015-10-20

Description

In this oral history, Gary explains how the family came to live in the United States?Cleveland and Los Angeles. In 1957, he married Noreen and they eventually came to live in Las Vegas where Gary worked for Sears selling washing machines, had a repair business and an importing business with Noreen. Gary was an entrepreneurial soul and inventive much like his father. He owns three patents.

On August 25, 1931, Augusta and Herman Sternberg welcomed their second child, Gerd (aka Gary), into the world of Cuxhaven, Germany. Augusta was a devout Christian of Polish ancestry who had fled Russian persecution. Herman was a German-born Jew salesman and inventor. The couple fell in love and had two children, Gary and Ruth who was a year and half older. By 1938, German politics were targeting Jews and Herman was ripped away from his Christian wife and children and sent to a concentration camp. Fate and friendship rescued Herman with the option to go to China. And so begins the history of the Sternberg family and how they all would eventually live together during World War II in the confines of a Jewish ghetto in Hongkew, China from May 1939 to July 1948. Gary had an extraordinary career as a dealer. He was not the stereotypical young dealer-to-be: he was in his 40s when he signed up for the Michael Gaughn Dealing School in the mid-1970s. Gary?s charming wit and ease of making friends soon gained him a position at El Cortez and then Caesars Palace. It was the same personality that would sustain his stellar thirty-one year career at Caesars. He was employed there from April 1974 until his retirement May 8, 2005. Though Jewish tradition would identify Gary as Christian, he self-identified as Jewish, officially converted and has been an active member of the Jewish community. Among his anecdotes-and he has many-is one about securing a $30,000 donation from Frank Sinatra and Jilly Rizzo for Congregation Ner Tamid.

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neo000139-004

Description

Sign animation: Chasing, flashing, oscillating
Notes: The logo cabinets which adorn the entrances on the elevated walkways: The letters start with both rows of text in the off position. The top row flashes on, while the bottom row is dark then the bottom row illuminates, as the top row goes dark. Once the top row flashes off it flashes back on so that both rows of text are briefly illuminated simultaneously before they both go dark and the sequence stars over again. While this is going on the incandescent bulbs which line all of the raceways are chasing each other from left to right on the horizontal planes, while the arched sections chase each other downward. The triangular peaks which radiate around the top of the logo sign, flash on and off in a sequence which chase each other downward. First the top center peak flashes on, then the next sequential triangular channel on both sides illuminate simultaneously, flash off, then the next two in the series illuminate. The resultant effect is a chasing pattern starting from the top. The sister animation is located on almost the exact same design on the porte cochere. I would think the previous smaller sign would be based on the larger porte cochere. The other variance besides obvious size difference is the that the channel letters are filled with incandescent bulbs instead of neon. The animation is a bit simpler as well. The incandescent bulbs oscillate continuously while the triangular pan channels which create the radiating crown, animate. The neon in the channels chase each other as described in the smaller walk way version, while the text continues until the entire text flashes off, then on, off, then begin to animate once again. All of the bulbs, which line the raceways of the exterior edge of the porte cochere, as well as the encrustation of bulbs on the brass bull nose portion, animate in rapid succession. All the raceway bulbs chase each other while the bulbs on the brass portion continually oscillate. Animation continues on the east face of the building with the entrances first. The principle for these two signs is oscillation and chasing. All bulbs on the underside of the entrance, as well as in the logo, oscillate rapidly. All bulbs on the raceways chase each other. Further on the surface of the building as well, the Pepsi cola wall sign is found displaying a very unique form of animation, seen here on the strip. The signage for the Pepsi ad is located on the eastern wall. (Detailed in specific description) The Incandescent bulbs which fill the inside of the text that spells Pepsi, chase each other from left to right, leaving all the bulbs in its path illuminated, as if writing out the word Pepsi. The neon bars located within the tilted bottle of Pepsi are illuminated, and chase each other downward, leaving the bars it its path dark. As this sequence in taking place, the waving tubes of neon illuminate, flashed subtly making the neon appear as soda pouring out of the bottle. As the tubing flows then the vertical neon bars in the cup illuminate one at a time making the cup appear as if it is filling up. The text above each of the painted fires head, flashes back and forth as if talking to each other as well. ESPN ZONE animation: The letters in the vertical blade portion of the ESPN Zone illuminate one at a time, starting from the top. Once the entire phrase is lit, in flashes off then on then off, before restating. The orange and red neon tubing which resides inside the pan channels that represent flames flash on and off in a relaxed manner as if to animate the flickering of the flames. The small incandescent bulbs on the black portions above the main matrix reader board flash on and off subtly.
Sign keywords: Neon; Backlit

Film strip of individuals or Hoover Dam construction, image 006: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0040) reads, "Early morning on grave-yard shift, day shift coming on, notice lunch boxes. Hardway Johnnie (John Armitage) the graveyard Asst. Super. Coming down to see why they are slow getting to their jobs - that's me right behind him." "The men nicknamed me Hardway Jr. I relayed his orders. He had a hard time walking those 2x12 boards on top of the forms - they did install rails later, as you can see, but didn't weather the rough treatment - (xx) elevator shaft." "I got a lot of learning under John Armitage. He sent me to relieve on so many different jobs. Had clean up crew for three months - also I ran the pours with #5 hi-line until it could reach the dam no more, with the angle it sat. Tied steel on intake towers two nights." "Most fearful job was relief hook tender on the stiffleg. The job was situated on a pad on the upstream face of the dam, about level with the low-mix trusel, with just enough room for two of the 8 yd. buckets - the stiffleg would leave a bucket of mud - pick an empty one - No.6 hi-line would leave and empty one and pick up the empty. The men stood as flat as they could - during the exchange with the bucket down. The men would grab the swinging steel cables in one hand, the 12 pound hook that felt like 50 pounds. Place cable on eye in bucket, then twist hook down and slam in place - no guard rails." The second one (0272_0041) reads "Intake towers growing. The bottom of the picture shows a finished pour - it must cure for 12 hours in the hot weather, and 48 hours, cold weather - 300 ft. down if you step off the end of this panel (see arrow)," as a handwritten inscription. The third one (0272_0042) reads "The morning after my first night of work, with Dickey" (dog).

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